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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 90 / 50 / 0 / 0 it is the complementary color CMYK 0 / 45 / 100 / 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 90 / 50 / 0 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 90 / 50 / 0 / 0: CMYK 88 / 49 / 0 / 2, CMYK 81 / 43 / 0 / 0, CMYK 75 / 36 / 0 / 0, CMYK 68 / 29 / 0 / 0 and CMYK 61 / 22 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 90 / 50 / 0 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 90 / 50 / 0 / 0: CMYK 90 / 50 / 0 / 0, CMYK 96 / 53 / 0 / 7, CMYK 100 / 58 / 0 / 15, CMYK 100 / 63 / 0 / 22 and CMYK 100 / 69 / 0 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 50 / 0 / 0

HEX #1A80FF

RGB 26 128 255

HSL 213.28, 1%, 0.55%

LAB 54.95, 19.58, -70.55

 

Complementary color

CMYK 0 / 45 / 100 / 10

HEX #E57F00

RGB 229 127 0

HSL 33.28, 1%, 0.45%

LAB 63.21, 32.98, 69.85

 

CMYK 88 / 49 / 0 / 2

HEX #1F80FA

RGB 31 128 250

HSL 213.42, 0.96%, 0.55%

LAB 54.69, 17.94, -68.19

 

CMYK 81 / 43 / 0 / 0

HEX #3092FF

RGB 48 146 255

HSL 211.59, 1%, 0.59%

LAB 60.25, 10.03, -61.98

 

CMYK 75 / 36 / 0 / 0

HEX #41A4FF

RGB 65 164 255

HSL 208.74, 1%, 0.63%

LAB 65.67, 1.2, -53.33

 

CMYK 68 / 29 / 0 / 0

HEX #52B6FF

RGB 82 182 255

HSL 205.32, 1%, 0.66%

LAB 71.19, -6.66, -44.58

 

CMYK 61 / 22 / 0 / 0

HEX #63C8FF

RGB 99 200 255

HSL 201.15, 1%, 0.69%

LAB 76.79, -13.6, -35.83

 

CMYK 90 / 50 / 0 / 0

HEX #1A80FF

RGB 26 128 255

HSL 213.28, 1%, 0.55%

LAB 54.95, 19.58, -70.55

 

CMYK 96 / 53 / 0 / 7

HEX #096EEC

RGB 9 110 236

HSL 213.3, 0.93%, 0.48%

LAB 48.59, 23.03, -70.29

 

CMYK 100 / 58 / 0 / 15

HEX #005CD9

RGB 0 92 217

HSL 214.56, 1%, 0.43%

LAB 42.25, 27, -69.87

 

CMYK 100 / 63 / 0 / 22

HEX #004AC6

RGB 0 74 198

HSL 217.58, 1%, 0.39%

LAB 35.94, 31.37, -69.24

 

CMYK 100 / 69 / 0 / 30

HEX #0038B3

RGB 0 56 179

HSL 221.23, 1%, 0.35%

LAB 29.62, 35.81, -68.44

 

CMYK 90 / 50 / 0 / 0

HEX #1A80FF

RGB 26 128 255

HSL 213.28, 1%, 0.55%

LAB 54.95, 19.58, -70.55

 

CMYK 90 / 65 / 0 / 0

HEX #195AFF

RGB 25 90 255

HSL 223.04, 1%, 0.55%

LAB 45.27, 43.38, -86.32

 

CMYK 90 / 80 / 0 / 0

HEX #1934FF

RGB 25 52 255

HSL 232.96, 1%, 0.55%

LAB 37.63, 64.63, -98.96

 

CMYK 86 / 90 / 0 / 0

HEX #2419FF

RGB 36 25 255

HSL 242.87, 1%, 0.55%

LAB 34.58, 74.98, -104.04

 

CMYK 71 / 90 / 0 / 0

HEX #4B19FF

RGB 75 25 255

HSL 253.04, 1%, 0.55%

LAB 36.76, 76.27, -100.34

 

