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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 93 / 57 / 22 / 6 it is the complementary color CMYK 0 / 36 / 71 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 93 / 57 / 22 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 93 / 57 / 22 / 6: CMYK 88 / 43 / 0 / 29, CMYK 81 / 40 / 0 / 21, CMYK 75 / 37 / 0 / 14, CMYK 69 / 34 / 0 / 6 and CMYK 65 / 31 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 93 / 57 / 22 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 93 / 57 / 22 / 6: CMYK 91 / 45 / 0 / 27, CMYK 100 / 49 / 0 / 34, CMYK 100 / 55 / 0 / 42, CMYK 100 / 62 / 0 / 49 and CMYK 100 / 72 / 0 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 57 / 22 / 6

HEX #1167BB

RGB 17 103 187

HSL 209.65, 0.83%, 0.4%

LAB 43.37, 8.47, -50.76

 

Complementary color

CMYK 0 / 36 / 71 / 7

HEX #EE9844

RGB 238 152 68

HSL 29.65, 0.83%, 0.6%

LAB 70.21, 25.27, 55.81

 

CMYK 88 / 43 / 0 / 29

HEX #1667B6

RGB 22 103 182

HSL 209.63, 0.78%, 0.4%

LAB 43.14, 6.78, -48.22

 

CMYK 81 / 40 / 0 / 21

HEX #2779C9

RGB 39 121 201

HSL 209.63, 0.68%, 0.47%

LAB 49.89, 4.29, -48.38

 

CMYK 75 / 37 / 0 / 14

HEX #388BDC

RGB 56 139 220

HSL 209.63, 0.7%, 0.54%

LAB 56.56, 2.32, -48.48

 

CMYK 69 / 34 / 0 / 6

HEX #499DEF

RGB 73 157 239

HSL 209.64, 0.84%, 0.61%

LAB 63.15, 0.73, -48.55

 

CMYK 65 / 31 / 0 / 0

HEX #5AAFFF

RGB 90 175 255

HSL 209.09, 1%, 0.68%

LAB 69.51, -1.53, -47.21

 

CMYK 91 / 45 / 0 / 27

HEX #1167BB

RGB 17 103 187

HSL 209.65, 0.83%, 0.4%

LAB 43.37, 8.47, -50.76

 

CMYK 100 / 49 / 0 / 34

HEX #0055A8

RGB 0 85 168

HSL 209.64, 1%, 0.33%

LAB 36.6, 11.78, -50.49

 

CMYK 100 / 55 / 0 / 42

HEX #004395

RGB 0 67 149

HSL 213.02, 1%, 0.29%

LAB 29.87, 16.08, -49.94

 

CMYK 100 / 62 / 0 / 49

HEX #003182

RGB 0 49 130

HSL 217.38, 1%, 0.25%

LAB 23.03, 20.71, -49.33

 

CMYK 100 / 72 / 0 / 56

HEX #001F6F

RGB 0 31 111

HSL 223.24, 1%, 0.22%

LAB 16.14, 25.54, -48.5

 

CMYK 91 / 45 / 0 / 27

HEX #1167BB

RGB 17 103 187

HSL 209.65, 0.83%, 0.4%

LAB 43.37, 8.47, -50.76

 

CMYK 91 / 59 / 0 / 27

HEX #114CBA

RGB 17 76 186

HSL 219.05, 0.83%, 0.4%

LAB 35.66, 25.9, -62.66

 

CMYK 91 / 74 / 0 / 27

HEX #1130BA

RGB 17 48 186

HSL 228.99, 0.83%, 0.4%

LAB 28.85, 43.92, -73.87

 

CMYK 91 / 89 / 0 / 27

HEX #1114BA

RGB 17 20 186

HSL 238.93, 0.83%, 0.4%

LAB 24.21, 57.45, -81.57

 

CMYK 77 / 91 / 0 / 27

HEX #2A11BA

RGB 42 17 186

HSL 248.88, 0.83%, 0.4%

LAB 25.07, 59.16, -80.11

 

