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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #001D6E it is the complementary color #FFE291. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #001D6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #001D6E: #051D69, #162F7C, #27418F, #3853A2 and #4965B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #001D6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #001D6E: #001D6E, #000B5B, #000048, #000035 and #000022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 74 / 0 / 57

HEX #001D6E

RGB 0 29 110

HSL 224.18, 1%, 0.22%

LAB 15.51, 26.53, -48.89

 

Complementary color

CMYK 0 / 11 / 43 / 0

HEX #FFE291

RGB 255 226 145

HSL 44.18, 1%, 0.78%

LAB 90.64, -0.63, 43.17

 

CMYK 95 / 72 / 0 / 59

HEX #051D69

RGB 5 29 105

HSL 225.6, 0.91%, 0.22%

LAB 15.12, 24.78, -46.26

 

CMYK 82 / 62 / 0 / 51

HEX #162F7C

RGB 22 47 124

HSL 225.29, 0.7%, 0.29%

LAB 22.51, 21.17, -46.36

 

CMYK 73 / 55 / 0 / 44

HEX #27418F

RGB 39 65 143

HSL 225, 0.57%, 0.36%

LAB 29.9, 18.36, -46.17

 

CMYK 65 / 49 / 0 / 36

HEX #3853A2

RGB 56 83 162

HSL 224.72, 0.49%, 0.43%

LAB 37.18, 16.24, -45.9

 

CMYK 60 / 44 / 0 / 29

HEX #4965B5

RGB 73 101 181

HSL 224.44, 0.43%, 0.5%

LAB 44.32, 14.59, -45.64

 

CMYK 100 / 74 / 0 / 57

HEX #001D6E

RGB 0 29 110

HSL 224.18, 1%, 0.22%

LAB 15.51, 26.53, -48.89

 

CMYK 100 / 88 / 0 / 64

HEX #000B5B

RGB 0 11 91

HSL 232.75, 1%, 0.18%

LAB 8.95, 30.69, -47.17

 

CMYK 100 / 100 / 0 / 72

HEX #000048

RGB 0 0 72

HSL 240, 1%, 0.14%

LAB 4.23, 28.26, -41.9

 

CMYK 100 / 100 / 0 / 79

HEX #000035

RGB 0 0 53

HSL 240, 1%, 0.1%

LAB 2.32, 16.32, -31.29

 

CMYK 100 / 100 / 0 / 87

HEX #000022

RGB 0 0 34

HSL 240, 1%, 0.07%

LAB 1.04, 7.33, -18.78

 

CMYK 100 / 74 / 0 / 57

HEX #001D6E

RGB 0 29 110

HSL 224.18, 1%, 0.22%

LAB 15.51, 26.53, -48.89

 

CMYK 100 / 90 / 0 / 56

HEX #000B70

RGB 0 11 112

HSL 234.11, 1%, 0.22%

LAB 12.02, 38.02, -55.99

 

CMYK 94 / 100 / 0 / 56

HEX #070070

RGB 7 0 112

HSL 243.75, 1%, 0.22%

LAB 10.67, 43.28, -58.24

 

CMYK 77 / 100 / 0 / 56

HEX #1A0070

RGB 26 0 112

HSL 253.93, 1%, 0.22%

LAB 11.89, 43.74, -56.17

 

CMYK 61 / 100 / 0 / 56

HEX #2C0070

RGB 44 0 112

HSL 263.57, 1%, 0.22%

LAB 13.86, 44.69, -52.84

 

CMYK 100 / 74 / 0 / 57

HEX #001D6E

RGB 0 29 110

HSL 224.18, 1%, 0.22%

LAB 15.51, 26.53, -48.89

 

CMYK 100 / 74 / 0 / 37

HEX #002AA1

RGB 0 42 161

HSL 224.35, 1%, 0.32%

LAB 24.41, 37.95, -66.21

 

CMYK 100 / 74 / 0 / 17

HEX #0038D4

RGB 0 56 212

HSL 224.15, 1%, 0.42%

LAB 33.1, 47.95, -82.05

 

CMYK 100 / 75 / 0 / 97

HEX #000208

RGB 0 2 8

HSL 225, 1%, 0.02%

LAB 0.55, 0.31, -2.46

 

CMYK 100 / 73 / 0 / 77

HEX #00103B

RGB 0 16 59

HSL 223.73, 1%, 0.12%

LAB 6.2, 12.94, -29.4

 

CMYK 100 / 74 / 0 / 57

HEX #001D6E

RGB 0 29 110

HSL 224.18, 1%, 0.22%

LAB 15.51, 26.53, -48.89

 

CMYK 7 / 100 / 0 / 56

HEX #680070

RGB 104 0 112

HSL 295.71, 1%, 0.22%

LAB 24.04, 52.17, -35.77

 

CMYK 34 / 0 / 100 / 56

HEX #4A7000

RGB 74 112 0

HSL 80.36, 1%, 0.22%

LAB 42.83, -28.95, 48.11

 

CMYK 100 / 74 / 0 / 57

HEX #001D6E

RGB 0 29 110

HSL 224.18, 1%, 0.22%

LAB 15.51, 26.53, -48.89

 

CMYK 0 / 100 / 74 / 56

HEX #70001D

RGB 112 0 29

HSL 344.46, 1%, 0.22%

LAB 22.06, 44.55, 17.89

 

CMYK 74 / 0 / 100 / 56

HEX #1D7000

RGB 29 112 0

HSL 104.46, 1%, 0.22%

LAB 40.98, -43.23, 45.86

 

CMYK 100 / 74 / 0 / 57

HEX #001D6E

RGB 0 29 110

HSL 224.18, 1%, 0.22%

LAB 15.51, 26.53, -48.89

 

CMYK 7 / 100 / 0 / 56

HEX #680070

RGB 104 0 112

HSL 295.71, 1%, 0.22%

LAB 24.04, 52.17, -35.77

 

CMYK 0 / 27 / 100 / 56

HEX #705200

RGB 112 82 0

HSL 43.93, 1%, 0.22%

LAB 36.89, 5.67, 45.26

 

CMYK 94 / 0 / 100 / 56

HEX #077000

RGB 7 112 0

HSL 116.25, 1%, 0.22%

LAB 40.63, -46.31, 45.44

 

CMYK 100 / 74 / 0 / 57

HEX #001D6E

RGB 0 29 110

HSL 224.18, 1%, 0.22%

LAB 15.51, 26.53, -48.89

 

CMYK 0 / 100 / 23 / 56

HEX #700056

RGB 112 0 86

HSL 313.93, 1%, 0.22%

LAB 24.05, 49.73, -18.57

 

CMYK 0 / 27 / 100 / 56

HEX #705200

RGB 112 82 0

HSL 43.93, 1%, 0.22%

LAB 36.89, 5.67, 45.26

 

CMYK 100 / 0 / 77 / 56

HEX #00701A

RGB 0 112 26

HSL 133.93, 1%, 0.22%

LAB 40.68, -45.42, 37.9

 

Description

Color code: HEX #001D6E | qconv.com Color code: HEX #001D6E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 29 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 29 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 74 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 74% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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