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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 78 / 75 / 0 / 7 it is the complementary color CMYK 0 / 3 / 91 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 78 / 75 / 0 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 78 / 75 / 0 / 7: CMYK 75 / 75 / 0 / 9, CMYK 71 / 69 / 0 / 2, CMYK 64 / 63 / 0 / 0, CMYK 58 / 56 / 0 / 0 and CMYK 51 / 49 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 78 / 75 / 0 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 78 / 75 / 0 / 7: CMYK 78 / 75 / 0 / 7, CMYK 84 / 81 / 0 / 15, CMYK 91 / 88 / 0 / 22, CMYK 99 / 97 / 0 / 29 and CMYK 100 / 100 / 0 / 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 75 / 0 / 7

HEX #343BED

RGB 52 59 237

HSL 237.73, 0.84%, 0.57%

LAB 37.79, 56.67, -88.53

 

Complementary color

CMYK 0 / 3 / 91 / 20

HEX #CBC412

RGB 203 196 18

HSL 57.73, 0.84%, 0.43%

LAB 77.41, -14.45, 76.23

 

CMYK 75 / 75 / 0 / 9

HEX #393BE8

RGB 57 59 232

HSL 239.31, 0.79%, 0.57%

LAB 37.52, 55.44, -86.13

 

CMYK 71 / 69 / 0 / 2

HEX #4A4DFB

RGB 74 77 251

HSL 238.98, 0.96%, 0.64%

LAB 43.84, 53.15, -86.39

 

CMYK 64 / 63 / 0 / 0

HEX #5B5FFF

RGB 91 95 255

HSL 238.54, 1%, 0.68%

LAB 49.04, 46.11, -80.05

 

CMYK 58 / 56 / 0 / 0

HEX #6C71FF

RGB 108 113 255

HSL 237.96, 1%, 0.71%

LAB 54.26, 38.12, -71.51

 

CMYK 51 / 49 / 0 / 0

HEX #7D83FF

RGB 125 131 255

HSL 237.23, 1%, 0.75%

LAB 59.72, 30.72, -62.65

 

CMYK 78 / 75 / 0 / 7

HEX #343BED

RGB 52 59 237

HSL 237.73, 0.84%, 0.57%

LAB 37.79, 56.67, -88.53

 

CMYK 84 / 81 / 0 / 15

HEX #2329DA

RGB 35 41 218

HSL 238.03, 0.72%, 0.5%

LAB 31.82, 58.83, -87.61

 

CMYK 91 / 88 / 0 / 22

HEX #1217C7

RGB 18 23 199

HSL 238.34, 0.83%, 0.43%

LAB 26.35, 60.13, -85.69

 

CMYK 99 / 97 / 0 / 29

HEX #0105B4

RGB 1 5 180

HSL 238.66, 0.99%, 0.35%

LAB 21.62, 59.73, -82.33

 

CMYK 100 / 100 / 0 / 37

HEX #0000A1

RGB 0 0 161

HSL 240, 1%, 0.32%

LAB 18.25, 56.15, -76.48

 

CMYK 78 / 75 / 0 / 7

HEX #343BED

RGB 52 59 237

HSL 237.73, 0.84%, 0.57%

LAB 37.79, 56.67, -88.53

 

CMYK 69 / 78 / 0 / 7

HEX #4A35ED

RGB 74 53 237

HSL 246.85, 0.84%, 0.57%

LAB 38.05, 61.33, -88.07

 

CMYK 56 / 78 / 0 / 7

HEX #6935ED

RGB 105 53 237

HSL 256.96, 0.84%, 0.57%

LAB 40.68, 64.48, -83.64

 

CMYK 43 / 78 / 0 / 7

HEX #8835ED

RGB 136 53 237

HSL 267.07, 0.84%, 0.57%

LAB 44.08, 68.54, -77.92

 

CMYK 30 / 78 / 0 / 7

HEX #A635ED

RGB 166 53 237

HSL 276.85, 0.84%, 0.57%

LAB 47.97, 73.15, -71.42

 

