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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00A97A it is the complementary color #FF5685. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00A97A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #00A97A: #05A975, #16BB88, #27CD9B, #38DFAE and #49F1C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00A97A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #00A97A: #00A97A, #009767, #008554, #007341 and #00612E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 28 / 34

HEX #00A97A

RGB 0 169 122

HSL 163.31, 1%, 0.33%

LAB 61.46, -48.37, 14.06

 

Complementary color

CMYK 0 / 66 / 48 / 0

HEX #FF5685

RGB 255 86 133

HSL 343.31, 1%, 0.67%

LAB 61.32, 67.12, 10.29

 

CMYK 97 / 0 / 31 / 34

HEX #05A975

RGB 5 169 117

HSL 160.98, 0.94%, 0.34%

LAB 61.39, -49.33, 16.71

 

CMYK 88 / 0 / 27 / 27

HEX #16BB88

RGB 22 187 136

HSL 161.45, 0.79%, 0.41%

LAB 67.64, -51.02, 15.03

 

CMYK 81 / 0 / 24 / 20

HEX #27CD9B

RGB 39 205 155

HSL 161.93, 0.68%, 0.48%

LAB 73.84, -52.26, 13.51

 

CMYK 75 / 0 / 22 / 13

HEX #38DFAE

RGB 56 223 174

HSL 162.4, 0.72%, 0.55%

LAB 79.99, -53.15, 12.14

 

CMYK 70 / 0 / 20 / 5

HEX #49F1C1

RGB 73 241 193

HSL 162.86, 0.86%, 0.62%

LAB 86.1, -53.78, 10.88

 

CMYK 100 / 0 / 28 / 34

HEX #00A97A

RGB 0 169 122

HSL 163.31, 1%, 0.33%

LAB 61.46, -48.37, 14.06

 

CMYK 100 / 0 / 32 / 41

HEX #009767

RGB 0 151 103

HSL 160.93, 1%, 0.3%

LAB 55.19, -45.87, 15.94

 

CMYK 100 / 0 / 37 / 48

HEX #008554

RGB 0 133 84

HSL 157.89, 1%, 0.26%

LAB 48.78, -43.27, 17.92

 

CMYK 100 / 0 / 43 / 55

HEX #007341

RGB 0 115 65

HSL 153.91, 1%, 0.23%

LAB 42.22, -40.52, 20

 

CMYK 100 / 0 / 53 / 62

HEX #00612E

RGB 0 97 46

HSL 148.45, 1%, 0.19%

LAB 35.49, -37.55, 22.17

 

CMYK 100 / 0 / 28 / 34

HEX #00A97A

RGB 0 169 122

HSL 163.31, 1%, 0.33%

LAB 61.46, -48.37, 14.06

 

CMYK 100 / 0 / 12 / 34

HEX #00A894

RGB 0 168 148

HSL 172.86, 1%, 0.33%

LAB 61.78, -41.12, 0.01

 

CMYK 100 / 5 / 0 / 34

HEX #009FA8

RGB 0 159 168

HSL 183.21, 1%, 0.33%

LAB 59.55, -30.91, -14.58

 

CMYK 100 / 22 / 0 / 34

HEX #0083A8

RGB 0 131 168

HSL 193.21, 1%, 0.33%

LAB 50.76, -16.44, -28.05

 

CMYK 100 / 39 / 0 / 34

HEX #0067A8

RGB 0 103 168

HSL 203.21, 1%, 0.33%

LAB 42.04, 0.08, -41.76

 

CMYK 100 / 0 / 28 / 34

HEX #00A97A

RGB 0 169 122

HSL 163.31, 1%, 0.33%

LAB 61.46, -48.37, 14.06

 

CMYK 100 / 0 / 28 / 14

HEX #00DC9F

RGB 0 220 159

HSL 163.36, 1%, 0.43%

LAB 78.28, -59.09, 17.56

 

CMYK 100 / 0 / 25 / 94

HEX #00100C

RGB 0 16 12

HSL 165, 1%, 0.03%

LAB 3.59, -5.15, 0.3

 

CMYK 100 / 0 / 28 / 74

HEX #004330

RGB 0 67 48

HSL 162.99, 1%, 0.13%

LAB 24.41, -24.68, 6.21

 

CMYK 100 / 0 / 28 / 54

HEX #007655

RGB 0 118 85

HSL 163.22, 1%, 0.23%

LAB 43.67, -37.01, 10.32

 

CMYK 100 / 0 / 28 / 34

HEX #00A97A

RGB 0 169 122

HSL 163.31, 1%, 0.33%

LAB 61.46, -48.37, 14.06

 

CMYK 100 / 92 / 0 / 34

HEX #000EA8

RGB 0 14 168

HSL 235, 1%, 0.33%

LAB 20.6, 54.04, -76.8

 

CMYK 0 / 68 / 100 / 34

HEX #A83500

RGB 168 53 0

HSL 18.93, 1%, 0.33%

LAB 39.36, 45.39, 51.19

 

CMYK 100 / 0 / 28 / 34

HEX #00A97A

RGB 0 169 122

HSL 163.31, 1%, 0.33%

LAB 61.46, -48.37, 14.06

 

CMYK 29 / 100 / 0 / 34

HEX #7800A8

RGB 120 0 168

HSL 282.86, 1%, 0.33%

LAB 31.39, 64.79, -58.58

 

CMYK 0 / 29 / 100 / 34

HEX #A87800

RGB 168 120 0

HSL 42.86, 1%, 0.33%

LAB 53.77, 10.24, 59.92

 

CMYK 100 / 0 / 28 / 34

HEX #00A97A

RGB 0 169 122

HSL 163.31, 1%, 0.33%

LAB 61.46, -48.37, 14.06

 

CMYK 100 / 92 / 0 / 34

HEX #000EA8

RGB 0 14 168

HSL 235, 1%, 0.33%

LAB 20.6, 54.04, -76.8

 

CMYK 0 / 100 / 72 / 34

HEX #A8002F

RGB 168 0 47

HSL 343.21, 1%, 0.33%

LAB 35.06, 59.73, 24.71

 

CMYK 0 / 8 / 100 / 34

HEX #A89A00

RGB 168 154 0

HSL 55, 1%, 0.33%

LAB 62.87, -8.46, 66.29

 

CMYK 100 / 0 / 28 / 34

HEX #00A97A

RGB 0 169 122

HSL 163.31, 1%, 0.33%

LAB 61.46, -48.37, 14.06

 

CMYK 79 / 100 / 0 / 34

HEX #2400A8

RGB 36 0 168

HSL 252.86, 1%, 0.33%

LAB 20.84, 58.46, -76.37

 

CMYK 0 / 100 / 72 / 34

HEX #A8002F

RGB 168 0 47

HSL 343.21, 1%, 0.33%

LAB 35.06, 59.73, 24.71

 

CMYK 22 / 0 / 100 / 34

HEX #83A800

RGB 131 168 0

HSL 73.21, 1%, 0.33%

LAB 64.02, -31.72, 65.85

 

Description

Color code: HEX #00A97A | qconv.com Color code: HEX #00A97A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 169 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 169 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 28 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 28% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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Sherwin Williams® to HKS®

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