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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 94 / 47 / 0 / 6 it is the complementary color CMYK 0 / 47 / 94 / 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 94 / 47 / 0 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 94 / 47 / 0 / 6: CMYK 92 / 46 / 0 / 8, CMYK 86 / 43 / 0 / 0, CMYK 79 / 36 / 0 / 0, CMYK 73 / 29 / 0 / 0 and CMYK 66 / 22 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 94 / 47 / 0 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 94 / 47 / 0 / 6: CMYK 94 / 47 / 0 / 6, CMYK 100 / 51 / 0 / 13, CMYK 100 / 55 / 0 / 21, CMYK 100 / 60 / 0 / 28 and CMYK 100 / 66 / 0 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 47 / 0 / 6

HEX #0E7FF0

RGB 14 127 240

HSL 210, 0.89%, 0.5%

LAB 53.56, 13.98, -64.48

 

Complementary color

CMYK 0 / 47 / 94 / 5

HEX #F1800F

RGB 241 128 15

HSL 30, 0.89%, 0.5%

LAB 65.1, 37.46, 69.55

 

CMYK 92 / 46 / 0 / 8

HEX #137FEB

RGB 19 127 235

HSL 210, 0.85%, 0.5%

LAB 53.29, 12.24, -62.13

 

CMYK 86 / 43 / 0 / 0

HEX #2491FE

RGB 36 145 254

HSL 210, 0.99%, 0.57%

LAB 59.69, 9.35, -62.35

 

CMYK 79 / 36 / 0 / 0

HEX #35A3FF

RGB 53 163 255

HSL 207.33, 1%, 0.6%

LAB 65.1, 0.49, -54.25

 

CMYK 73 / 29 / 0 / 0

HEX #46B5FF

RGB 70 181 255

HSL 204, 1%, 0.64%

LAB 70.57, -7.75, -45.58

 

CMYK 66 / 22 / 0 / 0

HEX #57C7FF

RGB 87 199 255

HSL 200, 1%, 0.67%

LAB 76.13, -15.04, -36.88

 

CMYK 94 / 47 / 0 / 6

HEX #0E7FF0

RGB 14 127 240

HSL 210, 0.89%, 0.5%

LAB 53.56, 13.98, -64.48

 

CMYK 100 / 51 / 0 / 13

HEX #006DDD

RGB 0 109 221

HSL 210.41, 1%, 0.43%

LAB 47.18, 17.54, -64.13

 

CMYK 100 / 55 / 0 / 21

HEX #005BCA

RGB 0 91 202

HSL 212.97, 1%, 0.4%

LAB 40.81, 21.69, -63.6

 

CMYK 100 / 60 / 0 / 28

HEX #0049B7

RGB 0 73 183

HSL 216.07, 1%, 0.36%

LAB 34.36, 26.06, -63.02

 

CMYK 100 / 66 / 0 / 36

HEX #0037A4

RGB 0 55 164

HSL 219.88, 1%, 0.32%

LAB 27.88, 30.6, -62.31

 

CMYK 94 / 47 / 0 / 6

HEX #0E7FF0

RGB 14 127 240

HSL 210, 0.89%, 0.5%

LAB 53.56, 13.98, -64.48

 

CMYK 94 / 63 / 0 / 6

HEX #0E59F0

RGB 14 89 240

HSL 220.09, 0.89%, 0.5%

LAB 43.55, 38.12, -80.77

 

CMYK 94 / 79 / 0 / 6

HEX #0E33F0

RGB 14 51 240

HSL 230.18, 0.89%, 0.5%

LAB 35.5, 60.23, -94.07

 

CMYK 94 / 94 / 0 / 6

HEX #0E0EF0

RGB 14 14 240

HSL 240, 0.89%, 0.5%

LAB 31.11, 73.39, -101.39

 

CMYK 79 / 94 / 0 / 6

HEX #330EF0

RGB 51 14 240

HSL 249.82, 0.89%, 0.5%

LAB 32.5, 74.04, -99.03

 