CMYK 78 / 75 / 0 / 7

HEX #343BED

RGB 52 59 237

HSL 237.73, 0.84%, 0.57%

LAB 37.79, 56.67, -88.53

 

CMYK 79 / 76 / 0 / 87

HEX #070821

RGB 7 8 33

HSL 237.69, 0.65%, 0.08%

LAB 2.97, 5.6, -15.01

 

CMYK 79 / 75 / 0 / 67

HEX #121554

RGB 18 21 84

HSL 237.27, 0.65%, 0.2%

LAB 11.31, 22.98, -38.48

 

CMYK 78 / 75 / 0 / 47

HEX #1E2287

RGB 30 34 135

HSL 237.71, 0.64%, 0.32%

LAB 20.71, 34.94, -56.24

 

CMYK 78 / 75 / 0 / 27

HEX #292EBA

RGB 41 46 186

HSL 237.93, 0.64%, 0.45%

LAB 29.34, 46.41, -73.02

 

CMYK 78 / 75 / 0 / 7

HEX #343BED

RGB 52 59 237

HSL 237.73, 0.84%, 0.57%

LAB 37.79, 56.67, -88.53

 

CMYK 0 / 78 / 12 / 7

HEX #ED35D1

RGB 237 53 209

HSL 309.13, 0.84%, 0.57%

LAB 57.23, 81.73, -40.11

 

CMYK 43 / 0 / 78 / 7

HEX #88ED35

RGB 136 237 53

HSL 92.93, 0.84%, 0.57%

LAB 85.03, -57.42, 73.35

 

CMYK 78 / 75 / 0 / 7

HEX #343BED

RGB 52 59 237

HSL 237.73, 0.84%, 0.57%

LAB 37.79, 56.67, -88.53

 

CMYK 0 / 78 / 74 / 7

HEX #ED353E

RGB 237 53 62

HSL 357.07, 0.84%, 0.57%

LAB 52.84, 68.59, 39.97

 

CMYK 74 / 0 / 78 / 7

HEX #3EED35

RGB 62 237 53

HSL 117.07, 0.84%, 0.57%

LAB 82.83, -74.89, 70.5

 

CMYK 78 / 75 / 0 / 7

HEX #343BED

RGB 52 59 237

HSL 237.73, 0.84%, 0.57%

LAB 37.79, 56.67, -88.53

 

CMYK 0 / 78 / 12 / 7

HEX #ED35D1

RGB 237 53 209

HSL 309.13, 0.84%, 0.57%

LAB 57.23, 81.73, -40.11

 

CMYK 0 / 4 / 78 / 7

HEX #EDE435

RGB 237 228 53

HSL 57.07, 0.84%, 0.57%

LAB 88.8, -15.07, 79.11

 

CMYK 78 / 0 / 66 / 7

HEX #35ED50

RGB 53 237 80

HSL 128.8, 0.84%, 0.57%

LAB 82.86, -74, 61.12

 

CMYK 78 / 75 / 0 / 7

HEX #343BED

RGB 52 59 237

HSL 237.73, 0.84%, 0.57%

LAB 37.79, 56.67, -88.53

 

CMYK 0 / 78 / 35 / 7

HEX #ED359A

RGB 237 53 154

HSL 327.07, 0.84%, 0.57%

LAB 54.95, 75.1, -11.7

 

CMYK 0 / 4 / 78 / 7

HEX #EDE435

RGB 237 228 53

HSL 57.07, 0.84%, 0.57%

LAB 88.8, -15.07, 79.11

 

CMYK 78 / 0 / 43 / 7

HEX #35ED88

RGB 53 237 136

HSL 147.07, 0.84%, 0.57%

LAB 83.5, -66.44, 36.44

 

Description

Color code: CMYK 78 / 75 / 0 / 7 | qconv.com Color code: CMYK 78 / 75 / 0 / 7 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 59 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 59 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 75 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 75% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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