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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 79 / 0 / 59 / 0 it is the complementary color CMYK 0 / 100 / 25 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 79 / 0 / 59 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 79 / 0 / 59 / 0: CMYK 77 / 0 / 61 / 0, CMYK 70 / 0 / 53 / 0, CMYK 64 / 0 / 46 / 0, CMYK 57 / 0 / 38 / 0 and CMYK 50 / 0 / 31 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 79 / 0 / 59 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 79 / 0 / 59 / 0: CMYK 79 / 0 / 59 / 0, CMYK 84 / 0 / 64 / 7, CMYK 91 / 0 / 69 / 14, CMYK 99 / 0 / 76 / 21 and CMYK 100 / 0 / 84 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 59 / 0

HEX #36FF69

RGB 54 255 105

HSL 135.22, 1%, 0.61%

LAB 88.6, -76.7, 57.2

 

Complementary color

CMYK 0 / 100 / 25 / 21

HEX #C90096

RGB 201 0 150

HSL 315.22, 1%, 0.39%

LAB 45.11, 75.48, -24.95

 

CMYK 77 / 0 / 61 / 0

HEX #3BFF64

RGB 59 255 100

HSL 132.55, 1%, 0.62%

LAB 88.62, -76.7, 59.38

 

CMYK 70 / 0 / 53 / 0

HEX #4CFF77

RGB 76 255 119

HSL 134.41, 1%, 0.65%

LAB 89.11, -71.99, 51.66

 

CMYK 64 / 0 / 46 / 0

HEX #5DFF8A

RGB 93 255 138

HSL 136.67, 1%, 0.68%

LAB 89.71, -66.36, 43.6

 

CMYK 57 / 0 / 38 / 0

HEX #6EFF9D

RGB 110 255 157

HSL 139.45, 1%, 0.72%

LAB 90.45, -59.88, 35.36

 

CMYK 50 / 0 / 31 / 0

HEX #7FFFB0

RGB 127 255 176

HSL 142.97, 1%, 0.75%

LAB 91.31, -52.69, 27.1

 

CMYK 79 / 0 / 59 / 0

HEX #36FF69

RGB 54 255 105

HSL 135.22, 1%, 0.61%

LAB 88.6, -76.7, 57.2

 

CMYK 84 / 0 / 64 / 7

HEX #25ED56

RGB 37 237 86

HSL 134.7, 0.85%, 0.54%

LAB 82.72, -75.06, 58.49

 

CMYK 91 / 0 / 69 / 14

HEX #14DB43

RGB 20 219 67

HSL 134.17, 0.83%, 0.47%

LAB 76.81, -72.86, 59.57

 

CMYK 99 / 0 / 76 / 21

HEX #03C930

RGB 3 201 48

HSL 133.64, 0.97%, 0.4%

LAB 70.88, -70.01, 60.24

 

CMYK 100 / 0 / 84 / 28

HEX #00B71D

RGB 0 183 29

HSL 129.51, 1%, 0.36%

LAB 64.93, -66.26, 60.13

 

CMYK 79 / 0 / 59 / 0

HEX #36FF69

RGB 54 255 105

HSL 135.22, 1%, 0.61%

LAB 88.6, -76.7, 57.2

 

CMYK 78 / 0 / 46 / 0

HEX #38FF8A

RGB 56 255 138

HSL 144.72, 1%, 0.61%

LAB 89.01, -71.88, 42.57

 

CMYK 78 / 0 / 33 / 0

HEX #38FFAC

RGB 56 255 172

HSL 154.97, 1%, 0.61%

LAB 89.55, -65.74, 26.45

 

CMYK 78 / 0 / 20 / 0

HEX #38FFCD

RGB 56 255 205

HSL 164.92, 1%, 0.61%

LAB 90.21, -58.52, 10.5

 

CMYK 78 / 0 / 7 / 0

HEX #38FFEE

RGB 56 255 238

HSL 174.87, 1%, 0.61%

LAB 91.02, -50.22, -5.42

 