CMYK 94 / 47 / 0 / 6

HEX #0E7FF0

RGB 14 127 240

HSL 210, 0.89%, 0.5%

LAB 53.56, 13.98, -64.48

 

CMYK 94 / 47 / 0 / 86

HEX #021324

RGB 2 19 36

HSL 210, 0.89%, 0.07%

LAB 5.47, 0.01, -13.5

 

CMYK 94 / 47 / 0 / 66

HEX #052E57

RGB 5 46 87

HSL 210, 0.89%, 0.18%

LAB 18.69, 4.16, -28.54

 

CMYK 94 / 47 / 0 / 46

HEX #08498A

RGB 8 73 138

HSL 210, 0.89%, 0.29%

LAB 31, 7.69, -41.36

 

CMYK 94 / 47 / 0 / 26

HEX #0B64BD

RGB 11 100 189

HSL 210, 0.89%, 0.39%

LAB 42.55, 10.93, -53.24

 

CMYK 94 / 47 / 0 / 6

HEX #0E7FF0

RGB 14 127 240

HSL 210, 0.89%, 0.5%

LAB 53.56, 13.98, -64.48

 

CMYK 28 / 94 / 0 / 6

HEX #AC0EF0

RGB 172 14 240

HSL 281.95, 0.89%, 0.5%

LAB 46.14, 83.19, -76.04

 

CMYK 9 / 0 / 94 / 6

HEX #DAF00E

RGB 218 240 14

HSL 65.84, 0.89%, 0.5%

LAB 90.44, -29.51, 87.21

 

CMYK 94 / 47 / 0 / 6

HEX #0E7FF0

RGB 14 127 240

HSL 210, 0.89%, 0.5%

LAB 53.56, 13.98, -64.48

 

CMYK 0 / 94 / 47 / 6

HEX #F00E7F

RGB 240 14 127

HSL 330, 0.89%, 0.5%

LAB 52.25, 80.25, 0.49

 

CMYK 47 / 0 / 94 / 6

HEX #7FF00E

RGB 127 240 14

HSL 90, 0.89%, 0.5%

LAB 85.44, -62.55, 81.14

 

CMYK 94 / 47 / 0 / 6

HEX #0E7FF0

RGB 14 127 240

HSL 210, 0.89%, 0.5%

LAB 53.56, 13.98, -64.48

 

CMYK 28 / 94 / 0 / 6

HEX #AC0EF0

RGB 172 14 240

HSL 281.95, 0.89%, 0.5%

LAB 46.14, 83.19, -76.04

 

CMYK 0 / 47 / 94 / 6

HEX #F07F0E

RGB 240 127 14

HSL 30, 0.89%, 0.5%

LAB 64.75, 37.56, 69.43

 

CMYK 66 / 0 / 94 / 6

HEX #52F00E

RGB 82 240 14

HSL 101.95, 0.89%, 0.5%

LAB 84.04, -73.79, 79.43

 

CMYK 94 / 47 / 0 / 6

HEX #0E7FF0

RGB 14 127 240

HSL 210, 0.89%, 0.5%

LAB 53.56, 13.98, -64.48

 

CMYK 0 / 94 / 0 / 6

HEX #F00EF0

RGB 240 14 240

HSL 300, 0.89%, 0.5%

LAB 57.2, 92.94, -57.62

 

CMYK 0 / 47 / 94 / 6

HEX #F07F0E

RGB 240 127 14

HSL 30, 0.89%, 0.5%

LAB 64.75, 37.56, 69.43

 

CMYK 94 / 0 / 94 / 6

HEX #0EF00E

RGB 14 240 14

HSL 120, 0.89%, 0.5%

LAB 83.15, -81.65, 78.33

 

Description

Color code: CMYK 94 / 47 / 0 / 6 | qconv.com Color code: CMYK 94 / 47 / 0 / 6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 127 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 127 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 47 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 47% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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