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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0070B8 it is the complementary color #FF8F47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0070B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #0070B8: #0570B3, #1682C6, #2794D9, #38A6EC and #49B8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0070B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #0070B8: #0070B8, #005EA5, #004C92, #003A7F and #00286C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 39 / 0 / 28

HEX #0070B8

RGB 0 112 184

HSL 203.48, 1%, 0.36%

LAB 45.7, 0.88, -45.29

 

Complementary color

CMYK 0 / 44 / 72 / 0

HEX #FF8F47

RGB 255 143 71

HSL 23.48, 1%, 0.64%

LAB 70.43, 36.93, 55.32

 

CMYK 97 / 37 / 0 / 30

HEX #0570B3

RGB 5 112 179

HSL 203.1, 0.95%, 0.36%

LAB 45.46, -0.91, -42.76

 

CMYK 89 / 34 / 0 / 22

HEX #1682C6

RGB 22 130 198

HSL 203.18, 0.8%, 0.43%

LAB 52.08, -3.64, -43.2

 

CMYK 82 / 32 / 0 / 15

HEX #2794D9

RGB 39 148 217

HSL 203.26, 0.7%, 0.5%

LAB 58.62, -5.83, -43.56

 

CMYK 76 / 30 / 0 / 7

HEX #38A6EC

RGB 56 166 236

HSL 203.33, 0.83%, 0.57%

LAB 65.1, -7.59, -43.86

 

CMYK 71 / 28 / 0 / 0

HEX #49B8FF

RGB 73 184 255

HSL 203.41, 1%, 0.64%

LAB 71.5, -9.01, -44.12

 

CMYK 100 / 39 / 0 / 28

HEX #0070B8

RGB 0 112 184

HSL 203.48, 1%, 0.36%

LAB 45.7, 0.88, -45.29

 

CMYK 100 / 43 / 0 / 35

HEX #005EA5

RGB 0 94 165

HSL 205.82, 1%, 0.32%

LAB 39.11, 4.6, -44.67

 

CMYK 100 / 48 / 0 / 43

HEX #004C92

RGB 0 76 146

HSL 208.77, 1%, 0.29%

LAB 32.36, 8.59, -44.09

 

CMYK 100 / 54 / 0 / 50

HEX #003A7F

RGB 0 58 127

HSL 212.6, 1%, 0.25%

LAB 25.44, 12.94, -43.51

 

CMYK 100 / 63 / 0 / 58

HEX #00286C

RGB 0 40 108

HSL 217.78, 1%, 0.21%

LAB 18.37, 17.67, -42.9

 

CMYK 100 / 39 / 0 / 28

HEX #0070B8

RGB 0 112 184

HSL 203.48, 1%, 0.36%

LAB 45.7, 0.88, -45.29

 

CMYK 100 / 55 / 0 / 28

HEX #0052B7

RGB 0 82 183

HSL 213.11, 1%, 0.36%

LAB 36.84, 19.99, -58.98

 

CMYK 100 / 72 / 0 / 28

HEX #0034B7

RGB 0 52 183

HSL 222.95, 1%, 0.36%

LAB 29.09, 39.89, -71.69

 

CMYK 100 / 89 / 0 / 28

HEX #0015B7

RGB 0 21 183

HSL 233.11, 1%, 0.36%

LAB 23.52, 55.97, -80.94

 

CMYK 95 / 100 / 0 / 28

HEX #0900B7

RGB 9 0 183

HSL 242.95, 1%, 0.36%

LAB 21.86, 61.8, -83.71

 

CMYK 100 / 39 / 0 / 28

HEX #0070B8

RGB 0 112 184

HSL 203.48, 1%, 0.36%

LAB 45.7, 0.88, -45.29

 

CMYK 100 / 39 / 0 / 8

HEX #008FEB

RGB 0 143 235

HSL 203.49, 1%, 0.46%

LAB 57.7, 1.92, -55.08

 

CMYK 100 / 39 / 0 / 88

HEX #00131F

RGB 0 19 31

HSL 203.23, 1%, 0.06%

LAB 5.1, -2.31, -10.25

 

CMYK 100 / 39 / 0 / 68

HEX #003252

RGB 0 50 82

HSL 203.41, 1%, 0.16%

LAB 19.6, -1.57, -23.76

 

CMYK 100 / 39 / 0 / 48

HEX #005185

RGB 0 81 133

HSL 203.46, 1%, 0.26%

LAB 33.09, -0.26, -34.95

 

CMYK 100 / 39 / 0 / 28

HEX #0070B8

RGB 0 112 184

HSL 203.48, 1%, 0.36%

LAB 45.7, 0.88, -45.29

 

CMYK 42 / 100 / 0 / 28

HEX #6B00B7

RGB 107 0 183

HSL 275.08, 1%, 0.36%

LAB 30.75, 66.35, -68.7

 

CMYK 0 / 2 / 100 / 28

HEX #B7B400

RGB 183 180 0

HSL 59.02, 1%, 0.36%

LAB 71.36, -15.28, 73.04

 

CMYK 100 / 39 / 0 / 28

HEX #0070B8

RGB 0 112 184

HSL 203.48, 1%, 0.36%

LAB 45.7, 0.88, -45.29

 

CMYK 0 / 100 / 38 / 28

HEX #B70071

RGB 183 0 113

HSL 322.95, 1%, 0.36%

LAB 40.01, 67.9, -10.29

 

CMYK 38 / 0 / 100 / 28

HEX #71B700

RGB 113 183 0

HSL 82.95, 1%, 0.36%

LAB 67.56, -45.27, 68.12

 

CMYK 100 / 39 / 0 / 28

HEX #0070B8

RGB 0 112 184

HSL 203.48, 1%, 0.36%

LAB 45.7, 0.88, -45.29

 

CMYK 42 / 100 / 0 / 28

HEX #6B00B7

RGB 107 0 183

HSL 275.08, 1%, 0.36%

LAB 30.75, 66.35, -68.7

 

CMYK 0 / 62 / 100 / 28

HEX #B74600

RGB 183 70 0

HSL 22.95, 1%, 0.36%

LAB 44.87, 43.32, 55.51

 

CMYK 58 / 0 / 100 / 28

HEX #4CB700

RGB 76 183 0

HSL 95.08, 1%, 0.36%

LAB 66.06, -56.75, 66.3

 

CMYK 100 / 39 / 0 / 28

HEX #0070B8

RGB 0 112 184

HSL 203.48, 1%, 0.36%

LAB 45.7, 0.88, -45.29

 

CMYK 11 / 100 / 0 / 28

HEX #A200B7

RGB 162 0 183

HSL 293.11, 1%, 0.36%

LAB 39.75, 73.29, -53.63

 

CMYK 0 / 62 / 100 / 28

HEX #B74600

RGB 183 70 0

HSL 22.95, 1%, 0.36%

LAB 44.87, 43.32, 55.51

 

CMYK 89 / 0 / 100 / 28

HEX #15B700

RGB 21 183 0

HSL 113.11, 1%, 0.36%

LAB 64.98, -66.02, 64.99

 

Description

Color code: HEX #0070B8 | qconv.com Color code: HEX #0070B8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 112 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 112 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 39 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 39% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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