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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00F723 it is the complementary color #FF08DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00F723. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #00F723: #05F71E, #16FF31, #27FF44, #38FF57 and #49FF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00F723. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #00F723: #00F723, #00E510, #00D300, #00C100 and #00AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 86 / 3

HEX #00F723

RGB 0 247 35

HSL 128.5, 1%, 0.48%

LAB 85.32, -83.33, 77.02

 

Complementary color

CMYK 0 / 97 / 14 / 0

HEX #FF08DC

RGB 255 8 220

HSL 308.5, 1%, 0.52%

LAB 58.6, 93.18, -43.98

 

CMYK 98 / 0 / 88 / 3

HEX #05F71E

RGB 5 247 30

HSL 126.2, 0.96%, 0.49%

LAB 85.33, -83.36, 77.95

 

CMYK 91 / 0 / 81 / 0

HEX #16FF31

RGB 22 255 49

HSL 126.95, 1%, 0.54%

LAB 87.93, -84.05, 76.22

 

CMYK 85 / 0 / 73 / 0

HEX #27FF44

RGB 39 255 68

HSL 128.06, 1%, 0.58%

LAB 88.15, -81.73, 70.92

 

CMYK 78 / 0 / 66 / 0

HEX #38FF57

RGB 56 255 87

HSL 129.35, 1%, 0.61%

LAB 88.47, -78.41, 64.47

 

CMYK 71 / 0 / 58 / 0

HEX #49FF6A

RGB 73 255 106

HSL 130.88, 1%, 0.64%

LAB 88.91, -74.08, 57.2

 

CMYK 100 / 0 / 86 / 3

HEX #00F723

RGB 0 247 35

HSL 128.5, 1%, 0.48%

LAB 85.32, -83.33, 77.02

 

CMYK 100 / 0 / 93 / 10

HEX #00E510

RGB 0 229 16

HSL 124.19, 1%, 0.45%

LAB 79.66, -79.18, 75.2

 

CMYK 100 / 0 / 100 / 17

HEX #00D300

RGB 0 211 0

HSL 120, 1%, 0.41%

LAB 73.93, -74.71, 72.11

 

CMYK 100 / 0 / 100 / 24

HEX #00C100

RGB 0 193 0

HSL 120, 1%, 0.38%

LAB 68.12, -69.89, 67.45

 

CMYK 100 / 0 / 100 / 31

HEX #00AF00

RGB 0 175 0

HSL 120, 1%, 0.34%

LAB 62.22, -64.98, 62.72

 

CMYK 100 / 0 / 86 / 3

HEX #00F723

RGB 0 247 35

HSL 128.5, 1%, 0.48%

LAB 85.32, -83.33, 77.02

 

CMYK 100 / 0 / 70 / 4

HEX #00F449

RGB 0 244 73

HSL 137.95, 1%, 0.48%

LAB 84.58, -80.15, 65.47

 

CMYK 100 / 0 / 53 / 4

HEX #00F472

RGB 0 244 114

HSL 148.03, 1%, 0.48%

LAB 84.95, -75.44, 48.75

 

CMYK 100 / 0 / 36 / 4

HEX #00F49B

RGB 0 244 155

HSL 158.11, 1%, 0.48%

LAB 85.54, -68.46, 29.55

 

CMYK 100 / 0 / 20 / 4

HEX #00F4C3

RGB 0 244 195

HSL 167.95, 1%, 0.48%

LAB 86.33, -59.62, 10.07

 

CMYK 100 / 0 / 86 / 3

HEX #00F723

RGB 0 247 35

HSL 128.5, 1%, 0.48%

LAB 85.32, -83.33, 77.02

 

CMYK 100 / 0 / 86 / 83

HEX #002B06

RGB 0 43 6

HSL 128.37, 1%, 0.08%

LAB 14.06, -23.93, 17.65

 

CMYK 100 / 0 / 86 / 63

HEX #005E0D

RGB 0 94 13

HSL 128.3, 1%, 0.18%

LAB 34.05, -40.75, 36.15

 

CMYK 100 / 0 / 86 / 43

HEX #009115

RGB 0 145 21

HSL 128.69, 1%, 0.28%

LAB 52.18, -55.8, 50.58

 

CMYK 100 / 0 / 86 / 23

HEX #00C41C

RGB 0 196 28

HSL 128.57, 1%, 0.38%

LAB 69.16, -69.91, 64.18

 

CMYK 100 / 0 / 86 / 3

HEX #00F723

RGB 0 247 35

HSL 128.5, 1%, 0.48%

LAB 85.32, -83.33, 77.02

 

CMYK 100 / 33 / 0 / 4

HEX #00A3F4

RGB 0 163 244

HSL 199.92, 1%, 0.48%

LAB 63.94, -6.31, -50.12

 

CMYK 0 / 100 / 73 / 4

HEX #F40041

RGB 244 0 65

HSL 344.02, 1%, 0.48%

LAB 51.4, 78.68, 36.97

 

CMYK 100 / 0 / 86 / 3

HEX #00F723

RGB 0 247 35

HSL 128.5, 1%, 0.48%

LAB 85.32, -83.33, 77.02

 

CMYK 87 / 100 / 0 / 4

HEX #2000F4

RGB 32 0 244

HSL 247.87, 1%, 0.48%

LAB 31.44, 76.83, -103.1

 

CMYK 0 / 87 / 100 / 4

HEX #F42000

RGB 244 32 0

HSL 7.87, 1%, 0.48%

LAB 52.14, 74.08, 65.44

 

CMYK 100 / 0 / 86 / 3

HEX #00F723

RGB 0 247 35

HSL 128.5, 1%, 0.48%

LAB 85.32, -83.33, 77.02

 

CMYK 100 / 33 / 0 / 4

HEX #00A3F4

RGB 0 163 244

HSL 199.92, 1%, 0.48%

LAB 63.94, -6.31, -50.12

 

CMYK 0 / 100 / 13 / 4

HEX #F400D4

RGB 244 0 212

HSL 307.87, 1%, 0.48%

LAB 56.07, 90.78, -43.55

 

CMYK 0 / 67 / 100 / 4

HEX #F45100

RGB 244 81 0

HSL 19.92, 1%, 0.48%

LAB 57.19, 60, 67.68

 

CMYK 100 / 0 / 86 / 3

HEX #00F723

RGB 0 247 35

HSL 128.5, 1%, 0.48%

LAB 85.32, -83.33, 77.02

 

CMYK 100 / 64 / 0 / 4

HEX #0059F4

RGB 0 89 244

HSL 218.11, 1%, 0.48%

LAB 43.77, 39.3, -82.67

 

CMYK 0 / 100 / 13 / 4

HEX #F400D4

RGB 244 0 212

HSL 307.87, 1%, 0.48%

LAB 56.07, 90.78, -43.55

 

CMYK 0 / 36 / 100 / 4

HEX #F49B00

RGB 244 155 0

HSL 38.11, 1%, 0.48%

LAB 71.33, 24.56, 75.96

 

Description

Color code: HEX #00F723 | qconv.com Color code: HEX #00F723 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 247 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 247 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 86 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 86% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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