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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 78 / 30 / 0 / 5 it is the complementary color CMYK 0 / 58 / 94 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 78 / 30 / 0 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 78 / 30 / 0 / 5: CMYK 76 / 28 / 0 / 7, CMYK 71 / 26 / 0 / 0, CMYK 64 / 19 / 0 / 0, CMYK 57 / 12 / 0 / 0 and CMYK 51 / 5 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 78 / 30 / 0 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 78 / 30 / 0 / 5: CMYK 78 / 30 / 0 / 5, CMYK 84 / 32 / 0 / 13, CMYK 91 / 34 / 0 / 20, CMYK 99 / 37 / 0 / 27 and CMYK 100 / 41 / 0 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 30 / 0 / 5

HEX #35AAF2

RGB 53 170 242

HSL 202.86, 0.88%, 0.58%

LAB 66.46, -8.05, -45.01

 

Complementary color

CMYK 0 / 58 / 94 / 21

HEX #CA550D

RGB 202 85 13

HSL 22.86, 0.88%, 0.42%

LAB 50.78, 43.55, 57.51

 

CMYK 76 / 28 / 0 / 7

HEX #3AAAED

RGB 58 170 237

HSL 202.46, 0.83%, 0.58%

LAB 66.34, -9.24, -42.46

 

CMYK 71 / 26 / 0 / 0

HEX #4BBCFF

RGB 75 188 255

HSL 202.33, 1%, 0.65%

LAB 72.68, -10.91, -42.27

 

CMYK 64 / 19 / 0 / 0

HEX #5CCEFF

RGB 92 206 255

HSL 198.04, 1%, 0.68%

LAB 78.25, -17.9, -33.59

 

CMYK 57 / 12 / 0 / 0

HEX #6DE0FF

RGB 109 224 255

HSL 192.74, 1%, 0.71%

LAB 83.85, -24.07, -24.95

 

CMYK 51 / 5 / 0 / 0

HEX #7EF2FF

RGB 126 242 255

HSL 186.05, 1%, 0.75%

LAB 89.47, -29.52, -16.4

 

CMYK 78 / 30 / 0 / 5

HEX #35AAF2

RGB 53 170 242

HSL 202.86, 0.88%, 0.58%

LAB 66.46, -8.05, -45.01

 

CMYK 84 / 32 / 0 / 13

HEX #2498DF

RGB 36 152 223

HSL 202.78, 0.75%, 0.51%

LAB 60.03, -6.2, -44.68

 

CMYK 91 / 34 / 0 / 20

HEX #1386CC

RGB 19 134 204

HSL 202.7, 0.83%, 0.44%

LAB 53.54, -3.9, -44.29

 

CMYK 99 / 37 / 0 / 27

HEX #0274B9

RGB 2 116 185

HSL 202.62, 0.98%, 0.37%

LAB 46.98, -1.11, -43.83

 

CMYK 100 / 41 / 0 / 35

HEX #0062A6

RGB 0 98 166

HSL 204.58, 1%, 0.33%

LAB 40.39, 2.43, -43.21

 

CMYK 78 / 30 / 0 / 5

HEX #35AAF2

RGB 53 170 242

HSL 202.86, 0.88%, 0.58%

LAB 66.46, -8.05, -45.01

 

CMYK 78 / 42 / 0 / 5

HEX #358DF2

RGB 53 141 242

HSL 212.06, 0.88%, 0.58%

LAB 58.24, 8.75, -58.04

 

CMYK 78 / 55 / 0 / 5

HEX #356EF2

RGB 53 110 242

HSL 221.9, 0.88%, 0.58%

LAB 49.88, 27.93, -71.52

 

CMYK 78 / 68 / 0 / 5

HEX #354EF2

RGB 53 78 242

HSL 232.06, 0.88%, 0.58%

LAB 42.18, 47.71, -84.11

 

CMYK 76 / 78 / 0 / 5

HEX #3B35F2

RGB 59 53 242

HSL 241.9, 0.88%, 0.58%

LAB 37.64, 61.68, -91.61

 

