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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 8 / 10 / 0 / 45 it is the complementary color CMYK 2 / 0 / 11 / 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 8 / 10 / 0 / 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 8 / 10 / 0 / 45: CMYK 1 / 7 / 0 / 47, CMYK 2 / 6 / 0 / 40, CMYK 3 / 6 / 0 / 32, CMYK 4 / 6 / 0 / 25 and CMYK 4 / 6 / 0 / 17

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 8 / 10 / 0 / 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 8 / 10 / 0 / 45: CMYK 8 / 10 / 0 / 45, CMYK 7 / 11 / 0 / 53, CMYK 7 / 12 / 0 / 60, CMYK 6 / 13 / 0 / 67 and CMYK 5 / 16 / 0 / 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 10 / 0 / 45

HEX #817E8C

RGB 129 126 140

HSL 252.86, 0.06%, 0.52%

LAB 53.47, 4, -7.16

 

Complementary color

CMYK 2 / 0 / 11 / 49

HEX #7E8173

RGB 126 129 115

HSL 72.86, 0.06%, 0.48%

LAB 53.36, -3.81, 7.2

 

CMYK 1 / 7 / 0 / 47

HEX #867E87

RGB 134 126 135

HSL 293.33, 0.04%, 0.51%

LAB 53.75, 4.79, -3.78

 

CMYK 2 / 6 / 0 / 40

HEX #97909A

RGB 151 144 154

HSL 282, 0.05%, 0.58%

LAB 60.66, 4.51, -4.36

 

CMYK 3 / 6 / 0 / 32

HEX #A8A2AD

RGB 168 162 173

HSL 272.73, 0.06%, 0.66%

LAB 67.41, 4.26, -4.92

 

CMYK 4 / 6 / 0 / 25

HEX #B9B4C0

RGB 185 180 192

HSL 265, 0.09%, 0.73%

LAB 74.04, 4.02, -5.46

 

CMYK 4 / 6 / 0 / 17

HEX #CAC6D3

RGB 202 198 211

HSL 258.46, 0.13%, 0.8%

LAB 80.54, 3.8, -5.99

 

CMYK 8 / 10 / 0 / 45

HEX #817E8C

RGB 129 126 140

HSL 252.86, 0.06%, 0.52%

LAB 53.47, 4, -7.16

 

CMYK 7 / 11 / 0 / 53

HEX #706C79

RGB 112 108 121

HSL 258.46, 0.06%, 0.45%

LAB 46.38, 4.27, -6.66

 

CMYK 7 / 12 / 0 / 60

HEX #5F5A66

RGB 95 90 102

HSL 265, 0.06%, 0.38%

LAB 39.08, 4.57, -6.15

 

CMYK 6 / 13 / 0 / 67

HEX #4E4853

RGB 78 72 83

HSL 272.73, 0.07%, 0.3%

LAB 31.53, 4.92, -5.63

 

CMYK 5 / 16 / 0 / 75

HEX #3D3640

RGB 61 54 64

HSL 282, 0.08%, 0.23%

LAB 23.67, 5.33, -5.09

 

CMYK 8 / 10 / 0 / 45

HEX #817E8C

RGB 129 126 140

HSL 252.86, 0.06%, 0.52%

LAB 53.47, 4, -7.16

 

CMYK 6 / 10 / 0 / 45

HEX #827D8B

RGB 130 125 139

HSL 261.43, 0.06%, 0.52%

LAB 53.25, 4.73, -6.89

 

CMYK 4 / 10 / 0 / 45

HEX #857D8B

RGB 133 125 139

HSL 274.29, 0.06%, 0.52%

LAB 53.51, 5.82, -6.48

 

CMYK 3 / 10 / 0 / 45

HEX #877D8B

RGB 135 125 139

HSL 282.86, 0.06%, 0.52%

LAB 53.69, 6.55, -6.2

 

CMYK 1 / 10 / 0 / 45

HEX #897D8B

RGB 137 125 139

HSL 291.43, 0.06%, 0.52%

LAB 53.87, 7.28, -5.91

 

