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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00A28A it is the complementary color #FF5D75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00A28A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #00A28A: #05A285, #16B498, #27C6AB, #38D8BE and #49EAD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00A28A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #00A28A: #00A28A, #009077, #007E64, #006C51 and #005A3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 15 / 36

HEX #00A28A

RGB 0 162 138

HSL 171.11, 1%, 0.32%

LAB 59.59, -41.35, 2.45

 

Complementary color

CMYK 0 / 64 / 54 / 0

HEX #FF5D75

RGB 255 93 117

HSL 351.11, 1%, 0.68%

LAB 61.97, 63.08, 20.48

 

CMYK 97 / 0 / 18 / 36

HEX #05A285

RGB 5 162 133

HSL 168.92, 0.94%, 0.33%

LAB 59.49, -42.51, 5.13

 

CMYK 88 / 0 / 16 / 29

HEX #16B498

RGB 22 180 152

HSL 169.37, 0.78%, 0.4%

LAB 65.81, -44.16, 3.66

 

CMYK 80 / 0 / 14 / 22

HEX #27C6AB

RGB 39 198 171

HSL 169.81, 0.67%, 0.46%

LAB 72.07, -45.41, 2.34

 

CMYK 74 / 0 / 12 / 15

HEX #38D8BE

RGB 56 216 190

HSL 170.25, 0.67%, 0.53%

LAB 78.27, -46.32, 1.15

 

CMYK 69 / 0 / 11 / 8

HEX #49EAD1

RGB 73 234 209

HSL 170.68, 0.79%, 0.6%

LAB 84.41, -46.97, 0.07

 

CMYK 100 / 0 / 15 / 36

HEX #00A28A

RGB 0 162 138

HSL 171.11, 1%, 0.32%

LAB 59.59, -41.35, 2.45

 

CMYK 100 / 0 / 17 / 44

HEX #009077

RGB 0 144 119

HSL 169.58, 1%, 0.28%

LAB 53.25, -38.9, 4.11

 

CMYK 100 / 0 / 21 / 51

HEX #007E64

RGB 0 126 100

HSL 167.62, 1%, 0.25%

LAB 46.77, -36.4, 5.85

 

CMYK 100 / 0 / 25 / 58

HEX #006C51

RGB 0 108 81

HSL 165, 1%, 0.21%

LAB 40.11, -33.81, 7.7

 

CMYK 100 / 0 / 31 / 65

HEX #005A3E

RGB 0 90 62

HSL 161.33, 1%, 0.18%

LAB 33.26, -31.12, 9.7

 

CMYK 100 / 0 / 15 / 36

HEX #00A28A

RGB 0 162 138

HSL 171.11, 1%, 0.32%

LAB 59.59, -41.35, 2.45

 

CMYK 100 / 2 / 0 / 36

HEX #00A0A3

RGB 0 160 163

HSL 181.1, 1%, 0.32%

LAB 59.69, -32.99, -11.53

 

CMYK 100 / 18 / 0 / 36

HEX #0085A3

RGB 0 133 163

HSL 191.04, 1%, 0.32%

LAB 51.17, -19.35, -24.51

 

CMYK 100 / 35 / 0 / 36

HEX #006AA3

RGB 0 106 163

HSL 200.98, 1%, 0.32%

LAB 42.69, -3.8, -37.78

 

CMYK 100 / 52 / 0 / 36

HEX #004EA3

RGB 0 78 163

HSL 211.29, 1%, 0.32%

LAB 34.18, 14.42, -51.43

 

CMYK 100 / 0 / 15 / 36

HEX #00A28A

RGB 0 162 138

HSL 171.11, 1%, 0.32%

LAB 59.59, -41.35, 2.45

 

CMYK 100 / 0 / 15 / 16

HEX #00D5B5

RGB 0 213 181

HSL 170.99, 1%, 0.42%

LAB 76.63, -50.96, 3.53

 

CMYK 100 / 0 / 11 / 96

HEX #000908

RGB 0 9 8

HSL 173.33, 1%, 0.02%

LAB 1.92, -2.49, -0.45

 

CMYK 100 / 0 / 15 / 76

HEX #003C33

RGB 0 60 51

HSL 171, 1%, 0.12%

LAB 21.84, -20.31, 0.54

 

CMYK 100 / 0 / 14 / 56

HEX #006F5F

RGB 0 111 95

HSL 171.35, 1%, 0.22%

LAB 41.52, -31.13, 1.28

 

CMYK 100 / 0 / 15 / 36

HEX #00A28A

RGB 0 162 138

HSL 171.11, 1%, 0.32%

LAB 59.59, -41.35, 2.45

 

CMYK 95 / 100 / 0 / 36

HEX #0800A3

RGB 8 0 163

HSL 242.94, 1%, 0.32%

LAB 18.78, 56.73, -76.79

 

CMYK 0 / 55 / 100 / 36

HEX #A34900

RGB 163 73 0

HSL 26.87, 1%, 0.32%

LAB 42.08, 34.03, 52.18

 

CMYK 100 / 0 / 15 / 36

HEX #00A28A

RGB 0 162 138

HSL 171.11, 1%, 0.32%

LAB 59.59, -41.35, 2.45

 

CMYK 15 / 100 / 0 / 36

HEX #8A00A3

RGB 138 0 163

HSL 290.8, 1%, 0.32%

LAB 34.08, 66.35, -51.05

 

CMYK 0 / 15 / 100 / 36

HEX #A38A00

RGB 163 138 0

HSL 50.8, 1%, 0.32%

LAB 58, -2.1, 62.6

 

CMYK 100 / 0 / 15 / 36

HEX #00A28A

RGB 0 162 138

HSL 171.11, 1%, 0.32%

LAB 59.59, -41.35, 2.45

 

CMYK 95 / 100 / 0 / 36

HEX #0800A3

RGB 8 0 163

HSL 242.94, 1%, 0.32%

LAB 18.78, 56.73, -76.79

 

CMYK 0 / 100 / 85 / 36

HEX #A30018

RGB 163 0 24

HSL 351.17, 1%, 0.32%

LAB 33.67, 57.7, 36.91

 

CMYK 5 / 0 / 100 / 36

HEX #9BA300

RGB 155 163 0

HSL 62.94, 1%, 0.32%

LAB 64.29, -18.98, 66.82

 

CMYK 100 / 0 / 15 / 36

HEX #00A28A

RGB 0 162 138

HSL 171.11, 1%, 0.32%

LAB 59.59, -41.35, 2.45

 

CMYK 65 / 100 / 0 / 36

HEX #3900A3

RGB 57 0 163

HSL 260.98, 1%, 0.32%

LAB 22, 58.04, -71.35

 

CMYK 0 / 100 / 85 / 36

HEX #A30018

RGB 163 0 24

HSL 351.17, 1%, 0.32%

LAB 33.67, 57.7, 36.91

 

CMYK 35 / 0 / 100 / 36

HEX #6AA300

RGB 106 163 0

HSL 80.98, 1%, 0.32%

LAB 61.01, -39.37, 62.9

 

Description

Color code: HEX #00A28A | qconv.com Color code: HEX #00A28A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 162 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 162 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 15 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 15% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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