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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0501E0 it is the complementary color #FAFE1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0501E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #0501E0: #0A01DB, #1B13EE, #2C25FF, #3D37FF and #4E49FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0501E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #0501E0: #0501E0, #0000CD, #0000BA, #0000A7 and #000094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 100 / 0 / 12

HEX #0501E0

RGB 5 1 224

HSL 241.08, 0.99%, 0.44%

LAB 27.94, 71.65, -97.55

 

Complementary color

CMYK 2 / 0 / 88 / 0

HEX #FAFE1F

RGB 250 254 31

HSL 61.08, 0.99%, 0.56%

LAB 96.54, -22.8, 90.82

 

CMYK 95 / 100 / 0 / 14

HEX #0A01DB

RGB 10 1 219

HSL 242.48, 0.99%, 0.43%

LAB 27.3, 70.47, -95.75

 

CMYK 89 / 92 / 0 / 7

HEX #1B13EE

RGB 27 19 238

HSL 242.19, 0.87%, 0.5%

LAB 31.51, 71.95, -99.57

 

CMYK 83 / 85 / 0 / 0

HEX #2C25FF

RGB 44 37 255

HSL 241.93, 1%, 0.57%

LAB 36.14, 71.43, -101.44

 

CMYK 76 / 78 / 0 / 0

HEX #3D37FF

RGB 61 55 255

HSL 241.8, 1%, 0.61%

LAB 39.49, 64.73, -95.84

 

CMYK 69 / 71 / 0 / 0

HEX #4E49FF

RGB 78 73 255

HSL 241.65, 1%, 0.64%

LAB 43.66, 56.99, -88.91

 

CMYK 98 / 100 / 0 / 12

HEX #0501E0

RGB 5 1 224

HSL 241.08, 0.99%, 0.44%

LAB 27.94, 71.65, -97.55

 

CMYK 100 / 100 / 0 / 20

HEX #0000CD

RGB 0 0 205

HSL 240, 1%, 0.4%

LAB 24.98, 67.18, -91.5

 

CMYK 100 / 100 / 0 / 27

HEX #0000BA

RGB 0 0 186

HSL 240, 1%, 0.36%

LAB 22.11, 62.48, -85.1

 

CMYK 100 / 100 / 0 / 35

HEX #0000A7

RGB 0 0 167

HSL 240, 1%, 0.33%

LAB 19.18, 57.69, -78.57

 

CMYK 100 / 100 / 0 / 42

HEX #000094

RGB 0 0 148

HSL 240, 1%, 0.29%

LAB 16.2, 52.79, -71.9

 

CMYK 98 / 100 / 0 / 12

HEX #0501E0

RGB 5 1 224

HSL 241.08, 0.99%, 0.44%

LAB 27.94, 71.65, -97.55

 

CMYK 82 / 100 / 0 / 13

HEX #2901DF

RGB 41 1 223

HSL 250.81, 0.99%, 0.44%

LAB 28.96, 71.81, -95.26

 

CMYK 65 / 100 / 0 / 13

HEX #4E01DF

RGB 78 1 223

HSL 260.81, 0.99%, 0.44%

LAB 31.74, 73, -90.55

 

CMYK 48 / 100 / 0 / 13

HEX #7301DF

RGB 115 1 223

HSL 270.81, 0.99%, 0.44%

LAB 35.97, 75.34, -83.39

 

CMYK 32 / 100 / 0 / 13

HEX #9801DF

RGB 152 1 223

HSL 280.81, 0.99%, 0.44%

LAB 41.26, 78.94, -74.51

 

CMYK 98 / 100 / 0 / 12

HEX #0501E0

RGB 5 1 224

HSL 241.08, 0.99%, 0.44%

LAB 27.94, 71.65, -97.55

 

CMYK 100 / 100 / 0 / 92

HEX #000014

RGB 0 0 20

HSL 240, 1%, 0.04%

LAB 0.46, 3.21, -8.72

 

CMYK 97 / 100 / 0 / 72

HEX #020047

RGB 2 0 71

HSL 241.69, 1%, 0.14%

LAB 4.23, 28.02, -41.19

 

CMYK 98 / 99 / 0 / 52

HEX #03017A

RGB 3 1 122

HSL 240.99, 0.98%, 0.24%

LAB 12.26, 45.49, -62.05

 

CMYK 98 / 99 / 0 / 32

HEX #0401AD

RGB 4 1 173

HSL 241.05, 0.99%, 0.34%

LAB 20.3, 58.97, -80.32

 

CMYK 98 / 100 / 0 / 12

HEX #0501E0

RGB 5 1 224

HSL 241.08, 0.99%, 0.44%

LAB 27.94, 71.65, -97.55

 

CMYK 0 / 100 / 22 / 13

HEX #DF01AF

RGB 223 1 175

HSL 312.97, 0.99%, 0.44%

LAB 50.46, 82.47, -31.21

 

CMYK 61 / 0 / 100 / 13

HEX #56DF01

RGB 86 223 1

HSL 97.03, 0.99%, 0.44%

LAB 78.9, -67.75, 76.49

 

CMYK 98 / 100 / 0 / 12

HEX #0501E0

RGB 5 1 224

HSL 241.08, 0.99%, 0.44%

LAB 27.94, 71.65, -97.55

 

CMYK 0 / 98 / 100 / 13

HEX #DF0401

RGB 223 4 1

HSL 0.81, 0.99%, 0.44%

LAB 46.68, 72.06, 60.47

 

CMYK 100 / 0 / 98 / 13

HEX #01DF04

RGB 1 223 4

HSL 120.81, 0.99%, 0.44%

LAB 77.75, -77.78, 74.8

 

CMYK 98 / 100 / 0 / 12

HEX #0501E0

RGB 5 1 224

HSL 241.08, 0.99%, 0.44%

LAB 27.94, 71.65, -97.55

 

CMYK 0 / 100 / 22 / 13

HEX #DF01AF

RGB 223 1 175

HSL 312.97, 0.99%, 0.44%

LAB 50.46, 82.47, -31.21

 

CMYK 2 / 0 / 100 / 13

HEX #DBDF01

RGB 219 223 1

HSL 61.08, 0.99%, 0.44%

LAB 85.93, -21.15, 84.92

 

CMYK 100 / 0 / 78 / 13

HEX #01DF31

RGB 1 223 49

HSL 132.97, 0.99%, 0.44%

LAB 77.88, -76.14, 66.73

 

CMYK 98 / 100 / 0 / 12

HEX #0501E0

RGB 5 1 224

HSL 241.08, 0.99%, 0.44%

LAB 27.94, 71.65, -97.55

 

CMYK 0 / 100 / 52 / 13

HEX #DF016C

RGB 223 1 108

HSL 331.08, 0.99%, 0.44%

LAB 48, 76.1, 5.51

 

CMYK 2 / 0 / 100 / 13

HEX #DBDF01

RGB 219 223 1

HSL 61.08, 0.99%, 0.44%

LAB 85.93, -21.15, 84.92

 

CMYK 100 / 0 / 48 / 13

HEX #01DF73

RGB 1 223 115

HSL 150.81, 0.99%, 0.44%

LAB 78.47, -68.7, 40.27

 

Description

Color code: HEX #0501E0 | qconv.com Color code: HEX #0501E0 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 1 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 1 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 100 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 100% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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