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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 76 / 11 / 0 / 22 it is the complementary color CMYK 0 / 62 / 73 / 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 76 / 11 / 0 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 76 / 11 / 0 / 22: CMYK 73 / 9 / 0 / 24, CMYK 67 / 8 / 0 / 16, CMYK 63 / 8 / 0 / 9, CMYK 59 / 8 / 0 / 2 and CMYK 53 / 2 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 76 / 11 / 0 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 76 / 11 / 0 / 22: CMYK 76 / 11 / 0 / 22, CMYK 83 / 12 / 0 / 29, CMYK 91 / 12 / 0 / 37, CMYK 100 / 13 / 0 / 44 and CMYK 100 / 15 / 0 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 11 / 0 / 22

HEX #30B1C7

RGB 48 177 199

HSL 188.74, 0.61%, 0.48%

LAB 66.67, -26.64, -21.05

 

Complementary color

CMYK 0 / 62 / 73 / 19

HEX #CF4E38

RGB 207 78 56

HSL 8.74, 0.61%, 0.52%

LAB 50.69, 49.82, 39.42

 

CMYK 73 / 9 / 0 / 24

HEX #35B1C2

RGB 53 177 194

HSL 187.23, 0.57%, 0.48%

LAB 66.59, -27.61, -18.4

 

CMYK 67 / 8 / 0 / 16

HEX #46C3D5

RGB 70 195 213

HSL 187.55, 0.63%, 0.55%

LAB 72.98, -28.43, -19.09

 

CMYK 63 / 8 / 0 / 9

HEX #57D5E8

RGB 87 213 232

HSL 187.86, 0.76%, 0.63%

LAB 79.29, -29.04, -19.72

 

CMYK 59 / 8 / 0 / 2

HEX #68E7FB

RGB 104 231 251

HSL 188.16, 0.95%, 0.7%

LAB 85.53, -29.5, -20.31

 

CMYK 53 / 2 / 0 / 0

HEX #79F9FF

RGB 121 249 255

HSL 182.69, 1%, 0.74%

LAB 91.25, -33.82, -13.75

 

CMYK 76 / 11 / 0 / 22

HEX #30B1C7

RGB 48 177 199

HSL 188.74, 0.61%, 0.48%

LAB 66.67, -26.64, -21.05

 

CMYK 83 / 12 / 0 / 29

HEX #1F9FB4

RGB 31 159 180

HSL 188.46, 0.71%, 0.41%

LAB 60.23, -25.36, -20.29

 

CMYK 91 / 12 / 0 / 37

HEX #0E8DA1

RGB 14 141 161

HSL 188.16, 0.84%, 0.34%

LAB 53.72, -23.66, -19.42

 

CMYK 100 / 13 / 0 / 44

HEX #007B8E

RGB 0 123 142

HSL 188.03, 1%, 0.28%

LAB 47.13, -21.52, -18.45

 

CMYK 100 / 15 / 0 / 52

HEX #00697B

RGB 0 105 123

HSL 188.78, 1%, 0.24%

LAB 40.46, -18.68, -17.3

 

CMYK 76 / 11 / 0 / 22

HEX #30B1C7

RGB 48 177 199

HSL 188.74, 0.61%, 0.48%

LAB 66.67, -26.64, -21.05

 

CMYK 76 / 23 / 0 / 23

HEX #2F98C5

RGB 47 152 197

HSL 198, 0.61%, 0.48%

LAB 59.06, -14.33, -31.65

 

CMYK 76 / 36 / 0 / 23

HEX #2F7FC5

RGB 47 127 197

HSL 208, 0.61%, 0.48%

LAB 51.63, 0.04, -43.31

 

CMYK 76 / 48 / 0 / 23

HEX #2F66C5

RGB 47 102 197

HSL 218, 0.61%, 0.48%

LAB 44.43, 15.61, -54.81

 

CMYK 76 / 61 / 0 / 23

HEX #2F4DC5

RGB 47 77 197

HSL 228, 0.61%, 0.48%

LAB 37.74, 31.81, -65.66

 

