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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 9 / 96 / 37 / 2 it is the complementary color CMYK 89 / 0 / 60 / 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 9 / 96 / 37 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 9 / 96 / 37 / 2: CMYK 0 / 96 / 34 / 9, CMYK 0 / 89 / 31 / 2, CMYK 0 / 82 / 25 / 0, CMYK 0 / 75 / 18 / 0 and CMYK 0 / 68 / 11 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 9 / 96 / 37 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 9 / 96 / 37 / 2: CMYK 0 / 96 / 31 / 11, CMYK 0 / 100 / 34 / 18, CMYK 0 / 100 / 38 / 24, CMYK 0 / 100 / 43 / 31 and CMYK 0 / 100 / 49 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 96 / 37 / 2

HEX #E30A9D

RGB 227 10 157

HSL 319.35, 0.92%, 0.46%

LAB 50.67, 80.58, -20.16

 

Complementary color

CMYK 89 / 0 / 60 / 4

HEX #1CF562

RGB 28 245 98

HSL 139.35, 0.92%, 0.54%

LAB 85.22, -76.76, 56.24

 

CMYK 0 / 96 / 34 / 9

HEX #E80A98

RGB 232 10 152

HSL 321.62, 0.92%, 0.47%

LAB 51.43, 81.08, -15.93

 

CMYK 0 / 89 / 31 / 2

HEX #F91CAB

RGB 249 28 171

HSL 321.18, 0.95%, 0.54%

LAB 56, 84.58, -19.91

 

CMYK 0 / 82 / 25 / 0

HEX #FF2EBE

RGB 255 46 190

HSL 318.66, 1%, 0.59%

LAB 58.91, 84.76, -26.37

 

CMYK 0 / 75 / 18 / 0

HEX #FF40D1

RGB 255 64 209

HSL 314.45, 1%, 0.63%

LAB 61.25, 82.64, -33.6

 

CMYK 0 / 68 / 11 / 0

HEX #FF52E4

RGB 255 82 228

HSL 309.36, 1%, 0.66%

LAB 64.08, 79.58, -39.87

 

CMYK 0 / 96 / 31 / 11

HEX #E30A9D

RGB 227 10 157

HSL 319.35, 0.92%, 0.46%

LAB 50.67, 80.58, -20.16

 

CMYK 0 / 100 / 34 / 18

HEX #D2008A

RGB 210 0 138

HSL 320.57, 1%, 0.41%

LAB 46.36, 75.99, -15.6

 

CMYK 0 / 100 / 38 / 24

HEX #C10077

RGB 193 0 119

HSL 323.01, 1%, 0.38%

LAB 42.26, 70.61, -10.45

 

CMYK 0 / 100 / 43 / 31

HEX #B00064

RGB 176 0 100

HSL 325.91, 1%, 0.35%

LAB 38.11, 65.17, -5.06

 

CMYK 0 / 100 / 49 / 38

HEX #9F0051

RGB 159 0 81

HSL 329.43, 1%, 0.31%

LAB 33.91, 59.7, 0.61

 

CMYK 0 / 96 / 31 / 11

HEX #E30A9D

RGB 227 10 157

HSL 319.35, 0.92%, 0.46%

LAB 50.67, 80.58, -20.16

 

CMYK 0 / 96 / 47 / 12

HEX #E10978

RGB 225 9 120

HSL 329.17, 0.92%, 0.46%

LAB 48.96, 76.82, -0.43

 

CMYK 0 / 96 / 63 / 12

HEX #E10954

RGB 225 9 84

HSL 339.17, 0.92%, 0.46%

LAB 48.06, 74.4, 20.48

 

CMYK 0 / 96 / 79 / 12

HEX #E10930

RGB 225 9 48

HSL 349.17, 0.92%, 0.46%

LAB 47.52, 72.91, 41.43

 

CMYK 0 / 96 / 95 / 12

HEX #E1090C

RGB 225 9 12

HSL 359.17, 0.92%, 0.46%

LAB 47.27, 72.24, 57.81

 