CMYK 90 / 50 / 0 / 0

HEX #1A80FF

RGB 26 128 255

HSL 213.28, 1%, 0.55%

LAB 54.95, 19.58, -70.55

 

CMYK 90 / 49 / 0 / 80

HEX #051A33

RGB 5 26 51

HSL 212.61, 0.82%, 0.11%

LAB 9.08, 2.55, -18.95

 

CMYK 90 / 50 / 0 / 60

HEX #0A3366

RGB 10 51 102

HSL 213.26, 0.82%, 0.22%

LAB 21.55, 7.72, -33.82

 

CMYK 90 / 50 / 0 / 40

HEX #104D99

RGB 16 77 153

HSL 213.28, 0.81%, 0.33%

LAB 33.39, 11.74, -46.66

 

CMYK 90 / 50 / 0 / 20

HEX #1566CC

RGB 21 102 204

HSL 213.44, 0.81%, 0.44%

LAB 44.26, 16.09, -59.14

 

CMYK 90 / 50 / 0 / 0

HEX #1A80FF

RGB 26 128 255

HSL 213.28, 1%, 0.55%

LAB 54.95, 19.58, -70.55

 

CMYK 23 / 90 / 0 / 0

HEX #C519FF

RGB 197 25 255

HSL 284.87, 1%, 0.55%

LAB 51.59, 87.73, -75.4

 

CMYK 14 / 0 / 90 / 0

HEX #DCFF19

RGB 220 255 25

HSL 69.13, 1%, 0.55%

LAB 94.66, -35.43, 89.3

 

CMYK 90 / 50 / 0 / 0

HEX #1A80FF

RGB 26 128 255

HSL 213.28, 1%, 0.55%

LAB 54.95, 19.58, -70.55

 

CMYK 0 / 90 / 50 / 0

HEX #FF1980

RGB 255 25 128

HSL 333.13, 1%, 0.55%

LAB 55.6, 82.48, 5.09

 

CMYK 50 / 0 / 90 / 0

HEX #80FF19

RGB 128 255 25

HSL 93.13, 1%, 0.55%

LAB 89.94, -67.42, 83.52

 

CMYK 90 / 50 / 0 / 0

HEX #1A80FF

RGB 26 128 255

HSL 213.28, 1%, 0.55%

LAB 54.95, 19.58, -70.55

 

CMYK 23 / 90 / 0 / 0

HEX #C519FF

RGB 197 25 255

HSL 284.87, 1%, 0.55%

LAB 51.59, 87.73, -75.4

 

CMYK 0 / 41 / 90 / 0

HEX #FF9719

RGB 255 151 25

HSL 32.87, 1%, 0.55%

LAB 71.87, 31.46, 73.16

 

CMYK 68 / 0 / 90 / 0

HEX #52FF19

RGB 82 255 25

HSL 105.13, 1%, 0.55%

LAB 88.63, -78.13, 81.9

 

CMYK 90 / 50 / 0 / 0

HEX #1A80FF

RGB 26 128 255

HSL 213.28, 1%, 0.55%

LAB 54.95, 19.58, -70.55

 

CMYK 0 / 90 / 5 / 0

HEX #FF19F3

RGB 255 25 243

HSL 303.13, 1%, 0.55%

LAB 60.27, 94.77, -54.25

 

CMYK 0 / 41 / 90 / 0

HEX #FF9719

RGB 255 151 25

HSL 32.87, 1%, 0.55%

LAB 71.87, 31.46, 73.16

 

CMYK 90 / 0 / 86 / 0

HEX #19FF24

RGB 25 255 36

HSL 122.87, 1%, 0.55%

LAB 87.9, -84.48, 79.12

 

Description

Color code: CMYK 90 / 50 / 0 / 0 | qconv.com Color code: CMYK 90 / 50 / 0 / 0 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 128 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 128 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 50 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 50% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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