CMYK 76 / 11 / 0 / 22

HEX #30B1C7

RGB 48 177 199

HSL 188.74, 0.61%, 0.48%

LAB 66.67, -26.64, -21.05

 

CMYK 76 / 11 / 0 / 2

HEX #3CDEFA

RGB 60 222 250

HSL 188.84, 0.95%, 0.61%

LAB 81.9, -31.57, -25.4

 

CMYK 76 / 11 / 0 / 82

HEX #0B292E

RGB 11 41 46

HSL 188.57, 0.61%, 0.11%

LAB 14.7, -9.08, -6.57

 

CMYK 76 / 11 / 0 / 62

HEX #175661

RGB 23 86 97

HSL 188.92, 0.62%, 0.24%

LAB 33.35, -15.44, -12.08

 

CMYK 76 / 11 / 0 / 42

HEX #248494

RGB 36 132 148

HSL 188.57, 0.61%, 0.36%

LAB 50.71, -21.44, -16.47

 

CMYK 76 / 11 / 0 / 22

HEX #30B1C7

RGB 48 177 199

HSL 188.74, 0.61%, 0.48%

LAB 66.67, -26.64, -21.05

 

CMYK 51 / 76 / 0 / 23

HEX #612FC5

RGB 97 47 197

HSL 260, 0.61%, 0.48%

LAB 35.21, 55.47, -69.66

 

CMYK 0 / 20 / 76 / 23

HEX #C59D2F

RGB 197 157 47

HSL 44, 0.61%, 0.48%

LAB 66.66, 4.09, 59.47

 

CMYK 76 / 11 / 0 / 22

HEX #30B1C7

RGB 48 177 199

HSL 188.74, 0.61%, 0.48%

LAB 66.67, -26.64, -21.05

 

CMYK 0 / 76 / 10 / 23

HEX #C52FB1

RGB 197 47 177

HSL 308, 0.61%, 0.48%

LAB 48.36, 70.35, -36.01

 

CMYK 10 / 0 / 76 / 23

HEX #B1C52F

RGB 177 197 47

HSL 68, 0.61%, 0.48%

LAB 75.75, -25.18, 67.34

 

CMYK 76 / 11 / 0 / 22

HEX #30B1C7

RGB 48 177 199

HSL 188.74, 0.61%, 0.48%

LAB 66.67, -26.64, -21.05

 

CMYK 51 / 76 / 0 / 23

HEX #612FC5

RGB 97 47 197

HSL 260, 0.61%, 0.48%

LAB 35.21, 55.47, -69.66

 

CMYK 0 / 66 / 76 / 23

HEX #C5432F

RGB 197 67 47

HSL 8, 0.61%, 0.48%

LAB 47.09, 50.73, 39.9

 

CMYK 25 / 0 / 76 / 23

HEX #93C52F

RGB 147 197 47

HSL 80, 0.61%, 0.48%

LAB 73.77, -37.24, 64.77

 

CMYK 76 / 11 / 0 / 22

HEX #30B1C7

RGB 48 177 199

HSL 188.74, 0.61%, 0.48%

LAB 66.67, -26.64, -21.05

 

CMYK 28 / 76 / 0 / 23

HEX #8E2FC5

RGB 142 47 197

HSL 278, 0.61%, 0.48%

LAB 40.92, 62.81, -60.1

 

CMYK 0 / 66 / 76 / 23

HEX #C5432F

RGB 197 67 47

HSL 8, 0.61%, 0.48%

LAB 47.09, 50.73, 39.9

 

CMYK 48 / 0 / 76 / 23

HEX #66C52F

RGB 102 197 47

HSL 98, 0.61%, 0.48%

LAB 71.53, -52.88, 61.85

 

Description

Color code: CMYK 76 / 11 / 0 / 22 | qconv.com Color code: CMYK 76 / 11 / 0 / 22 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 177 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 177 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 11 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 11% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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