CMYK 91 / 45 / 0 / 27

HEX #1167BB

RGB 17 103 187

HSL 209.65, 0.83%, 0.4%

LAB 43.37, 8.47, -50.76

 

CMYK 91 / 45 / 0 / 7

HEX #1683EE

RGB 22 131 238

HSL 209.72, 0.86%, 0.51%

LAB 54.63, 11.05, -61.64

 

CMYK 91 / 44 / 0 / 87

HEX #031322

RGB 3 19 34

HSL 209.03, 0.84%, 0.07%

LAB 5.43, -0.48, -12.05

 

CMYK 91 / 45 / 0 / 67

HEX #082F55

RGB 8 47 85

HSL 209.61, 0.83%, 0.18%

LAB 18.97, 2.87, -26.75

 

CMYK 91 / 45 / 0 / 47

HEX #0C4B88

RGB 12 75 136

HSL 209.52, 0.84%, 0.29%

LAB 31.55, 5.73, -39.24

 

CMYK 91 / 45 / 0 / 27

HEX #1167BB

RGB 17 103 187

HSL 209.65, 0.83%, 0.4%

LAB 43.37, 8.47, -50.76

 

CMYK 28 / 91 / 0 / 27

HEX #8511BA

RGB 133 17 186

HSL 281.18, 0.83%, 0.4%

LAB 35.85, 67.48, -61.95

 

CMYK 8 / 0 / 91 / 27

HEX #ACBA11

RGB 172 186 17

HSL 64.97, 0.83%, 0.4%

LAB 72.18, -22.83, 71.23

 

CMYK 91 / 45 / 0 / 27

HEX #1167BB

RGB 17 103 187

HSL 209.65, 0.83%, 0.4%

LAB 43.37, 8.47, -50.76

 

CMYK 0 / 91 / 44 / 27

HEX #BA1168

RGB 186 17 104

HSL 329.11, 0.83%, 0.4%

LAB 40.96, 65.83, -3.15

 

CMYK 44 / 0 / 91 / 27

HEX #68BA11

RGB 104 186 17

HSL 89.11, 0.83%, 0.4%

LAB 68.1, -49.24, 66.22

 

CMYK 91 / 45 / 0 / 27

HEX #1167BB

RGB 17 103 187

HSL 209.65, 0.83%, 0.4%

LAB 43.37, 8.47, -50.76

 

CMYK 28 / 91 / 0 / 27

HEX #8511BA

RGB 133 17 186

HSL 281.18, 0.83%, 0.4%

LAB 35.85, 67.48, -61.95

 

CMYK 0 / 47 / 91 / 27

HEX #BA6311

RGB 186 99 17

HSL 29.11, 0.83%, 0.4%

LAB 51.16, 30.09, 55.6

 

CMYK 62 / 0 / 91 / 27

HEX #46BA11

RGB 70 186 17

HSL 101.18, 0.83%, 0.4%

LAB 66.87, -58.89, 64.7

 

CMYK 91 / 45 / 0 / 27

HEX #1167BB

RGB 17 103 187

HSL 209.65, 0.83%, 0.4%

LAB 43.37, 8.47, -50.76

 

CMYK 2 / 91 / 0 / 27

HEX #B711BA

RGB 183 17 186

HSL 298.93, 0.83%, 0.4%

LAB 44.25, 75.31, -47.96

 

CMYK 0 / 47 / 91 / 27

HEX #BA6311

RGB 186 99 17

HSL 29.11, 0.83%, 0.4%

LAB 51.16, 30.09, 55.6

 

CMYK 89 / 0 / 91 / 27

HEX #14BA11

RGB 20 186 17

HSL 118.93, 0.83%, 0.4%

LAB 65.99, -66.53, 63.6

 

Description

Color code: CMYK 93 / 57 / 22 / 6 | qconv.com Color code: CMYK 93 / 57 / 22 / 6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 103 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 103 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 57 magenta, 22 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 57% 22% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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