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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 98 / 0 / 27 / 14 it is the complementary color CMYK 0 / 86 / 62 / 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 98 / 0 / 27 / 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 98 / 0 / 27 / 14: CMYK 96 / 0 / 29 / 14, CMYK 89 / 0 / 27 / 7, CMYK 83 / 0 / 24 / 0, CMYK 76 / 0 / 17 / 0 and CMYK 70 / 0 / 9 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 98 / 0 / 27 / 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 98 / 0 / 27 / 14: CMYK 98 / 0 / 27 / 14, CMYK 100 / 0 / 30 / 21, CMYK 100 / 0 / 33 / 28, CMYK 100 / 0 / 38 / 35 and CMYK 100 / 0 / 43 / 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 27 / 14

HEX #04DBA0

RGB 4 219 160

HSL 163.53, 0.96%, 0.44%

LAB 78.01, -58.37, 16.66

 

Complementary color

CMYK 0 / 86 / 62 / 2

HEX #FB245F

RGB 251 36 95

HSL 343.53, 0.96%, 0.56%

LAB 54.66, 77.74, 23.47

 

CMYK 96 / 0 / 29 / 14

HEX #09DB9B

RGB 9 219 155

HSL 161.71, 0.92%, 0.45%

LAB 77.93, -59.35, 19.18

 

CMYK 89 / 0 / 27 / 7

HEX #1AEDAE

RGB 26 237 174

HSL 162.09, 0.85%, 0.52%

LAB 83.88, -61.07, 17.56

 

CMYK 83 / 0 / 24 / 0

HEX #2BFFC1

RGB 43 255 193

HSL 162.45, 1%, 0.58%

LAB 89.81, -62.41, 16.07

 

CMYK 76 / 0 / 17 / 0

HEX #3CFFD4

RGB 60 255 212

HSL 166.77, 1%, 0.62%

LAB 90.43, -56.45, 7.19

 

CMYK 70 / 0 / 9 / 0

HEX #4DFFE7

RGB 77 255 231

HSL 171.91, 1%, 0.65%

LAB 91.17, -49.78, -1.53

 

CMYK 98 / 0 / 27 / 14

HEX #04DBA0

RGB 4 219 160

HSL 163.53, 0.96%, 0.44%

LAB 78.01, -58.37, 16.66

 

CMYK 100 / 0 / 30 / 21

HEX #00C98D

RGB 0 201 141

HSL 162.09, 1%, 0.39%

LAB 72.03, -56.12, 18.41

 

CMYK 100 / 0 / 33 / 28

HEX #00B77A

RGB 0 183 122

HSL 160, 1%, 0.36%

LAB 65.96, -53.68, 20.26

 

CMYK 100 / 0 / 38 / 35

HEX #00A567

RGB 0 165 103

HSL 157.45, 1%, 0.32%

LAB 59.79, -51.16, 22.19

 

CMYK 100 / 0 / 43 / 42

HEX #009354

RGB 0 147 84

HSL 154.29, 1%, 0.29%

LAB 53.5, -48.5, 24.19

 

CMYK 98 / 0 / 27 / 14

HEX #04DBA0

RGB 4 219 160

HSL 163.53, 0.96%, 0.44%

LAB 78.01, -58.37, 16.66

 

CMYK 98 / 0 / 11 / 14

HEX #04DBC2

RGB 4 219 194

HSL 173.02, 0.96%, 0.44%

LAB 78.8, -49.84, -0.27

 

CMYK 98 / 5 / 0 / 14

HEX #04D1DB

RGB 4 209 219

HSL 182.79, 0.96%, 0.44%

LAB 76.52, -38.26, -17.06

 

CMYK 98 / 21 / 0 / 14

HEX #04ADDB

RGB 4 173 219

HSL 192.84, 0.96%, 0.44%

LAB 65.77, -20.64, -33.51

 

CMYK 98 / 37 / 0 / 14

HEX #0489DB

RGB 4 137 219

HSL 202.88, 0.96%, 0.44%

LAB 55.1, -0.51, -50.28

 