CMYK 0 / 96 / 31 / 11

HEX #E30A9D

RGB 227 10 157

HSL 319.35, 0.92%, 0.46%

LAB 50.67, 80.58, -20.16

 

CMYK 0 / 96 / 30 / 91

HEX #170110

RGB 23 1 16

HSL 319.09, 0.92%, 0.05%

LAB 2.18, 9.36, -3.58

 

CMYK 0 / 96 / 31 / 71

HEX #4A0333

RGB 74 3 51

HSL 319.44, 0.92%, 0.15%

LAB 14.17, 35.56, -10.27

 

CMYK 0 / 95 / 31 / 51

HEX #7D0656

RGB 125 6 86

HSL 319.66, 0.91%, 0.26%

LAB 27.19, 51.45, -13.49

 

CMYK 0 / 95 / 31 / 31

HEX #B0087A

RGB 176 8 122

HSL 319.29, 0.91%, 0.36%

LAB 39.26, 66.5, -17.2

 

CMYK 0 / 96 / 31 / 11

HEX #E30A9D

RGB 227 10 157

HSL 319.35, 0.92%, 0.46%

LAB 50.67, 80.58, -20.16

 

CMYK 0 / 47 / 96 / 12

HEX #E17809

RGB 225 120 9

HSL 30.83, 0.92%, 0.46%

LAB 61.19, 35.05, 66.86

 

CMYK 96 / 0 / 8 / 12

HEX #09E1CF

RGB 9 225 207

HSL 175, 0.92%, 0.46%

LAB 80.97, -48.66, -4.01

 

CMYK 0 / 96 / 31 / 11

HEX #E30A9D

RGB 227 10 157

HSL 319.35, 0.92%, 0.46%

LAB 50.67, 80.58, -20.16

 

CMYK 31 / 0 / 96 / 12

HEX #9CE109

RGB 156 225 9

HSL 79.17, 0.92%, 0.46%

LAB 82.35, -47.08, 79.7

 

CMYK 96 / 31 / 0 / 12

HEX #099CE1

RGB 9 156 225

HSL 199.17, 0.92%, 0.46%

LAB 61.02, -9.12, -44.26

 

CMYK 0 / 96 / 31 / 11

HEX #E30A9D

RGB 227 10 157

HSL 319.35, 0.92%, 0.46%

LAB 50.67, 80.58, -20.16

 

CMYK 0 / 47 / 96 / 12

HEX #E17809

RGB 225 120 9

HSL 30.83, 0.92%, 0.46%

LAB 61.19, 35.05, 66.86

 

CMYK 96 / 0 / 66 / 12

HEX #09E14D

RGB 9 225 77

HSL 138.89, 0.92%, 0.46%

LAB 78.72, -74.1, 57.7

 

CMYK 96 / 50 / 0 / 12

HEX #0971E1

RGB 9 113 225

HSL 211.11, 0.92%, 0.46%

LAB 48.64, 16.81, -64.03

 

CMYK 0 / 96 / 31 / 11

HEX #E30A9D

RGB 227 10 157

HSL 319.35, 0.92%, 0.46%

LAB 50.67, 80.58, -20.16

 

CMYK 0 / 18 / 96 / 12

HEX #E1B909

RGB 225 185 9

HSL 48.89, 0.92%, 0.46%

LAB 76.51, 0.65, 77.53

 

CMYK 96 / 0 / 66 / 12

HEX #09E14D

RGB 9 225 77

HSL 138.89, 0.92%, 0.46%

LAB 78.72, -74.1, 57.7

 

CMYK 96 / 79 / 0 / 12

HEX #0930E1

RGB 9 48 225

HSL 229.17, 0.92%, 0.46%

LAB 33.15, 56.89, -89.43

 

Description

Color code: CMYK 9 / 96 / 37 / 2 | qconv.com Color code: CMYK 9 / 96 / 37 / 2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 10 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 10 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 96 magenta, 37 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 96% 37% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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