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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 78 / 29 / 100 / 15 it is the complementary color CMYK 19 / 60 / 0 / 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 78 / 29 / 100 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 78 / 29 / 100 / 15: CMYK 66 / 0 / 100 / 40, CMYK 59 / 0 / 92 / 33, CMYK 54 / 0 / 83 / 25, CMYK 50 / 0 / 75 / 18 and CMYK 46 / 0 / 69 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 78 / 29 / 100 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 78 / 29 / 100 / 15: CMYK 69 / 0 / 100 / 40, CMYK 77 / 0 / 100 / 47, CMYK 88 / 0 / 100 / 54, CMYK 100 / 0 / 100 / 61 and CMYK 100 / 0 / 100 / 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 29 / 100 / 15

HEX #309A00

RGB 48 154 0

HSL 101.3, 1%, 0.3%

LAB 55.83, -53.48, 57.86

 

Complementary color

CMYK 19 / 60 / 0 / 0

HEX #CF65FF

RGB 207 101 255

HSL 281.3, 1%, 0.7%

LAB 61.47, 65.43, -59.4

 

CMYK 66 / 0 / 100 / 40

HEX #359A00

RGB 53 154 0

HSL 99.35, 1%, 0.3%

LAB 55.96, -52.38, 58.02

 

CMYK 59 / 0 / 92 / 33

HEX #46AC0E

RGB 70 172 14

HSL 98.73, 0.85%, 0.36%

LAB 62.37, -54.13, 61.4

 

CMYK 54 / 0 / 83 / 25

HEX #57BE21

RGB 87 190 33

HSL 99.36, 0.7%, 0.44%

LAB 68.72, -55.35, 63.13

 

CMYK 50 / 0 / 75 / 18

HEX #68D034

RGB 104 208 52

HSL 100, 0.62%, 0.51%

LAB 75.02, -56.15, 63.63

 

CMYK 46 / 0 / 69 / 11

HEX #79E247

RGB 121 226 71

HSL 100.65, 0.73%, 0.58%

LAB 81.24, -56.66, 63.4

 

CMYK 69 / 0 / 100 / 40

HEX #309A00

RGB 48 154 0

HSL 101.3, 1%, 0.3%

LAB 55.83, -53.48, 57.86

 

CMYK 77 / 0 / 100 / 47

HEX #1F8800

RGB 31 136 0

HSL 106.32, 1%, 0.27%

LAB 49.37, -50.81, 52.57

 

CMYK 88 / 0 / 100 / 54

HEX #0E7600

RGB 14 118 0

HSL 112.88, 1%, 0.23%

LAB 42.84, -47.49, 47.24

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 100 / 0 / 100 / 68

HEX #005200

RGB 0 82 0

HSL 120, 1%, 0.16%

LAB 29.5, -37.8, 36.48

 

CMYK 69 / 0 / 100 / 40

HEX #309A00

RGB 48 154 0

HSL 101.3, 1%, 0.3%

LAB 55.83, -53.48, 57.86

 

CMYK 86 / 0 / 100 / 40

HEX #169900

RGB 22 153 0

HSL 111.37, 1%, 0.3%

LAB 55.02, -57.26, 57.02

 

CMYK 100 / 0 / 99 / 40

HEX #009902

RGB 0 153 2

HSL 120.78, 1%, 0.3%

LAB 54.85, -58.8, 56.49

 

CMYK 100 / 0 / 82 / 40

HEX #00991C

RGB 0 153 28

HSL 130.98, 1%, 0.3%

LAB 54.93, -57.73, 51.16

 

CMYK 100 / 0 / 65 / 40

HEX #009935

RGB 0 153 53

HSL 140.78, 1%, 0.3%

LAB 55.11, -55.45, 41.8

 

CMYK 69 / 0 / 100 / 40

HEX #309A00

RGB 48 154 0

HSL 101.3, 1%, 0.3%

LAB 55.83, -53.48, 57.86

 

CMYK 69 / 0 / 100 / 20

HEX #40CD00

RGB 64 205 0

HSL 101.27, 1%, 0.4%

LAB 72.73, -66.66, 71.45

 

CMYK 100 / 0 / 100 / 100

HEX #000100

RGB 0 1 0

HSL 120, 1%, 0%

LAB 0.2, -0.4, 0.29

 

CMYK 69 / 0 / 100 / 80

HEX #103400

RGB 16 52 0

HSL 101.54, 1%, 0.1%

LAB 18.22, -23.71, 25.41

 

CMYK 69 / 0 / 100 / 60

HEX #206700

RGB 32 103 0

HSL 101.36, 1%, 0.2%

LAB 37.86, -39.38, 43.42

 

CMYK 69 / 0 / 100 / 40

HEX #309A00

RGB 48 154 0

HSL 101.3, 1%, 0.3%

LAB 55.83, -53.48, 57.86

 

CMYK 100 / 0 / 12 / 40

HEX #009987

RGB 0 153 135

HSL 172.94, 1%, 0.3%

LAB 56.62, -38.29, -0.18

 

CMYK 0 / 100 / 29 / 40

HEX #99006D

RGB 153 0 109

HSL 317.25, 1%, 0.3%

LAB 33.72, 61.16, -17.91

 

CMYK 69 / 0 / 100 / 40

HEX #309A00

RGB 48 154 0

HSL 101.3, 1%, 0.3%

LAB 55.83, -53.48, 57.86

 

CMYK 100 / 69 / 0 / 40

HEX #003099

RGB 0 48 153

HSL 221.18, 1%, 0.3%

LAB 24.99, 30.93, -60.37

 

CMYK 0 / 100 / 69 / 40

HEX #990030

RGB 153 0 48

HSL 341.18, 1%, 0.3%

LAB 31.77, 56.05, 19.24

 

CMYK 69 / 0 / 100 / 40

HEX #309A00

RGB 48 154 0

HSL 101.3, 1%, 0.3%

LAB 55.83, -53.48, 57.86

 

CMYK 100 / 0 / 12 / 40

HEX #009987

RGB 0 153 135

HSL 172.94, 1%, 0.3%

LAB 56.62, -38.29, -0.18

 

CMYK 32 / 100 / 0 / 40

HEX #680099

RGB 104 0 153

HSL 280.78, 1%, 0.3%

LAB 27.42, 59.86, -56.07

 

CMYK 0 / 100 / 89 / 40

HEX #990011

RGB 153 0 17

HSL 353.33, 1%, 0.3%

LAB 31.38, 54.97, 37.83

 

CMYK 69 / 0 / 100 / 40

HEX #309A00

RGB 48 154 0

HSL 101.3, 1%, 0.3%

LAB 55.83, -53.48, 57.86

 

CMYK 100 / 19 / 0 / 40

HEX #007C99

RGB 0 124 153

HSL 191.37, 1%, 0.3%

LAB 47.9, -18.09, -23.74

 

CMYK 32 / 100 / 0 / 40

HEX #680099

RGB 104 0 153

HSL 280.78, 1%, 0.3%

LAB 27.42, 59.86, -56.07

 

CMYK 0 / 82 / 100 / 40

HEX #991C00

RGB 153 28 0

HSL 10.98, 1%, 0.3%

LAB 33.14, 49.39, 46.37

 

Description

Color code: CMYK 78 / 29 / 100 / 15 | qconv.com Color code: CMYK 78 / 29 / 100 / 15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 154 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 154 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 29 magenta, 100 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 29% 100% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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