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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #010E55 it is the complementary color #FEF1AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #010E55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #010E55: #060E50, #172063, #283276, #394489 and #4A569C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #010E55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #010E55: #010E55, #000042, #00002F, #00001C and #000009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 84 / 0 / 67

HEX #010E55

RGB 1 14 85

HSL 230.71, 0.98%, 0.17%

LAB 8.79, 26.63, -43.35

 

Complementary color

CMYK 0 / 5 / 33 / 0

HEX #FEF1AA

RGB 254 241 170

HSL 50.71, 0.98%, 0.83%

LAB 94.69, -5.84, 35.92

 

CMYK 93 / 83 / 0 / 69

HEX #060E50

RGB 6 14 80

HSL 233.51, 0.86%, 0.17%

LAB 8.41, 25.03, -40.55

 

CMYK 77 / 68 / 0 / 61

HEX #172063

RGB 23 32 99

HSL 232.89, 0.62%, 0.24%

LAB 16.08, 21.83, -40.7

 

CMYK 66 / 58 / 0 / 54

HEX #283276

RGB 40 50 118

HSL 232.31, 0.49%, 0.31%

LAB 23.8, 19.28, -40.4

 

CMYK 58 / 50 / 0 / 46

HEX #394489

RGB 57 68 137

HSL 231.75, 0.41%, 0.38%

LAB 31.37, 17.37, -40.05

 

CMYK 53 / 45 / 0 / 39

HEX #4A569C

RGB 74 86 156

HSL 231.22, 0.36%, 0.45%

LAB 38.75, 15.92, -39.74

 

CMYK 99 / 84 / 0 / 67

HEX #010E55

RGB 1 14 85

HSL 230.71, 0.98%, 0.17%

LAB 8.79, 26.63, -43.35

 

CMYK 100 / 100 / 0 / 74

HEX #000042

RGB 0 0 66

HSL 240, 1%, 0.13%

LAB 3.55, 24.67, -38.75

 

CMYK 100 / 100 / 0 / 82

HEX #00002F

RGB 0 0 47

HSL 240, 1%, 0.09%

LAB 1.85, 13.03, -27.55

 

CMYK 100 / 100 / 0 / 89

HEX #00001C

RGB 0 0 28

HSL 240, 1%, 0.05%

LAB 0.76, 5.32, -14.39

 

CMYK 100 / 100 / 0 / 96

HEX #000009

RGB 0 0 9

HSL 240, 1%, 0.02%

LAB 0.18, 1.25, -3.41

 

CMYK 99 / 84 / 0 / 67

HEX #010E55

RGB 1 14 85

HSL 230.71, 0.98%, 0.17%

LAB 8.79, 26.63, -43.35

 

CMYK 100 / 100 / 0 / 67

HEX #000055

RGB 0 0 85

HSL 240, 1%, 0.17%

LAB 5.92, 34.69, -48.12

 

CMYK 82 / 100 / 0 / 67

HEX #0F0055

RGB 15 0 85

HSL 250.59, 1%, 0.17%

LAB 6.84, 35.72, -46.57

 

CMYK 66 / 100 / 0 / 67

HEX #1D0055

RGB 29 0 85

HSL 260.47, 1%, 0.17%

LAB 8.28, 36.67, -44.14

 

CMYK 49 / 100 / 0 / 67

HEX #2B0055

RGB 43 0 85

HSL 270.35, 1%, 0.17%

LAB 10.33, 37.85, -40.68

 

CMYK 99 / 84 / 0 / 67

HEX #010E55

RGB 1 14 85

HSL 230.71, 0.98%, 0.17%

LAB 8.79, 26.63, -43.35

 

CMYK 99 / 84 / 0 / 47

HEX #021688

RGB 2 22 136

HSL 231.04, 0.97%, 0.27%

LAB 17.29, 40.74, -62.56

 

CMYK 99 / 83 / 0 / 27

HEX #021FBB

RGB 2 31 187

HSL 230.59, 0.98%, 0.37%

LAB 25.51, 53.01, -80.02

 

CMYK 99 / 84 / 0 / 7

HEX #0327EE

RGB 3 39 238

HSL 230.81, 0.98%, 0.47%

LAB 33.23, 65, -96.72

 

CMYK 100 / 82 / 0 / 87

HEX #000622

RGB 0 6 34

HSL 229.41, 1%, 0.07%

LAB 2.22, 4.93, -16.98

 

CMYK 99 / 84 / 0 / 67

HEX #010E55

RGB 1 14 85

HSL 230.71, 0.98%, 0.17%

LAB 8.79, 26.63, -43.35

 

CMYK 0 / 100 / 2 / 67

HEX #550053

RGB 85 0 83

HSL 301.41, 1%, 0.17%

LAB 18.17, 43.83, -26.22

 

CMYK 42 / 0 / 100 / 67

HEX #315500

RGB 49 85 0

HSL 85.41, 1%, 0.17%

LAB 32.15, -26.44, 39.23

 

CMYK 99 / 84 / 0 / 67

HEX #010E55

RGB 1 14 85

HSL 230.71, 0.98%, 0.17%

LAB 8.79, 26.63, -43.35

 

CMYK 0 / 100 / 82 / 67

HEX #55000F

RGB 85 0 15

HSL 349.41, 1%, 0.17%

LAB 15.31, 36.51, 17.39

 

CMYK 82 / 0 / 100 / 67

HEX #0F5500

RGB 15 85 0

HSL 109.41, 1%, 0.17%

LAB 30.87, -36.57, 37.69

 

CMYK 99 / 84 / 0 / 67

HEX #010E55

RGB 1 14 85

HSL 230.71, 0.98%, 0.17%

LAB 8.79, 26.63, -43.35

 

CMYK 0 / 100 / 2 / 67

HEX #550053

RGB 85 0 83

HSL 301.41, 1%, 0.17%

LAB 18.17, 43.83, -26.22

 

CMYK 0 / 16 / 100 / 67

HEX #554700

RGB 85 71 0

HSL 50.12, 1%, 0.17%

LAB 30.49, -1.31, 39.32

 

CMYK 100 / 0 / 96 / 67

HEX #005503

RGB 0 85 3

HSL 122.12, 1%, 0.17%

LAB 30.65, -38.54, 36.3

 

CMYK 99 / 84 / 0 / 67

HEX #010E55

RGB 1 14 85

HSL 230.71, 0.98%, 0.17%

LAB 8.79, 26.63, -43.35

 

CMYK 0 / 100 / 33 / 67

HEX #550039

RGB 85 0 57

HSL 319.76, 1%, 0.17%

LAB 16.63, 40.01, -10.57

 

CMYK 0 / 16 / 100 / 67

HEX #554700

RGB 85 71 0

HSL 50.12, 1%, 0.17%

LAB 30.49, -1.31, 39.32

 

CMYK 100 / 0 / 66 / 67

HEX #00551D

RGB 0 85 29

HSL 140.47, 1%, 0.17%

LAB 30.84, -36.04, 25.88

 

Description

Color code: HEX #010E55 | qconv.com Color code: HEX #010E55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 14 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 14 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 84 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 84% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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