CMYK 79 / 0 / 59 / 0

HEX #36FF69

RGB 54 255 105

HSL 135.22, 1%, 0.61%

LAB 88.6, -76.7, 57.2

 

CMYK 78 / 0 / 59 / 80

HEX #0B3315

RGB 11 51 21

HSL 135, 0.65%, 0.12%

LAB 17.89, -21.85, 15.01

 

CMYK 78 / 0 / 59 / 60

HEX #16662A

RGB 22 102 42

HSL 135, 0.65%, 0.24%

LAB 37.55, -37.44, 26.98

 

CMYK 79 / 0 / 59 / 40

HEX #20993F

RGB 32 153 63

HSL 135.37, 0.65%, 0.36%

LAB 55.53, -51.48, 37.69

 

CMYK 79 / 0 / 59 / 20

HEX #2BCC54

RGB 43 204 84

HSL 135.28, 0.65%, 0.48%

LAB 72.45, -64.41, 47.7

 

CMYK 79 / 0 / 59 / 0

HEX #36FF69

RGB 54 255 105

HSL 135.22, 1%, 0.61%

LAB 88.6, -76.7, 57.2

 

CMYK 78 / 35 / 0 / 0

HEX #38A5FF

RGB 56 165 255

HSL 207.14, 1%, 0.61%

LAB 65.73, -0.36, -53.25

 

CMYK 0 / 78 / 67 / 0

HEX #FF3855

RGB 255 56 85

HSL 351.26, 1%, 0.61%

LAB 56.83, 73.75, 32.31

 

CMYK 79 / 0 / 59 / 0

HEX #36FF69

RGB 54 255 105

HSL 135.22, 1%, 0.61%

LAB 88.6, -76.7, 57.2

 

CMYK 59 / 78 / 0 / 0

HEX #6938FF

RGB 105 56 255

HSL 254.77, 1%, 0.61%

LAB 42.84, 67.97, -90.19

 

CMYK 0 / 59 / 78 / 0

HEX #FF6938

RGB 255 105 56

HSL 14.77, 1%, 0.61%

LAB 63.05, 54.66, 54.78

 

CMYK 79 / 0 / 59 / 0

HEX #36FF69

RGB 54 255 105

HSL 135.22, 1%, 0.61%

LAB 88.6, -76.7, 57.2

 

CMYK 78 / 35 / 0 / 0

HEX #38A5FF

RGB 56 165 255

HSL 207.14, 1%, 0.61%

LAB 65.73, -0.36, -53.25

 

CMYK 0 / 78 / 20 / 0

HEX #FF38CD

RGB 255 56 205

HSL 315.08, 1%, 0.61%

LAB 60.33, 84.25, -32.75

 

CMYK 0 / 43 / 78 / 0

HEX #FF9138

RGB 255 145 56

HSL 26.83, 1%, 0.61%

LAB 70.73, 35.31, 62.21

 

CMYK 79 / 0 / 59 / 0

HEX #36FF69

RGB 54 255 105

HSL 135.22, 1%, 0.61%

LAB 88.6, -76.7, 57.2

 

CMYK 78 / 59 / 0 / 0

HEX #3869FF

RGB 56 105 255

HSL 225.23, 1%, 0.61%

LAB 49.69, 36.05, -79.05

 

CMYK 0 / 78 / 20 / 0

HEX #FF38CD

RGB 255 56 205

HSL 315.08, 1%, 0.61%

LAB 60.33, 84.25, -32.75

 

CMYK 0 / 20 / 78 / 0

HEX #FFCD38

RGB 255 205 56

HSL 44.92, 1%, 0.61%

LAB 84.59, 4.17, 75.04

 

Description

Color code: CMYK 79 / 0 / 59 / 0 | qconv.com Color code: CMYK 79 / 0 / 59 / 0 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 255 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 255 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 59 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 59% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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