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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 88 / 31 / 83 / 21 it is the complementary color CMYK 0 / 50 / 4 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 88 / 31 / 83 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 88 / 31 / 83 / 21: CMYK 79 / 0 / 79 / 45, CMYK 71 / 0 / 69 / 38, CMYK 64 / 0 / 62 / 31, CMYK 59 / 0 / 55 / 24 and CMYK 54 / 0 / 50 / 17

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 88 / 31 / 83 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 88 / 31 / 83 / 21: CMYK 83 / 0 / 76 / 45, CMYK 94 / 0 / 88 / 53, CMYK 100 / 0 / 100 / 60, CMYK 100 / 0 / 100 / 67 and CMYK 100 / 0 / 100 / 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 31 / 83 / 21

HEX #188B22

RGB 24 139 34

HSL 125.22, 0.71%, 0.32%

LAB 50.42, -51.07, 44.79

 

Complementary color

CMYK 0 / 50 / 4 / 9

HEX #E774DD

RGB 231 116 221

HSL 305.22, 0.71%, 0.68%

LAB 65.51, 58.24, -33.98

 

CMYK 79 / 0 / 79 / 45

HEX #1D8B1D

RGB 29 139 29

HSL 120, 0.65%, 0.33%

LAB 50.47, -50.77, 46.66

 

CMYK 71 / 0 / 69 / 38

HEX #2E9D30

RGB 46 157 48

HSL 121.08, 0.55%, 0.4%

LAB 56.99, -52.33, 46.17

 

CMYK 64 / 0 / 62 / 31

HEX #3FAF43

RGB 63 175 67

HSL 122.14, 0.47%, 0.47%

LAB 63.44, -53.22, 45.14

 

CMYK 59 / 0 / 55 / 24

HEX #50C156

RGB 80 193 86

HSL 123.19, 0.48%, 0.54%

LAB 69.84, -53.7, 43.89

 

CMYK 54 / 0 / 50 / 17

HEX #61D369

RGB 97 211 105

HSL 124.21, 0.56%, 0.6%

LAB 76.16, -53.91, 42.58

 

CMYK 83 / 0 / 76 / 45

HEX #188B22

RGB 24 139 34

HSL 125.22, 0.71%, 0.32%

LAB 50.42, -51.07, 44.79

 

CMYK 94 / 0 / 88 / 53

HEX #07790F

RGB 7 121 15

HSL 124.21, 0.89%, 0.25%

LAB 43.88, -48.4, 44.65

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 100 / 0 / 100 / 67

HEX #005500

RGB 0 85 0

HSL 120, 1%, 0.17%

LAB 30.63, -38.74, 37.39

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 83 / 0 / 76 / 45

HEX #188B22

RGB 24 139 34

HSL 125.22, 0.71%, 0.32%

LAB 50.42, -51.07, 44.79

 

CMYK 83 / 0 / 63 / 45

HEX #178B34

RGB 23 139 52

HSL 135, 0.72%, 0.32%

LAB 50.56, -49.27, 37.17

 

CMYK 83 / 0 / 49 / 45

HEX #178B47

RGB 23 139 71

HSL 144.83, 0.72%, 0.32%

LAB 50.81, -46.36, 27.8

 

CMYK 83 / 0 / 35 / 45

HEX #178B5B

RGB 23 139 91

HSL 155.17, 0.72%, 0.32%

LAB 51.16, -42.35, 17.21

 

CMYK 83 / 0 / 21 / 45

HEX #178B6E

RGB 23 139 110

HSL 165, 0.72%, 0.32%

LAB 51.58, -37.7, 6.92

 

CMYK 83 / 0 / 76 / 45

HEX #188B22

RGB 24 139 34

HSL 125.22, 0.71%, 0.32%

LAB 50.42, -51.07, 44.79

 

CMYK 83 / 0 / 76 / 25

HEX #21BE2E

RGB 33 190 46

HSL 124.97, 0.7%, 0.44%

LAB 67.54, -65.01, 57.68

 

CMYK 83 / 0 / 76 / 5

HEX #2AF13B

RGB 42 241 59

HSL 125.13, 0.88%, 0.55%

LAB 83.82, -78.13, 69.53

 

CMYK 84 / 0 / 76 / 85

HEX #062509

RGB 6 37 9

HSL 125.81, 0.72%, 0.08%

LAB 11.83, -18.81, 13.49

 

CMYK 83 / 0 / 75 / 65

HEX #0F5816

RGB 15 88 22

HSL 125.75, 0.71%, 0.2%

LAB 32.12, -35.98, 30.77

 

CMYK 83 / 0 / 76 / 45

HEX #188B22

RGB 24 139 34

HSL 125.22, 0.71%, 0.32%

LAB 50.42, -51.07, 44.79

 

CMYK 83 / 24 / 0 / 45

HEX #176A8B

RGB 23 106 139

HSL 197.07, 0.72%, 0.32%

LAB 41.77, -11.67, -24.91

 

CMYK 0 / 83 / 57 / 45

HEX #8B173C

RGB 139 23 60

HSL 340.86, 0.72%, 0.32%

LAB 30.47, 48.92, 9

 

CMYK 83 / 0 / 76 / 45

HEX #188B22

RGB 24 139 34

HSL 125.22, 0.71%, 0.32%

LAB 50.42, -51.07, 44.79

 

CMYK 76 / 83 / 0 / 45

HEX #21178B

RGB 33 23 139

HSL 245.17, 0.72%, 0.32%

LAB 19.23, 42.65, -61.2

 

CMYK 0 / 76 / 83 / 45

HEX #8B2117

RGB 139 33 23

HSL 5.17, 0.72%, 0.32%

LAB 30.97, 43.74, 33.1

 

CMYK 83 / 0 / 76 / 45

HEX #188B22

RGB 24 139 34

HSL 125.22, 0.71%, 0.32%

LAB 50.42, -51.07, 44.79

 

CMYK 83 / 24 / 0 / 45

HEX #176A8B

RGB 23 106 139

HSL 197.07, 0.72%, 0.32%

LAB 41.77, -11.67, -24.91

 

CMYK 0 / 83 / 7 / 45

HEX #8B1781

RGB 139 23 129

HSL 305.17, 0.72%, 0.32%

LAB 33.32, 57.1, -31.37

 

CMYK 0 / 60 / 83 / 45

HEX #8B3817

RGB 139 56 23

HSL 17.07, 0.72%, 0.32%

LAB 34.76, 33.54, 36.72

 

CMYK 83 / 0 / 76 / 45

HEX #188B22

RGB 24 139 34

HSL 125.22, 0.71%, 0.32%

LAB 50.42, -51.07, 44.79

 

CMYK 83 / 49 / 0 / 45

HEX #17478B

RGB 23 71 139

HSL 215.17, 0.72%, 0.32%

LAB 30.77, 10.63, -42.34

 

CMYK 0 / 83 / 7 / 45

HEX #8B1781

RGB 139 23 129

HSL 305.17, 0.72%, 0.32%

LAB 33.32, 57.1, -31.37

 

CMYK 0 / 35 / 83 / 45

HEX #8B5B17

RGB 139 91 23

HSL 35.17, 0.72%, 0.32%

LAB 42.81, 13.93, 44.11

 

Description

Color code: CMYK 88 / 31 / 83 / 21 | qconv.com Color code: CMYK 88 / 31 / 83 / 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 139 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 139 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 31 magenta, 83 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 31% 83% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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