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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #002896 it is the complementary color #FFD769. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #002896. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #002896: #052891, #163AA4, #274CB7, #385ECA and #4970DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #002896. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #002896: #002896, #001683, #000470, #00005D and #00004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 73 / 0 / 41

HEX #002896

RGB 0 40 150

HSL 224, 1%, 0.29%

LAB 22.72, 35.06, -62.27

 

Complementary color

CMYK 0 / 16 / 59 / 0

HEX #FFD769

RGB 255 215 105

HSL 44, 1%, 0.71%

LAB 87.43, 1.58, 58.43

 

CMYK 97 / 72 / 0 / 43

HEX #052891

RGB 5 40 145

HSL 225, 0.93%, 0.29%

LAB 22.28, 33.33, -59.91

 

CMYK 87 / 65 / 0 / 36

HEX #163AA4

RGB 22 58 164

HSL 224.79, 0.76%, 0.36%

LAB 29.1, 29.59, -60.29

 

CMYK 79 / 58 / 0 / 28

HEX #274CB7

RGB 39 76 183

HSL 224.58, 0.65%, 0.44%

LAB 36.02, 26.38, -60.28

 

CMYK 72 / 53 / 0 / 21

HEX #385ECA

RGB 56 94 202

HSL 224.38, 0.58%, 0.51%

LAB 42.93, 23.75, -60.1

 

CMYK 67 / 49 / 0 / 13

HEX #4970DD

RGB 73 112 221

HSL 224.19, 0.69%, 0.58%

LAB 49.77, 21.61, -59.86

 

CMYK 100 / 73 / 0 / 41

HEX #002896

RGB 0 40 150

HSL 224, 1%, 0.29%

LAB 22.72, 35.06, -62.27

 

CMYK 100 / 83 / 0 / 49

HEX #001683

RGB 0 22 131

HSL 229.92, 1%, 0.26%

LAB 16.57, 38.94, -60.62

 

CMYK 100 / 96 / 0 / 56

HEX #000470

RGB 0 4 112

HSL 237.86, 1%, 0.22%

LAB 10.97, 41.21, -57.74

 

CMYK 100 / 100 / 0 / 64

HEX #00005D

RGB 0 0 93

HSL 240, 1%, 0.18%

LAB 7.14, 37.74, -51.54

 

CMYK 100 / 100 / 0 / 71

HEX #00004A

RGB 0 0 74

HSL 240, 1%, 0.15%

LAB 4.47, 29.36, -42.91

 

CMYK 100 / 73 / 0 / 41

HEX #002896

RGB 0 40 150

HSL 224, 1%, 0.29%

LAB 22.72, 35.06, -62.27

 

CMYK 100 / 90 / 0 / 42

HEX #000E93

RGB 0 14 147

HSL 234.29, 1%, 0.29%

LAB 17.56, 47.86, -69

 

CMYK 94 / 100 / 0 / 42

HEX #090093

RGB 9 0 147

HSL 243.67, 1%, 0.29%

LAB 16.33, 52.62, -71.05

 

CMYK 77 / 100 / 0 / 42

HEX #220093

RGB 34 0 147

HSL 253.88, 1%, 0.29%

LAB 17.68, 53.11, -68.76

 

CMYK 60 / 100 / 0 / 42

HEX #3B0093

RGB 59 0 147

HSL 264.08, 1%, 0.29%

LAB 20.19, 54.29, -64.51

 

CMYK 100 / 73 / 0 / 41

HEX #002896

RGB 0 40 150

HSL 224, 1%, 0.29%

LAB 22.72, 35.06, -62.27

 

CMYK 100 / 73 / 0 / 21

HEX #0036C9

RGB 0 54 201

HSL 223.88, 1%, 0.39%

LAB 31.48, 45.23, -78.34

 

CMYK 100 / 73 / 0 / 1

HEX #0043FC

RGB 0 67 252

HSL 224.05, 1%, 0.49%

LAB 39.65, 55.41, -93.94

 

CMYK 100 / 73 / 0 / 81

HEX #000D30

RGB 0 13 48

HSL 223.75, 1%, 0.09%

LAB 4.53, 8.23, -24.04

 

CMYK 100 / 74 / 0 / 61

HEX #001A63

RGB 0 26 99

HSL 224.24, 1%, 0.19%

LAB 13.47, 24.04, -45.03

 

CMYK 100 / 73 / 0 / 41

HEX #002896

RGB 0 40 150

HSL 224, 1%, 0.29%

LAB 22.72, 35.06, -62.27

 

CMYK 6 / 100 / 0 / 42

HEX #8A0093

RGB 138 0 147

HSL 296.33, 1%, 0.29%

LAB 32.94, 63.67, -43.14

 

CMYK 33 / 0 / 100 / 42

HEX #629300

RGB 98 147 0

HSL 80, 1%, 0.29%

LAB 55.55, -35.39, 58.5

 

CMYK 100 / 73 / 0 / 41

HEX #002896

RGB 0 40 150

HSL 224, 1%, 0.29%

LAB 22.72, 35.06, -62.27

 

CMYK 0 / 100 / 73 / 42

HEX #930027

RGB 147 0 39

HSL 344.08, 1%, 0.29%

LAB 30.28, 54.11, 23.01

 

CMYK 73 / 0 / 100 / 42

HEX #279300

RGB 39 147 0

HSL 104.08, 1%, 0.29%

LAB 53.27, -52.96, 55.74

 

CMYK 100 / 73 / 0 / 41

HEX #002896

RGB 0 40 150

HSL 224, 1%, 0.29%

LAB 22.72, 35.06, -62.27

 

CMYK 6 / 100 / 0 / 42

HEX #8A0093

RGB 138 0 147

HSL 296.33, 1%, 0.29%

LAB 32.94, 63.67, -43.14

 

CMYK 0 / 27 / 100 / 42

HEX #936C00

RGB 147 108 0

HSL 44.08, 1%, 0.29%

LAB 48.17, 7.29, 54.95

 

CMYK 94 / 0 / 100 / 42

HEX #099300

RGB 9 147 0

HSL 116.33, 1%, 0.29%

LAB 52.87, -56.58, 55.25

 

CMYK 100 / 73 / 0 / 41

HEX #002896

RGB 0 40 150

HSL 224, 1%, 0.29%

LAB 22.72, 35.06, -62.27

 

CMYK 0 / 100 / 23 / 42

HEX #930071

RGB 147 0 113

HSL 313.88, 1%, 0.29%

LAB 32.69, 60.41, -22.16

 

CMYK 0 / 27 / 100 / 42

HEX #936C00

RGB 147 108 0

HSL 44.08, 1%, 0.29%

LAB 48.17, 7.29, 54.95

 

CMYK 100 / 0 / 77 / 42

HEX #009322

RGB 0 147 34

HSL 133.88, 1%, 0.29%

LAB 52.93, -55.52, 47.23

 

Description

Color code: HEX #002896 | qconv.com Color code: HEX #002896 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 40 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 40 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 73 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 73% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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