CMYK 98 / 0 / 27 / 14

HEX #04DBA0

RGB 4 219 160

HSL 163.53, 0.96%, 0.44%

LAB 78.01, -58.37, 16.66

 

CMYK 100 / 0 / 27 / 94

HEX #000F0B

RGB 0 15 11

HSL 164, 1%, 0.03%

LAB 3.3, -4.77, 0.33

 

CMYK 98 / 0 / 27 / 74

HEX #014230

RGB 1 66 48

HSL 163.38, 0.97%, 0.13%

LAB 24.05, -24.06, 5.71

 

CMYK 98 / 0 / 27 / 54

HEX #027555

RGB 2 117 85

HSL 163.3, 0.97%, 0.23%

LAB 43.35, -36.45, 9.87

 

CMYK 98 / 0 / 27 / 34

HEX #03A87B

RGB 3 168 123

HSL 163.64, 0.96%, 0.34%

LAB 61.18, -47.6, 13.11

 

CMYK 98 / 0 / 27 / 14

HEX #04DBA0

RGB 4 219 160

HSL 163.53, 0.96%, 0.44%

LAB 78.01, -58.37, 16.66

 

CMYK 98 / 90 / 0 / 14

HEX #0416DB

RGB 4 22 219

HSL 234.98, 0.96%, 0.44%

LAB 28.68, 65.84, -93.44

 

CMYK 0 / 67 / 98 / 14

HEX #DB4804

RGB 219 72 4

HSL 18.98, 0.96%, 0.44%

LAB 51.5, 55.26, 61.46

 

CMYK 98 / 0 / 27 / 14

HEX #04DBA0

RGB 4 219 160

HSL 163.53, 0.96%, 0.44%

LAB 78.01, -58.37, 16.66

 

CMYK 28 / 98 / 0 / 14

HEX #9E04DB

RGB 158 4 219

HSL 282.98, 0.96%, 0.44%

LAB 41.95, 78.6, -71.04

 

CMYK 0 / 28 / 98 / 14

HEX #DB9E04

RGB 219 158 4

HSL 42.98, 0.96%, 0.44%

LAB 69.13, 12.27, 72.58

 

CMYK 98 / 0 / 27 / 14

HEX #04DBA0

RGB 4 219 160

HSL 163.53, 0.96%, 0.44%

LAB 78.01, -58.37, 16.66

 

CMYK 98 / 90 / 0 / 14

HEX #0416DB

RGB 4 22 219

HSL 234.98, 0.96%, 0.44%

LAB 28.68, 65.84, -93.44

 

CMYK 0 / 98 / 70 / 14

HEX #DB0441

RGB 219 4 65

HSL 342.98, 0.96%, 0.44%

LAB 46.35, 72.48, 29.71

 

CMYK 0 / 8 / 98 / 14

HEX #DBC904

RGB 219 201 4

HSL 54.98, 0.96%, 0.44%

LAB 80.09, -10.23, 80.38

 

CMYK 98 / 0 / 27 / 14

HEX #04DBA0

RGB 4 219 160

HSL 163.53, 0.96%, 0.44%

LAB 78.01, -58.37, 16.66

 

CMYK 77 / 98 / 0 / 14

HEX #3304DB

RGB 51 4 219

HSL 253.12, 0.96%, 0.44%

LAB 29.17, 70.57, -92.58

 

CMYK 0 / 98 / 70 / 14

HEX #DB0441

RGB 219 4 65

HSL 342.98, 0.96%, 0.44%

LAB 46.35, 72.48, 29.71

 

CMYK 21 / 0 / 98 / 14

HEX #ADDB04

RGB 173 219 4

HSL 72.84, 0.96%, 0.44%

LAB 81.6, -38.07, 79.98

 

Description

Color code: CMYK 98 / 0 / 27 / 14 | qconv.com Color code: CMYK 98 / 0 / 27 / 14 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 219 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 219 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 27 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 27% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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