CMYK 78 / 30 / 0 / 5

HEX #35AAF2

RGB 53 170 242

HSL 202.86, 0.88%, 0.58%

LAB 66.46, -8.05, -45.01

 

CMYK 79 / 29 / 0 / 85

HEX #081B26

RGB 8 27 38

HSL 202, 0.65%, 0.09%

LAB 8.79, -3.38, -9.84

 

CMYK 79 / 29 / 0 / 65

HEX #133F59

RGB 19 63 89

HSL 202.29, 0.65%, 0.21%

LAB 25, -5.01, -19.85

 

CMYK 78 / 30 / 0 / 45

HEX #1F628C

RGB 31 98 140

HSL 203.12, 0.64%, 0.34%

LAB 39.45, -5.6, -29.13

 

CMYK 78 / 30 / 0 / 25

HEX #2A86BF

RGB 42 134 191

HSL 202.95, 0.64%, 0.46%

LAB 53.28, -6.87, -37.29

 

CMYK 78 / 30 / 0 / 5

HEX #35AAF2

RGB 53 170 242

HSL 202.86, 0.88%, 0.58%

LAB 66.46, -8.05, -45.01

 

CMYK 34 / 78 / 0 / 5

HEX #A035F2

RGB 160 53 242

HSL 273.97, 0.88%, 0.58%

LAB 47.53, 73.24, -74.97

 

CMYK 0 / 3 / 78 / 5

HEX #F2EB35

RGB 242 235 53

HSL 57.78, 0.88%, 0.58%

LAB 91.03, -16.42, 81.24

 

CMYK 78 / 30 / 0 / 5

HEX #35AAF2

RGB 53 170 242

HSL 202.86, 0.88%, 0.58%

LAB 66.46, -8.05, -45.01

 

CMYK 0 / 78 / 29 / 5

HEX #F235AD

RGB 242 53 173

HSL 321.9, 0.88%, 0.58%

LAB 56.53, 78.33, -20.38

 

CMYK 29 / 0 / 78 / 5

HEX #ADF235

RGB 173 242 53

HSL 81.9, 0.88%, 0.58%

LAB 88.28, -46.85, 77.02

 

CMYK 78 / 30 / 0 / 5

HEX #35AAF2

RGB 53 170 242

HSL 202.86, 0.88%, 0.58%

LAB 66.46, -8.05, -45.01

 

CMYK 34 / 78 / 0 / 5

HEX #A035F2

RGB 160 53 242

HSL 273.97, 0.88%, 0.58%

LAB 47.53, 73.24, -74.97

 

CMYK 0 / 50 / 78 / 5

HEX #F27A35

RGB 242 122 53

HSL 21.9, 0.88%, 0.58%

LAB 64.2, 41.73, 56.6

 

CMYK 44 / 0 / 78 / 5

HEX #87F235

RGB 135 242 53

HSL 93.97, 0.88%, 0.58%

LAB 86.46, -59.64, 74.67

 

CMYK 78 / 30 / 0 / 5

HEX #35AAF2

RGB 53 170 242

HSL 202.86, 0.88%, 0.58%

LAB 66.46, -8.05, -45.01

 

CMYK 10 / 78 / 0 / 5

HEX #D935F2

RGB 217 53 242

HSL 292.06, 0.88%, 0.58%

LAB 55.79, 82.86, -61.2

 

CMYK 0 / 50 / 78 / 5

HEX #F27A35

RGB 242 122 53

HSL 21.9, 0.88%, 0.58%

LAB 64.2, 41.73, 56.6

 

CMYK 68 / 0 / 78 / 5

HEX #4EF235

RGB 78 242 53

HSL 112.06, 0.88%, 0.58%

LAB 84.68, -73.76, 72.36

 

Description

Color code: CMYK 78 / 30 / 0 / 5 | qconv.com Color code: CMYK 78 / 30 / 0 / 5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 170 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 170 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 30 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 30% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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