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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 78 / 14 / 0 / 22 it is the complementary color CMYK 0 / 60 / 73 / 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 78 / 14 / 0 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 78 / 14 / 0 / 22: CMYK 75 / 12 / 0 / 24, CMYK 69 / 11 / 0 / 16, CMYK 64 / 11 / 0 / 9, CMYK 60 / 10 / 0 / 2 and CMYK 54 / 5 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 78 / 14 / 0 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 78 / 14 / 0 / 22: CMYK 78 / 14 / 0 / 22, CMYK 85 / 15 / 0 / 29, CMYK 94 / 16 / 0 / 37, CMYK 100 / 18 / 0 / 44 and CMYK 100 / 20 / 0 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 14 / 0 / 22

HEX #2CABC7

RGB 44 171 199

HSL 190.84, 0.64%, 0.48%

LAB 64.79, -24.04, -23.93

 

Complementary color

CMYK 0 / 60 / 73 / 17

HEX #D35438

RGB 211 84 56

HSL 10.84, 0.64%, 0.52%

LAB 52.37, 48.54, 41.47

 

CMYK 75 / 12 / 0 / 24

HEX #31ABC2

RGB 49 171 194

HSL 189.52, 0.6%, 0.48%

LAB 64.7, -25.09, -21.28

 

CMYK 69 / 11 / 0 / 16

HEX #42BDD5

RGB 66 189 213

HSL 189.8, 0.64%, 0.55%

LAB 71.12, -26.03, -21.93

 

CMYK 64 / 11 / 0 / 9

HEX #53CFE8

RGB 83 207 232

HSL 190.07, 0.76%, 0.62%

LAB 77.45, -26.74, -22.52

 

CMYK 60 / 10 / 0 / 2

HEX #64E1FB

RGB 100 225 251

HSL 190.33, 0.95%, 0.69%

LAB 83.72, -27.29, -23.07

 

CMYK 54 / 5 / 0 / 0

HEX #75F3FF

RGB 117 243 255

HSL 185.22, 1%, 0.73%

LAB 89.44, -31.77, -16.47

 

CMYK 78 / 14 / 0 / 22

HEX #2CABC7

RGB 44 171 199

HSL 190.84, 0.64%, 0.48%

LAB 64.79, -24.04, -23.93

 

CMYK 85 / 15 / 0 / 29

HEX #1B99B4

RGB 27 153 180

HSL 190.59, 0.74%, 0.41%

LAB 58.33, -22.59, -23.21

 

CMYK 94 / 16 / 0 / 37

HEX #0A87A1

RGB 10 135 161

HSL 190.33, 0.88%, 0.34%

LAB 51.8, -20.71, -22.38

 

CMYK 100 / 18 / 0 / 44

HEX #00758E

RGB 0 117 142

HSL 190.56, 1%, 0.28%

LAB 45.19, -18.29, -21.43

 

CMYK 100 / 20 / 0 / 52

HEX #00637B

RGB 0 99 123

HSL 191.71, 1%, 0.24%

LAB 38.47, -15.32, -20.37

 

CMYK 78 / 14 / 0 / 22

HEX #2CABC7

RGB 44 171 199

HSL 190.84, 0.64%, 0.48%

LAB 64.79, -24.04, -23.93

 

CMYK 78 / 26 / 0 / 22

HEX #2C94C8

RGB 44 148 200

HSL 200, 0.64%, 0.48%

LAB 57.93, -11.41, -35.11

 

CMYK 78 / 39 / 0 / 22

HEX #2C7AC8

RGB 44 122 200

HSL 210, 0.64%, 0.48%

LAB 50.25, 3.83, -47.22

 

CMYK 78 / 52 / 0 / 22

HEX #2C60C8

RGB 44 96 200

HSL 220, 0.64%, 0.48%

LAB 42.87, 20.28, -59.07

 

CMYK 78 / 65 / 0 / 22

HEX #2C46C8

RGB 44 70 200

HSL 230, 0.64%, 0.48%

LAB 36.15, 37.09, -70.02

 

