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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01CD12 it is the complementary color #FE32ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01CD12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #01CD12: #06CD0D, #17DF20, #28F133, #39FF46 and #4AFF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01CD12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #01CD12: #01CD12, #00BB00, #00A900, #009700 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 91 / 20

HEX #01CD12

RGB 1 205 18

HSL 125, 0.99%, 0.4%

LAB 72.04, -72.69, 68.54

 

Complementary color

CMYK 0 / 80 / 7 / 0

HEX #FE32ED

RGB 254 50 237

HSL 305, 0.99%, 0.6%

LAB 61.19, 89.66, -49.46

 

CMYK 97 / 0 / 94 / 20

HEX #06CD0D

RGB 6 205 13

HSL 122.11, 0.94%, 0.41%

LAB 72.05, -72.62, 69.23

 

CMYK 90 / 0 / 86 / 13

HEX #17DF20

RGB 23 223 32

HSL 122.7, 0.81%, 0.48%

LAB 77.91, -76.1, 71.13

 

CMYK 83 / 0 / 79 / 5

HEX #28F133

RGB 40 241 51

HSL 123.28, 0.88%, 0.55%

LAB 83.76, -78.82, 71.84

 

CMYK 78 / 0 / 73 / 0

HEX #39FF46

RGB 57 255 70

HSL 123.94, 1%, 0.61%

LAB 88.37, -79.74, 70.54

 

CMYK 71 / 0 / 65 / 0

HEX #4AFF59

RGB 74 255 89

HSL 124.97, 1%, 0.65%

LAB 88.78, -75.73, 64.1

 

CMYK 100 / 0 / 91 / 20

HEX #01CD12

RGB 1 205 18

HSL 125, 0.99%, 0.4%

LAB 72.04, -72.69, 68.54

 

CMYK 100 / 0 / 100 / 27

HEX #00BB00

RGB 0 187 0

HSL 120, 1%, 0.37%

LAB 66.17, -68.26, 65.89

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 100 / 0 / 91 / 20

HEX #01CD12

RGB 1 205 18

HSL 125, 0.99%, 0.4%

LAB 72.04, -72.69, 68.54

 

CMYK 100 / 0 / 75 / 21

HEX #01CA33

RGB 1 202 51

HSL 134.93, 0.99%, 0.4%

LAB 71.21, -70.15, 59.56

 

CMYK 100 / 0 / 58 / 21

HEX #01CA55

RGB 1 202 85

HSL 145.07, 0.99%, 0.4%

LAB 71.49, -66.56, 46.02

 

CMYK 100 / 0 / 42 / 21

HEX #01CA76

RGB 1 202 118

HSL 154.93, 0.99%, 0.4%

LAB 71.93, -61.22, 30.36

 

CMYK 100 / 0 / 25 / 21

HEX #01CA98

RGB 1 202 152

HSL 165.07, 0.99%, 0.4%

LAB 72.57, -53.9, 13.29

 

CMYK 100 / 0 / 91 / 20

HEX #01CD12

RGB 1 205 18

HSL 125, 0.99%, 0.4%

LAB 72.04, -72.69, 68.54

 

CMYK 100 / 0 / 100 / 100

HEX #000100

RGB 0 1 0

HSL 120, 1%, 0%

LAB 0.2, -0.4, 0.29

 

CMYK 100 / 0 / 90 / 80

HEX #003405

RGB 0 52 5

HSL 125.77, 1%, 0.1%

LAB 17.77, -27.36, 22.72

 

CMYK 99 / 0 / 91 / 60

HEX #016709

RGB 1 103 9

HSL 124.71, 0.98%, 0.2%

LAB 37.35, -43.7, 40.31

 

CMYK 99 / 0 / 91 / 40

HEX #019A0E

RGB 1 154 14

HSL 125.1, 0.99%, 0.3%

LAB 55.23, -58.66, 54.85

 

CMYK 100 / 0 / 91 / 20

HEX #01CD12

RGB 1 205 18

HSL 125, 0.99%, 0.4%

LAB 72.04, -72.69, 68.54

 

CMYK 100 / 28 / 0 / 21

HEX #0191CA

RGB 1 145 202

HSL 197.01, 0.99%, 0.4%

LAB 56.61, -11.66, -38.34

 

CMYK 0 / 100 / 68 / 21

HEX #CA0140

RGB 202 1 64

HSL 341.19, 0.99%, 0.4%

LAB 42.69, 68.65, 25

 

CMYK 100 / 0 / 91 / 20

HEX #01CD12

RGB 1 205 18

HSL 125, 0.99%, 0.4%

LAB 72.04, -72.69, 68.54

 

CMYK 92 / 100 / 0 / 21

HEX #1101CA

RGB 17 1 202

HSL 244.78, 0.99%, 0.4%

LAB 24.97, 66.36, -89.75

 

CMYK 0 / 92 / 100 / 21

HEX #CA1101

RGB 202 17 1

HSL 4.78, 0.99%, 0.4%

LAB 42.7, 65.45, 56.27

 

CMYK 100 / 0 / 91 / 20

HEX #01CD12

RGB 1 205 18

HSL 125, 0.99%, 0.4%

LAB 72.04, -72.69, 68.54

 

CMYK 100 / 28 / 0 / 21

HEX #0191CA

RGB 1 145 202

HSL 197.01, 0.99%, 0.4%

LAB 56.61, -11.66, -38.34

 

CMYK 0 / 100 / 8 / 21

HEX #CA01BA

RGB 202 1 186

HSL 304.78, 0.99%, 0.4%

LAB 47.14, 80.1, -43.16

 

CMYK 0 / 71 / 100 / 21

HEX #CA3A01

RGB 202 58 1

HSL 17.01, 0.99%, 0.4%

LAB 46.43, 54.98, 57.91

 

CMYK 100 / 0 / 91 / 20

HEX #01CD12

RGB 1 205 18

HSL 125, 0.99%, 0.4%

LAB 72.04, -72.69, 68.54

 

CMYK 100 / 58 / 0 / 21

HEX #0155CA

RGB 1 85 202

HSL 214.93, 0.99%, 0.4%

LAB 39.19, 25.69, -66.25

 

CMYK 0 / 100 / 8 / 21

HEX #CA01BA

RGB 202 1 186

HSL 304.78, 0.99%, 0.4%

LAB 47.14, 80.1, -43.16

 

CMYK 0 / 42 / 100 / 21

HEX #CA7601

RGB 202 118 1

HSL 34.93, 0.99%, 0.4%

LAB 57.57, 26.45, 64.32

 

Description

Color code: HEX #01CD12 | qconv.com Color code: HEX #01CD12 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 205 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 205 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 91 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 91% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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