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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0366D9 it is the complementary color #FC9926. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0366D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0366D9 shade: #0866D4, #1978E7, #2A8AFA, #3B9CFF and #4CAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0366D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0366D9 shade: #0366D9, #0054C6, #0042B3, #0030A0 and #001E8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0366D9 shade: #0366D8, #032CD8, #1403D8, #4D03D8 and #8603D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0366D9 shade: #0366D8, #032CD8 and #0303D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0366D9 shade matches the following richer shades: #0366D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0366D9 shade: #0366D8, #1567C6, #2768B5, #396AA3 and #4A6B91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0366D9 shade: #03D8D8, #039FD8, #0367D8, #032ED8 and #1103D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0366D9 shade: #023F87, #0353AF, #0366D8, #0979FB and #328FFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0366D9 shade: #0366D9, #9F03D8 and #BCD803

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0366D9 shade: #0366D9, #D80367 and #67D803

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0366D9 shade: #0366D9, #9F03D8, #D87503 and #3CD803

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0366D9 shade: #0366D9, #D803D1, #D87503 and #03D80A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 53 / 0 / 15

HEX #0366D9

RGB 3 102 217

HSL 212.24, 0.97%, 0.43%

LAB 44.99, 20.56, -65.42

 

Complementary color

CMYK 0 / 39 / 85 / 1

HEX #FC9926

RGB 252 153 38

HSL 32.24, 0.97%, 0.57%

LAB 71.97, 29.45, 69.63

 

CMYK 96 / 52 / 0 / 17

HEX #0866D4

RGB 8 102 212

HSL 212.35, 0.93%, 0.43%

LAB 44.67, 18.73, -63.07

 

CMYK 89 / 48 / 0 / 9

HEX #1978E7

RGB 25 120 231

HSL 212.33, 0.81%, 0.5%

LAB 51.16, 15.35, -63.32

 

CMYK 83 / 45 / 0 / 2

HEX #2A8AFA

RGB 42 138 250

HSL 212.31, 0.95%, 0.57%

LAB 57.63, 12.53, -63.45

 

CMYK 77 / 39 / 0 / 0

HEX #3B9CFF

RGB 59 156 255

HSL 210.31, 1%, 0.62%

LAB 63.28, 5.16, -57.13

 

CMYK 70 / 32 / 0 / 0

HEX #4CAEFF

RGB 76 174 255

HSL 207.15, 1%, 0.65%

LAB 68.77, -3.08, -48.4

 

CMYK 99 / 53 / 0 / 15

HEX #0366D9

RGB 3 102 217

HSL 212.24, 0.97%, 0.43%

LAB 44.99, 20.56, -65.42

 

CMYK 100 / 58 / 0 / 22

HEX #0054C6

RGB 0 84 198

HSL 214.55, 1%, 0.39%

LAB 38.58, 24.73, -64.92

 

CMYK 100 / 63 / 0 / 30

HEX #0042B3

RGB 0 66 179

HSL 217.88, 1%, 0.35%

LAB 32.15, 29.17, -64.28

 

CMYK 100 / 70 / 0 / 37

HEX #0030A0

RGB 0 48 160

HSL 222, 1%, 0.31%

LAB 25.72, 33.7, -63.44

 

CMYK 100 / 79 / 0 / 45

HEX #001E8D

RGB 0 30 141

HSL 227.23, 1%, 0.28%

LAB 19.44, 37.93, -62.13

 

CMYK 99 / 53 / 0 / 15

HEX #0366D8

RGB 3 102 216

HSL 212.11, 0.97%, 0.43%

LAB 44.91, 20.17, -64.97

 

CMYK 99 / 80 / 0 / 15

HEX #032CD8

RGB 3 44 216

HSL 228.45, 0.97%, 0.43%

LAB 31.3, 55.93, -87.35

 

CMYK 91 / 99 / 0 / 15

HEX #1403D8

RGB 20 3 216

HSL 244.79, 0.97%, 0.43%

LAB 27.22, 69.44, -94.14

 

CMYK 64 / 99 / 0 / 15

HEX #4D03D8

RGB 77 3 216

HSL 260.85, 0.97%, 0.43%

LAB 30.88, 71.03, -87.94

 

CMYK 38 / 99 / 0 / 15

HEX #8603D8

RGB 134 3 216

HSL 276.9, 0.97%, 0.43%

LAB 38.01, 75.41, -75.93

 

CMYK 99 / 53 / 0 / 15

HEX #0366D8

RGB 3 102 216

HSL 212.11, 0.97%, 0.43%

LAB 44.91, 20.17, -64.97

 

CMYK 99 / 80 / 0 / 15

HEX #032CD8

RGB 3 44 216

HSL 228.45, 0.97%, 0.43%

LAB 31.3, 55.93, -87.35

 

CMYK 99 / 99 / 0 / 15

HEX #0303D8

RGB 3 3 216

HSL 240, 0.97%, 0.43%

LAB 26.86, 69.31, -94.76

 

CMYK 99 / 53 / 0 / 15

HEX #0366D8

RGB 3 102 216

HSL 212.11, 0.97%, 0.43%

LAB 44.91, 20.17, -64.97

 

CMYK 99 / 53 / 0 / 15

HEX #0366D8

RGB 3 102 216

HSL 212.11, 0.97%, 0.43%

LAB 44.91, 20.17, -64.97

 

CMYK 89 / 48 / 0 / 22

HEX #1567C6

RGB 21 103 198

HSL 212.2, 0.81%, 0.43%

LAB 44.14, 13.07, -55.88

 

