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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #008AFF it is the complementary color #FF7500. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #008AFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #008AFF: #058AFA, #169CFF, #27AEFF, #38C0FF and #49D2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #008AFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #008AFF: #008AFF, #0078EC, #0066D9, #0054C6 and #0042B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 46 / 0 / 0

HEX #008AFF

RGB 0 138 255

HSL 207.53, 1%, 0.5%

LAB 57.46, 12.61, -66.5

 

Complementary color

CMYK 0 / 54 / 100 / 0

HEX #FF7500

RGB 255 117 0

HSL 27.53, 1%, 0.5%

LAB 64.95, 48.15, 72.8

 

CMYK 98 / 45 / 0 / 2

HEX #058AFA

RGB 5 138 250

HSL 207.43, 0.96%, 0.5%

LAB 57.18, 10.81, -64.19

 

CMYK 91 / 39 / 0 / 0

HEX #169CFF

RGB 22 156 255

HSL 205.49, 1%, 0.54%

LAB 62.65, 2.44, -58.17

 

CMYK 85 / 32 / 0 / 0

HEX #27AEFF

RGB 39 174 255

HSL 202.5, 1%, 0.58%

LAB 67.96, -6.9, -49.73

 

CMYK 78 / 25 / 0 / 0

HEX #38C0FF

RGB 56 192 255

HSL 198.99, 1%, 0.61%

LAB 73.39, -15.25, -41.2

 

CMYK 71 / 18 / 0 / 0

HEX #49D2FF

RGB 73 210 255

HSL 194.84, 1%, 0.64%

LAB 78.89, -22.66, -32.65

 

CMYK 100 / 46 / 0 / 0

HEX #008AFF

RGB 0 138 255

HSL 207.53, 1%, 0.5%

LAB 57.46, 12.61, -66.5

 

CMYK 100 / 49 / 0 / 7

HEX #0078EC

RGB 0 120 236

HSL 209.49, 1%, 0.46%

LAB 51.25, 16.44, -65.98

 

CMYK 100 / 53 / 0 / 15

HEX #0066D9

RGB 0 102 217

HSL 211.8, 1%, 0.43%

LAB 44.96, 20.47, -65.46

 

CMYK 100 / 58 / 0 / 22

HEX #0054C6

RGB 0 84 198

HSL 214.55, 1%, 0.39%

LAB 38.58, 24.73, -64.92

 

CMYK 100 / 63 / 0 / 30

HEX #0042B3

RGB 0 66 179

HSL 217.88, 1%, 0.35%

LAB 32.15, 29.17, -64.28

 

CMYK 100 / 46 / 0 / 0

HEX #008AFF

RGB 0 138 255

HSL 207.53, 1%, 0.5%

LAB 57.46, 12.61, -66.5

 

CMYK 100 / 62 / 0 / 0

HEX #0061FF

RGB 0 97 255

HSL 217.18, 1%, 0.5%

LAB 46.67, 38.37, -84.04

 

CMYK 100 / 78 / 0 / 0

HEX #0037FF

RGB 0 55 255

HSL 227.06, 1%, 0.5%

LAB 37.76, 62.76, -98.76

 

CMYK 100 / 95 / 0 / 0

HEX #000CFF

RGB 0 12 255

HSL 237.18, 1%, 0.5%

LAB 32.88, 77.4, -106.89

 

CMYK 89 / 100 / 0 / 0

HEX #1D00FF

RGB 29 0 255

HSL 246.82, 1%, 0.5%

LAB 32.88, 79.38, -106.89

 

CMYK 100 / 46 / 0 / 0

HEX #008AFF

RGB 0 138 255

HSL 207.53, 1%, 0.5%

LAB 57.46, 12.61, -66.5

 

CMYK 100 / 45 / 0 / 80

HEX #001C33

RGB 0 28 51

HSL 207.06, 1%, 0.1%

LAB 9.56, -0.14, -18.2

 

CMYK 100 / 46 / 0 / 60

HEX #003766

RGB 0 55 102

HSL 207.65, 1%, 0.2%

LAB 22.62, 3.95, -32.1

 

CMYK 100 / 46 / 0 / 40

HEX #005399

RGB 0 83 153

HSL 207.45, 1%, 0.3%

LAB 34.98, 6.84, -44.12

 

CMYK 100 / 46 / 0 / 20

HEX #006ECC

RGB 0 110 204

HSL 207.65, 1%, 0.4%

LAB 46.33, 10.13, -55.82

 

CMYK 100 / 46 / 0 / 0

HEX #008AFF

RGB 0 138 255

HSL 207.53, 1%, 0.5%

LAB 57.46, 12.61, -66.5

 

CMYK 35 / 100 / 0 / 0

HEX #A500FF

RGB 165 0 255

HSL 278.82, 1%, 0.5%

LAB 45.93, 86.47, -84.85

 

CMYK 5 / 0 / 100 / 0

HEX #F2FF00

RGB 242 255 0

HSL 63.06, 1%, 0.5%

LAB 96.16, -26.86, 93.32

 

CMYK 100 / 46 / 0 / 0

HEX #008AFF

RGB 0 138 255

HSL 207.53, 1%, 0.5%

LAB 57.46, 12.61, -66.5

 

CMYK 0 / 100 / 45 / 0

HEX #FF008C

RGB 255 0 140

HSL 327.06, 1%, 0.5%

LAB 55.23, 85.46, -2.62

 

CMYK 45 / 0 / 100 / 0

HEX #8CFF00

RGB 140 255 0

HSL 87.06, 1%, 0.5%

LAB 90.37, -64.28, 86.38

 

CMYK 100 / 46 / 0 / 0

HEX #008AFF

RGB 0 138 255

HSL 207.53, 1%, 0.5%

LAB 57.46, 12.61, -66.5

 

CMYK 35 / 100 / 0 / 0

HEX #A500FF

RGB 165 0 255

HSL 278.82, 1%, 0.5%

LAB 45.93, 86.47, -84.85

 

CMYK 0 / 55 / 100 / 0

HEX #FF7200

RGB 255 114 0

HSL 26.82, 1%, 0.5%

LAB 64.4, 49.56, 72.49

 

CMYK 65 / 0 / 100 / 0

HEX #59FF00

RGB 89 255 0

HSL 99.06, 1%, 0.5%

LAB 88.75, -77.21, 84.42

 

CMYK 100 / 46 / 0 / 0

HEX #008AFF

RGB 0 138 255

HSL 207.53, 1%, 0.5%

LAB 57.46, 12.61, -66.5

 

CMYK 5 / 100 / 0 / 0

HEX #F200FF

RGB 242 0 255

HSL 296.94, 1%, 0.5%

LAB 58.13, 96.29, -64.48

 

CMYK 0 / 55 / 100 / 0

HEX #FF7200

RGB 255 114 0

HSL 26.82, 1%, 0.5%

LAB 64.4, 49.56, 72.49

 

CMYK 95 / 0 / 100 / 0

HEX #0CFF00

RGB 12 255 0

HSL 117.18, 1%, 0.5%

LAB 87.77, -85.84, 83.23

 

Description

Color code: HEX #008AFF | qconv.com Color code: HEX #008AFF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 138 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 138 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 46 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 46% 0% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

42% - TinE
Link: http://babalalla.ncity.net

76% - Autopoetsen Joure
Link: http://www.autopoetsenjoure.nl

56% - Rurly
Link: http://rurl.esy.es

61% - Pili.la
Link: http://pili.la

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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NCS® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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