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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0032C8 it is the complementary color #FFCD37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0032C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #0032C8: #0532C3, #1644D6, #2756E9, #3868FC and #497AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0032C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #0032C8: #0032C8, #0020B5, #000EA2, #00008F and #00007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 75 / 0 / 22

HEX #0032C8

RGB 0 50 200

HSL 225, 1%, 0.39%

LAB 30.52, 47.24, -79.34

 

Complementary color

CMYK 0 / 20 / 78 / 0

HEX #FFCD37

RGB 255 205 55

HSL 45, 1%, 0.61%

LAB 84.59, 4.14, 75.35

 

CMYK 97 / 74 / 0 / 24

HEX #0532C3

RGB 5 50 195

HSL 225.79, 0.95%, 0.39%

LAB 30.04, 45.59, -77.2

 

CMYK 90 / 68 / 0 / 16

HEX #1644D6

RGB 22 68 214

HSL 225.63, 0.81%, 0.46%

LAB 36.29, 41.99, -77.92

 

CMYK 83 / 63 / 0 / 9

HEX #2756E9

RGB 39 86 233

HSL 225.46, 0.82%, 0.53%

LAB 42.72, 38.6, -78.17

 

CMYK 78 / 59 / 0 / 1

HEX #3868FC

RGB 56 104 252

HSL 225.31, 0.97%, 0.6%

LAB 49.22, 35.59, -78.17

 

CMYK 71 / 52 / 0 / 0

HEX #497AFF

RGB 73 122 255

HSL 223.85, 1%, 0.64%

LAB 54.61, 27.37, -71.03

 

CMYK 100 / 75 / 0 / 22

HEX #0032C8

RGB 0 50 200

HSL 225, 1%, 0.39%

LAB 30.52, 47.24, -79.34

 

CMYK 100 / 82 / 0 / 29

HEX #0020B5

RGB 0 32 181

HSL 229.39, 1%, 0.35%

LAB 24.86, 50.58, -77.53

 

CMYK 100 / 91 / 0 / 36

HEX #000EA2

RGB 0 14 162

HSL 234.81, 1%, 0.32%

LAB 19.73, 52.31, -74.6

 

CMYK 100 / 100 / 0 / 44

HEX #00008F

RGB 0 0 143

HSL 240, 1%, 0.28%

LAB 15.4, 51.48, -70.12

 

CMYK 100 / 100 / 0 / 51

HEX #00007C

RGB 0 0 124

HSL 240, 1%, 0.24%

LAB 12.32, 46.43, -63.24

 

CMYK 100 / 75 / 0 / 22

HEX #0032C8

RGB 0 50 200

HSL 225, 1%, 0.39%

LAB 30.52, 47.24, -79.34

 

CMYK 100 / 92 / 0 / 22

HEX #0010C6

RGB 0 16 198

HSL 235.15, 1%, 0.39%

LAB 25.1, 61.83, -87.19

 

CMYK 92 / 100 / 0 / 22

HEX #1000C6

RGB 16 0 198

HSL 244.85, 1%, 0.39%

LAB 24.28, 65.57, -88.55

 

CMYK 75 / 100 / 0 / 22

HEX #3100C6

RGB 49 0 198

HSL 254.85, 1%, 0.39%

LAB 25.95, 66.18, -85.72

 

CMYK 59 / 100 / 0 / 22

HEX #5200C6

RGB 82 0 198

HSL 264.85, 1%, 0.39%

LAB 29.08, 67.65, -80.42

 

CMYK 100 / 75 / 0 / 22

HEX #0032C8

RGB 0 50 200

HSL 225, 1%, 0.39%

LAB 30.52, 47.24, -79.34

 

CMYK 100 / 75 / 0 / 2

HEX #003FFB

RGB 0 63 251

HSL 224.94, 1%, 0.49%

LAB 38.76, 57.29, -94.86

 

CMYK 100 / 74 / 0 / 82

HEX #000C2F

RGB 0 12 47

HSL 224.68, 1%, 0.09%

LAB 4.23, 8.18, -23.77

 

CMYK 100 / 74 / 0 / 62

HEX #001962

RGB 0 25 98

HSL 224.69, 1%, 0.19%

LAB 13.09, 24.34, -45

 

CMYK 100 / 75 / 0 / 42

HEX #002595

RGB 0 37 149

HSL 225.1, 1%, 0.29%

LAB 21.92, 36.59, -62.99

 

CMYK 100 / 75 / 0 / 22

HEX #0032C8

RGB 0 50 200

HSL 225, 1%, 0.39%

LAB 30.52, 47.24, -79.34

 

CMYK 5 / 100 / 0 / 22

HEX #BC00C6

RGB 188 0 198

HSL 296.97, 1%, 0.39%

LAB 45.32, 79.63, -53.22

 

CMYK 35 / 0 / 100 / 22

HEX #81C600

RGB 129 198 0

HSL 80.91, 1%, 0.39%

LAB 72.93, -45.75, 72.62

 

CMYK 100 / 75 / 0 / 22

HEX #0032C8

RGB 0 50 200

HSL 225, 1%, 0.39%

LAB 30.52, 47.24, -79.34

 

CMYK 0 / 100 / 75 / 22

HEX #C60031

RGB 198 0 49

HSL 345.15, 1%, 0.39%

LAB 41.58, 67.17, 32.73

 

CMYK 75 / 0 / 100 / 22

HEX #31C600

RGB 49 198 0

HSL 105.15, 1%, 0.39%

LAB 70.2, -67.11, 69.32

 

CMYK 100 / 75 / 0 / 22

HEX #0032C8

RGB 0 50 200

HSL 225, 1%, 0.39%

LAB 30.52, 47.24, -79.34

 

CMYK 5 / 100 / 0 / 22

HEX #BC00C6

RGB 188 0 198

HSL 296.97, 1%, 0.39%

LAB 45.32, 79.63, -53.22

 

CMYK 0 / 25 / 100 / 22

HEX #C69500

RGB 198 149 0

HSL 45.15, 1%, 0.39%

LAB 64.56, 7.8, 68.88

 

CMYK 95 / 0 / 100 / 22

HEX #09C600

RGB 9 198 0

HSL 117.27, 1%, 0.39%

LAB 69.79, -70.86, 68.8

 

CMYK 100 / 75 / 0 / 22

HEX #0032C8

RGB 0 50 200

HSL 225, 1%, 0.39%

LAB 30.52, 47.24, -79.34

 

CMYK 0 / 100 / 25 / 22

HEX #C60095

RGB 198 0 149

HSL 314.85, 1%, 0.39%

LAB 44.48, 74.79, -25.36

 

CMYK 0 / 25 / 100 / 22

HEX #C69500

RGB 198 149 0

HSL 45.15, 1%, 0.39%

LAB 64.56, 7.8, 68.88

 

CMYK 100 / 0 / 75 / 22

HEX #00C631

RGB 0 198 49

HSL 134.85, 1%, 0.39%

LAB 69.9, -69.21, 58.93

 

Description

Color code: HEX #0032C8 | qconv.com Color code: HEX #0032C8 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 50 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 50 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 75 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 75% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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