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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 80 / 32 / 37 / 0 it is the complementary color CMYK 0 / 60 / 54 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 80 / 32 / 37 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 80 / 32 / 37 / 0: CMYK 68 / 0 / 10 / 32, CMYK 62 / 0 / 8 / 25, CMYK 57 / 0 / 7 / 18, CMYK 53 / 0 / 6 / 11 and CMYK 49 / 0 / 5 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 80 / 32 / 37 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 80 / 32 / 37 / 0: CMYK 71 / 0 / 7 / 32, CMYK 78 / 0 / 8 / 39, CMYK 88 / 0 / 10 / 46, CMYK 100 / 0 / 13 / 53 and CMYK 100 / 0 / 16 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 32 / 37 / 0

HEX #33ADA1

RGB 51 173 161

HSL 174.1, 0.54%, 0.44%

LAB 64.29, -35.69, -3.5

 

Complementary color

CMYK 0 / 60 / 54 / 20

HEX #CC525E

RGB 204 82 94

HSL 354.1, 0.54%, 0.56%

LAB 51.47, 49.37, 18.33

 

CMYK 68 / 0 / 10 / 32

HEX #38AD9C

RGB 56 173 156

HSL 171.28, 0.51%, 0.45%

LAB 64.26, -36.32, -0.75

 

CMYK 62 / 0 / 8 / 25

HEX #49BFAF

RGB 73 191 175

HSL 171.86, 0.48%, 0.52%

LAB 70.71, -36.71, -1.74

 

CMYK 57 / 0 / 7 / 18

HEX #5AD1C2

RGB 90 209 194

HSL 172.44, 0.56%, 0.59%

LAB 77.08, -36.95, -2.63

 

CMYK 53 / 0 / 6 / 11

HEX #6BE3D5

RGB 107 227 213

HSL 173, 0.68%, 0.65%

LAB 83.37, -37.07, -3.46

 

CMYK 49 / 0 / 5 / 4

HEX #7CF5E8

RGB 124 245 232

HSL 173.55, 0.86%, 0.72%

LAB 89.59, -37.13, -4.23

 

CMYK 71 / 0 / 7 / 32

HEX #33ADA1

RGB 51 173 161

HSL 174.1, 0.54%, 0.44%

LAB 64.29, -35.69, -3.5

 

CMYK 78 / 0 / 8 / 39

HEX #229B8E

RGB 34 155 142

HSL 173.55, 0.64%, 0.37%

LAB 57.79, -34.88, -2.42

 

CMYK 88 / 0 / 10 / 46

HEX #11897B

RGB 17 137 123

HSL 173, 0.78%, 0.3%

LAB 51.2, -33.68, -1.18

 

CMYK 100 / 0 / 13 / 53

HEX #007768

RGB 0 119 104

HSL 172.44, 1%, 0.23%

LAB 44.51, -32.11, 0.22

 

CMYK 100 / 0 / 16 / 60

HEX #006555

RGB 0 101 85

HSL 170.5, 1%, 0.2%

LAB 37.78, -29.52, 1.93

 

CMYK 71 / 0 / 7 / 32

HEX #33ADA1

RGB 51 173 161

HSL 174.1, 0.54%, 0.44%

LAB 64.29, -35.69, -3.5

 

CMYK 70 / 5 / 0 / 33

HEX #33A4AC

RGB 51 164 172

HSL 183.97, 0.54%, 0.44%

LAB 61.85, -28.18, -13.3

 

CMYK 70 / 16 / 0 / 33

HEX #3390AC

RGB 51 144 172

HSL 193.88, 0.54%, 0.44%

LAB 55.71, -17.87, -22.63

 

CMYK 70 / 28 / 0 / 33

HEX #337CAC

RGB 51 124 172

HSL 203.8, 0.54%, 0.44%

LAB 49.61, -6.63, -32.09

 

CMYK 70 / 40 / 0 / 33

HEX #3368AC

RGB 51 104 172

HSL 213.72, 0.54%, 0.44%

LAB 43.63, 5.53, -41.53

 