CMYK 8 / 10 / 0 / 45

HEX #817E8C

RGB 129 126 140

HSL 252.86, 0.06%, 0.52%

LAB 53.47, 4, -7.16

 

CMYK 8 / 10 / 0 / 25

HEX #B0ACBF

RGB 176 172 191

HSL 252.63, 0.13%, 0.71%

LAB 71.21, 5.11, -9.18

 

CMYK 8 / 10 / 0 / 5

HEX #DFDAF2

RGB 223 218 242

HSL 252.5, 0.48%, 0.9%

LAB 88.08, 6.16, -11.1

 

CMYK 8 / 11 / 0 / 85

HEX #232226

RGB 35 34 38

HSL 255, 0.06%, 0.14%

LAB 13.48, 1.48, -2.51

 

CMYK 8 / 10 / 0 / 65

HEX #525059

RGB 82 80 89

HSL 253.33, 0.05%, 0.33%

LAB 34.5, 2.81, -4.97

 

CMYK 8 / 10 / 0 / 45

HEX #817E8C

RGB 129 126 140

HSL 252.86, 0.06%, 0.52%

LAB 53.47, 4, -7.16

 

CMYK 0 / 10 / 4 / 45

HEX #8B7D86

RGB 139 125 134

HSL 321.43, 0.06%, 0.52%

LAB 53.9, 7.03, -2.93

 

CMYK 8 / 0 / 10 / 45

HEX #808B7D

RGB 128 139 125

HSL 107.14, 0.06%, 0.52%

LAB 56.62, -6.78, 6.12

 

CMYK 8 / 10 / 0 / 45

HEX #817E8C

RGB 129 126 140

HSL 252.86, 0.06%, 0.52%

LAB 53.47, 4, -7.16

 

CMYK 0 / 8 / 10 / 45

HEX #8B807D

RGB 139 128 125

HSL 12.86, 0.06%, 0.52%

LAB 54.46, 3.62, 3.12

 

CMYK 10 / 0 / 8 / 45

HEX #7D8B80

RGB 125 139 128

HSL 132.86, 0.06%, 0.52%

LAB 56.47, -7.31, 4.15

 

CMYK 8 / 10 / 0 / 45

HEX #817E8C

RGB 129 126 140

HSL 252.86, 0.06%, 0.52%

LAB 53.47, 4, -7.16

 

CMYK 0 / 10 / 4 / 45

HEX #8B7D86

RGB 139 125 134

HSL 321.43, 0.06%, 0.52%

LAB 53.9, 7.03, -2.93

 

CMYK 1 / 0 / 10 / 45

HEX #898B7D

RGB 137 139 125

HSL 68.57, 0.06%, 0.52%

LAB 57.33, -3.38, 7.23

 

CMYK 10 / 0 / 6 / 45

HEX #7D8B83

RGB 125 139 131

HSL 145.71, 0.06%, 0.52%

LAB 56.55, -6.71, 2.54

 

CMYK 8 / 10 / 0 / 45

HEX #817E8C

RGB 129 126 140

HSL 252.86, 0.06%, 0.52%

LAB 53.47, 4, -7.16

 

CMYK 0 / 10 / 7 / 45

HEX #8B7D81

RGB 139 125 129

HSL 342.86, 0.06%, 0.52%

LAB 53.75, 6.08, -0.23

 

CMYK 1 / 0 / 10 / 45

HEX #898B7D

RGB 137 139 125

HSL 68.57, 0.06%, 0.52%

LAB 57.33, -3.38, 7.23

 

CMYK 10 / 0 / 3 / 45

HEX #7D8B87

RGB 125 139 135

HSL 162.86, 0.06%, 0.52%

LAB 56.66, -5.89, 0.4

 

Description

Color code: CMYK 8 / 10 / 0 / 45 | qconv.com Color code: CMYK 8 / 10 / 0 / 45 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 126 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 126 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 10 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 10% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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