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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00501E it is the complementary color #FFAFE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00501E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #00501E: #055019, #16622C, #27743F, #388652 and #499865

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00501E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #00501E: #00501E, #003E0B, #002C00, #001A00 and #000800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 63 / 69

HEX #00501E

RGB 0 80 30

HSL 142.5, 1%, 0.16%

LAB 28.98, -34.09, 23.16

 

Complementary color

CMYK 0 / 31 / 12 / 0

HEX #FFAFE1

RGB 255 175 225

HSL 322.5, 1%, 0.84%

LAB 80.38, 36.45, -13.25

 

CMYK 94 / 0 / 69 / 69

HEX #055019

RGB 5 80 25

HSL 136, 0.88%, 0.17%

LAB 29, -34.12, 25.87

 

CMYK 78 / 0 / 55 / 62

HEX #16622C

RGB 22 98 44

HSL 137.37, 0.63%, 0.24%

LAB 36.15, -35.56, 24.19

 

CMYK 66 / 0 / 46 / 55

HEX #27743F

RGB 39 116 63

HSL 138.7, 0.5%, 0.3%

LAB 43.18, -36.17, 22.51

 

CMYK 58 / 0 / 39 / 47

HEX #388652

RGB 56 134 82

HSL 140, 0.41%, 0.37%

LAB 50.1, -36.33, 20.99

 

CMYK 52 / 0 / 34 / 40

HEX #499865

RGB 73 152 101

HSL 141.27, 0.35%, 0.44%

LAB 56.89, -36.26, 19.61

 

CMYK 100 / 0 / 63 / 69

HEX #00501E

RGB 0 80 30

HSL 142.5, 1%, 0.16%

LAB 28.98, -34.09, 23.16

 

CMYK 100 / 0 / 82 / 76

HEX #003E0B

RGB 0 62 11

HSL 130.65, 1%, 0.12%

LAB 21.83, -30.22, 24.88

 

CMYK 100 / 0 / 100 / 83

HEX #002C00

RGB 0 44 0

HSL 120, 1%, 0.09%

LAB 14.41, -25.26, 20.55

 

CMYK 100 / 0 / 100 / 90

HEX #001A00

RGB 0 26 0

HSL 120, 1%, 0.05%

LAB 6.67, -13.63, 9.74

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 100 / 0 / 63 / 69

HEX #00501E

RGB 0 80 30

HSL 142.5, 1%, 0.16%

LAB 28.98, -34.09, 23.16

 

CMYK 100 / 0 / 47 / 68

HEX #00512B

RGB 0 81 43

HSL 151.85, 1%, 0.16%

LAB 29.56, -31.99, 16.34

 

CMYK 100 / 0 / 30 / 68

HEX #005139

RGB 0 81 57

HSL 162.22, 1%, 0.16%

LAB 29.86, -28.52, 8.08

 

CMYK 100 / 0 / 14 / 68

HEX #005146

RGB 0 81 70

HSL 171.85, 1%, 0.16%

LAB 30.22, -24.63, 0.34

 

CMYK 100 / 4 / 0 / 68

HEX #004E51

RGB 0 78 81

HSL 182.22, 1%, 0.16%

LAB 29.52, -19.3, -7.75

 

CMYK 100 / 0 / 63 / 69

HEX #00501E

RGB 0 80 30

HSL 142.5, 1%, 0.16%

LAB 28.98, -34.09, 23.16

 

CMYK 100 / 0 / 63 / 49

HEX #008331

RGB 0 131 49

HSL 142.44, 1%, 0.26%

LAB 47.57, -48.9, 35.11

 

CMYK 100 / 0 / 63 / 29

HEX #00B644

RGB 0 182 68

HSL 142.42, 1%, 0.36%

LAB 64.86, -62.63, 46.07

 

CMYK 100 / 0 / 63 / 9

HEX #00E957

RGB 0 233 87

HSL 142.4, 1%, 0.46%

LAB 81.27, -75.63, 56.4

 

CMYK 100 / 0 / 62 / 89

HEX #001D0B

RGB 0 29 11

HSL 142.76, 1%, 0.06%

LAB 8.15, -14.68, 7.42

 

CMYK 100 / 0 / 63 / 69

HEX #00501E

RGB 0 80 30

HSL 142.5, 1%, 0.16%

LAB 28.98, -34.09, 23.16

 

CMYK 100 / 57 / 0 / 68

HEX #002351

RGB 0 35 81

HSL 214.07, 1%, 0.16%

LAB 14.38, 9.05, -31.46

 

CMYK 0 / 100 / 98 / 68

HEX #510002

RGB 81 0 2

HSL 358.52, 1%, 0.16%

LAB 14.14, 34.91, 21.28

 

CMYK 100 / 0 / 63 / 69

HEX #00501E

RGB 0 80 30

HSL 142.5, 1%, 0.16%

LAB 28.98, -34.09, 23.16

 

CMYK 64 / 100 / 0 / 68

HEX #1D0051

RGB 29 0 81

HSL 261.48, 1%, 0.16%

LAB 7.73, 35.59, -42.31

 

CMYK 0 / 64 / 100 / 68

HEX #511D00

RGB 81 29 0

HSL 21.48, 1%, 0.16%

LAB 18.49, 22.8, 27.51

 

CMYK 100 / 0 / 63 / 69

HEX #00501E

RGB 0 80 30

HSL 142.5, 1%, 0.16%

LAB 28.98, -34.09, 23.16

 

CMYK 100 / 57 / 0 / 68

HEX #002351

RGB 0 35 81

HSL 214.07, 1%, 0.16%

LAB 14.38, 9.05, -31.46

 

CMYK 0 / 100 / 37 / 68

HEX #510033

RGB 81 0 51

HSL 322.22, 1%, 0.16%

LAB 15.43, 38.33, -8.21

 

CMYK 0 / 43 / 100 / 68

HEX #512E00

RGB 81 46 0

HSL 34.07, 1%, 0.16%

LAB 22.67, 12.47, 32.15

 

CMYK 100 / 0 / 63 / 69

HEX #00501E

RGB 0 80 30

HSL 142.5, 1%, 0.16%

LAB 28.98, -34.09, 23.16

 

CMYK 100 / 88 / 0 / 68

HEX #000A51

RGB 0 10 81

HSL 232.59, 1%, 0.16%

LAB 7.33, 27.43, -43.05

 

CMYK 0 / 100 / 37 / 68

HEX #510033

RGB 81 0 51

HSL 322.22, 1%, 0.16%

LAB 15.43, 38.33, -8.21

 

CMYK 0 / 14 / 100 / 68

HEX #514600

RGB 81 70 0

HSL 51.85, 1%, 0.16%

LAB 29.74, -2.77, 38.56

 

Description

Color code: HEX #00501E | qconv.com Color code: HEX #00501E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 80 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 80 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 63 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 63% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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