CMYK 78 / 43 / 0 / 29

HEX #2768B5

RGB 39 104 181

HSL 212.54, 0.65%, 0.43%

LAB 43.75, 7.3, -46.62

 

CMYK 65 / 35 / 0 / 36

HEX #396AA3

RGB 57 106 163

HSL 212.26, 0.48%, 0.43%

LAB 43.98, 2.05, -35.66

 

CMYK 49 / 26 / 0 / 43

HEX #4A6B91

RGB 74 107 145

HSL 212.11, 0.32%, 0.43%

LAB 44.26, -0.84, -24.49

 

CMYK 99 / 0 / 0 / 15

HEX #03D8D8

RGB 3 216 216

HSL 180, 0.97%, 0.43%

LAB 78.51, -42.34, -12.46

 

CMYK 99 / 26 / 0 / 15

HEX #039FD8

RGB 3 159 216

HSL 196.06, 0.97%, 0.43%

LAB 61.46, -14.24, -38.57

 

CMYK 99 / 52 / 0 / 15

HEX #0367D8

RGB 3 103 216

HSL 211.83, 0.97%, 0.43%

LAB 45.19, 19.52, -64.52

 

CMYK 99 / 79 / 0 / 15

HEX #032ED8

RGB 3 46 216

HSL 227.89, 0.97%, 0.43%

LAB 31.65, 54.9, -86.76

 

CMYK 92 / 99 / 0 / 15

HEX #1103D8

RGB 17 3 216

HSL 243.94, 0.97%, 0.43%

LAB 27.14, 69.41, -94.28

 

CMYK 99 / 53 / 0 / 47

HEX #023F87

RGB 2 63 135

HSL 212.48, 0.97%, 0.27%

LAB 27.62, 12.99, -44.97

 

CMYK 98 / 53 / 0 / 31

HEX #0353AF

RGB 3 83 175

HSL 212.09, 0.97%, 0.35%

LAB 36.56, 16.15, -54.72

 

CMYK 99 / 53 / 0 / 15

HEX #0366D8

RGB 3 102 216

HSL 212.11, 0.97%, 0.43%

LAB 44.91, 20.17, -64.97

 

CMYK 96 / 52 / 0 / 2

HEX #0979FB

RGB 9 121 251

HSL 212.23, 0.97%, 0.51%

LAB 52.62, 21.85, -72.12

 

CMYK 80 / 43 / 0 / 1

HEX #328FFC

RGB 50 143 252

HSL 212.38, 0.97%, 0.59%

LAB 59.3, 10.91, -61.86

 

CMYK 99 / 53 / 0 / 15

HEX #0366D9

RGB 3 102 217

HSL 212.24, 0.97%, 0.43%

LAB 44.99, 20.56, -65.42

 

CMYK 26 / 99 / 0 / 15

HEX #9F03D8

RGB 159 3 216

HSL 283.94, 0.97%, 0.43%

LAB 41.84, 78.27, -69.5

 

CMYK 13 / 0 / 99 / 15

HEX #BCD803

RGB 188 216 3

HSL 67.89, 0.97%, 0.43%

LAB 81.73, -30.68, 80.61

 

CMYK 99 / 53 / 0 / 15

HEX #0366D9

RGB 3 102 217

HSL 212.24, 0.97%, 0.43%

LAB 44.99, 20.56, -65.42

 

CMYK 0 / 99 / 52 / 15

HEX #D80367

RGB 216 3 103

HSL 331.83, 0.97%, 0.43%

LAB 46.5, 74.02, 6.27

 

CMYK 52 / 0 / 99 / 15

HEX #67D803

RGB 103 216 3

HSL 91.83, 0.97%, 0.43%

LAB 77.28, -61.02, 75.24

 

CMYK 99 / 53 / 0 / 15

HEX #0366D9

RGB 3 102 217

HSL 212.24, 0.97%, 0.43%

LAB 44.99, 20.56, -65.42

 

CMYK 26 / 99 / 0 / 15

HEX #9F03D8

RGB 159 3 216

HSL 283.94, 0.97%, 0.43%

LAB 41.84, 78.27, -69.5

 

CMYK 0 / 46 / 99 / 15

HEX #D87503

RGB 216 117 3

HSL 32.11, 0.97%, 0.43%

LAB 59.28, 32.87, 66

 

CMYK 72 / 0 / 99 / 15

HEX #3CD803

RGB 60 216 3

HSL 103.94, 0.97%, 0.43%

LAB 76.12, -70.68, 73.82

 

CMYK 99 / 53 / 0 / 15

HEX #0366D9

RGB 3 102 217

HSL 212.24, 0.97%, 0.43%

LAB 44.99, 20.56, -65.42

 

CMYK 0 / 99 / 3 / 15

HEX #D803D1

RGB 216 3 209

HSL 301.97, 0.97%, 0.43%

LAB 51, 85.47, -50.2

 

CMYK 0 / 46 / 99 / 15

HEX #D87503

RGB 216 117 3

HSL 32.11, 0.97%, 0.43%

LAB 59.28, 32.87, 66

 

CMYK 99 / 0 / 95 / 15

HEX #03D80A

RGB 3 216 10

HSL 121.97, 0.97%, 0.43%

LAB 75.55, -75.75, 72.44

 

Description

Color code: HEX #0366D9 | qconv.com Color code: HEX #0366D9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 102 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 102 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 53 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 53% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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