CMYK 78 / 14 / 0 / 22

HEX #2CABC7

RGB 44 171 199

HSL 190.84, 0.64%, 0.48%

LAB 64.79, -24.04, -23.93

 

CMYK 78 / 14 / 0 / 2

HEX #37D7FA

RGB 55 215 250

HSL 190.77, 0.95%, 0.6%

LAB 79.79, -28.67, -28.62

 

CMYK 78 / 13 / 0 / 82

HEX #0A282E

RGB 10 40 46

HSL 190, 0.64%, 0.11%

LAB 14.28, -8.64, -7.21

 

CMYK 78 / 14 / 0 / 62

HEX #155361

RGB 21 83 97

HSL 191.05, 0.64%, 0.23%

LAB 32.28, -14, -13.73

 

CMYK 78 / 14 / 0 / 42

HEX #217F94

RGB 33 127 148

HSL 190.96, 0.64%, 0.35%

LAB 49.06, -19.14, -18.99

 

CMYK 78 / 14 / 0 / 22

HEX #2CABC7

RGB 44 171 199

HSL 190.84, 0.64%, 0.48%

LAB 64.79, -24.04, -23.93

 

CMYK 50 / 78 / 0 / 22

HEX #652CC8

RGB 101 44 200

HSL 261.92, 0.64%, 0.48%

LAB 35.48, 58.13, -70.96

 

CMYK 0 / 18 / 78 / 22

HEX #C8A42C

RGB 200 164 44

HSL 46.15, 0.64%, 0.48%

LAB 68.76, 1.54, 62.6

 

CMYK 78 / 14 / 0 / 22

HEX #2CABC7

RGB 44 171 199

HSL 190.84, 0.64%, 0.48%

LAB 64.79, -24.04, -23.93

 

CMYK 0 / 78 / 13 / 22

HEX #C82CAE

RGB 200 44 174

HSL 310, 0.64%, 0.48%

LAB 48.43, 71.41, -34.09

 

CMYK 13 / 0 / 78 / 22

HEX #AEC82C

RGB 174 200 44

HSL 70, 0.64%, 0.48%

LAB 76.37, -27.98, 68.73

 

CMYK 78 / 14 / 0 / 22

HEX #2CABC7

RGB 44 171 199

HSL 190.84, 0.64%, 0.48%

LAB 64.79, -24.04, -23.93

 

CMYK 50 / 78 / 0 / 22

HEX #652CC8

RGB 101 44 200

HSL 261.92, 0.64%, 0.48%

LAB 35.48, 58.13, -70.96

 

CMYK 0 / 65 / 78 / 22

HEX #C8462C

RGB 200 70 44

HSL 10, 0.64%, 0.48%

LAB 48.06, 50.38, 42.66

 

CMYK 29 / 0 / 78 / 22

HEX #8FC82C

RGB 143 200 44

HSL 81.92, 0.64%, 0.48%

LAB 74.4, -40.25, 66.21

 

CMYK 78 / 14 / 0 / 22

HEX #2CABC7

RGB 44 171 199

HSL 190.84, 0.64%, 0.48%

LAB 64.79, -24.04, -23.93

 

CMYK 26 / 78 / 0 / 22

HEX #942CC8

RGB 148 44 200

HSL 280, 0.64%, 0.48%

LAB 41.64, 65.55, -60.65

 

CMYK 0 / 65 / 78 / 22

HEX #C8462C

RGB 200 70 44

HSL 10, 0.64%, 0.48%

LAB 48.06, 50.38, 42.66

 

CMYK 52 / 0 / 78 / 22

HEX #60C82C

RGB 96 200 44

HSL 100, 0.64%, 0.48%

LAB 72.21, -55.93, 63.37

 

Description

Color code: CMYK 78 / 14 / 0 / 22 | qconv.com Color code: CMYK 78 / 14 / 0 / 22 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 171 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 171 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 14 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 14% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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