CMYK 71 / 0 / 7 / 32

HEX #33ADA1

RGB 51 173 161

HSL 174.1, 0.54%, 0.44%

LAB 64.29, -35.69, -3.5

 

CMYK 71 / 0 / 7 / 12

HEX #42E0D0

RGB 66 224 208

HSL 173.92, 0.72%, 0.57%

LAB 81.3, -43.83, -3.97

 

CMYK 70 / 0 / 5 / 92

HEX #061413

RGB 6 20 19

HSL 175.71, 0.54%, 0.05%

LAB 5.29, -4.68, -0.97

 

CMYK 70 / 0 / 7 / 72

HEX #154742

RGB 21 71 66

HSL 174, 0.54%, 0.18%

LAB 26.9, -17.86, -1.9

 

CMYK 70 / 0 / 7 / 52

HEX #247A72

RGB 36 122 114

HSL 174.42, 0.54%, 0.31%

LAB 46.32, -27.03, -3.01

 

CMYK 71 / 0 / 7 / 32

HEX #33ADA1

RGB 51 173 161

HSL 174.1, 0.54%, 0.44%

LAB 64.29, -35.69, -3.5

 

CMYK 63 / 70 / 0 / 33

HEX #3F33AC

RGB 63 51 172

HSL 245.95, 0.54%, 0.44%

LAB 30.41, 41.25, -62.87

 

CMYK 0 / 35 / 70 / 33

HEX #AC7033

RGB 172 112 51

HSL 30.25, 0.54%, 0.44%

LAB 52.51, 18.11, 42.54

 

CMYK 71 / 0 / 7 / 32

HEX #33ADA1

RGB 51 173 161

HSL 174.1, 0.54%, 0.44%

LAB 64.29, -35.69, -3.5

 

CMYK 7 / 70 / 0 / 33

HEX #A033AC

RGB 160 51 172

HSL 294.05, 0.54%, 0.44%

LAB 42.49, 60.04, -42.73

 

CMYK 0 / 7 / 70 / 33

HEX #ACA033

RGB 172 160 51

HSL 54.05, 0.54%, 0.44%

LAB 65.08, -8.38, 55.57

 

CMYK 71 / 0 / 7 / 32

HEX #33ADA1

RGB 51 173 161

HSL 174.1, 0.54%, 0.44%

LAB 64.29, -35.69, -3.5

 

CMYK 63 / 70 / 0 / 33

HEX #3F33AC

RGB 63 51 172

HSL 245.95, 0.54%, 0.44%

LAB 30.41, 41.25, -62.87

 

CMYK 0 / 70 / 63 / 33

HEX #AC333F

RGB 172 51 63

HSL 354.05, 0.54%, 0.44%

LAB 40.41, 49.71, 21.5

 

CMYK 7 / 0 / 70 / 33

HEX #A0AC33

RGB 160 172 51

HSL 65.95, 0.54%, 0.44%

LAB 67.44, -19.8, 57.58

 

CMYK 71 / 0 / 7 / 32

HEX #33ADA1

RGB 51 173 161

HSL 174.1, 0.54%, 0.44%

LAB 64.29, -35.69, -3.5

 

CMYK 42 / 70 / 0 / 33

HEX #6433AC

RGB 100 51 172

HSL 264.3, 0.54%, 0.44%

LAB 34.1, 47.4, -56.69

 

CMYK 0 / 70 / 63 / 33

HEX #AC333F

RGB 172 51 63

HSL 354.05, 0.54%, 0.44%

LAB 40.41, 49.71, 21.5

 

CMYK 28 / 0 / 70 / 33

HEX #7CAC33

RGB 124 172 51

HSL 83.8, 0.54%, 0.44%

LAB 64.99, -34.54, 54.31

 

Description

Color code: CMYK 80 / 32 / 37 / 0 | qconv.com Color code: CMYK 80 / 32 / 37 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 173 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 173 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 32 magenta, 37 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 32% 37% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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