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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 75 / 85 / 0 / 73 it is the complementary color CMYK 3 / 0 / 24 / 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 75 / 85 / 0 / 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 75 / 85 / 0 / 73: CMYK 66 / 84 / 0 / 75, CMYK 53 / 66 / 0 / 67, CMYK 45 / 55 / 0 / 60, CMYK 40 / 47 / 0 / 53 and CMYK 36 / 41 / 0 / 45

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 75 / 85 / 0 / 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 75 / 85 / 0 / 73: CMYK 75 / 86 / 0 / 73, CMYK 100 / 100 / 0 / 80, CMYK 100 / 100 / 0 / 88, CMYK 100 / 100 / 0 / 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 85 / 0 / 73

HEX #110A45

RGB 17 10 69

HSL 247.12, 0.75%, 0.15%

LAB 6.92, 24.18, -35.32

 

Complementary color

CMYK 3 / 0 / 24 / 4

HEX #EEF5BA

RGB 238 245 186

HSL 67.12, 0.75%, 0.85%

LAB 94.75, -11.71, 27.71

 

CMYK 66 / 84 / 0 / 75

HEX #160A40

RGB 22 10 64

HSL 253.33, 0.73%, 0.15%

LAB 6.85, 23.06, -31.87

 

CMYK 53 / 66 / 0 / 67

HEX #271C53

RGB 39 28 83

HSL 252, 0.5%, 0.22%

LAB 14.88, 21.57, -31.9

 

CMYK 45 / 55 / 0 / 60

HEX #382E66

RGB 56 46 102

HSL 250.71, 0.38%, 0.29%

LAB 22.84, 20.01, -31.59

 

CMYK 40 / 47 / 0 / 53

HEX #494079

RGB 73 64 121

HSL 249.47, 0.31%, 0.36%

LAB 30.55, 18.75, -31.33

 

CMYK 36 / 41 / 0 / 45

HEX #5A528C

RGB 90 82 140

HSL 248.28, 0.26%, 0.44%

LAB 38.02, 17.74, -31.14

 

CMYK 75 / 86 / 0 / 73

HEX #110A45

RGB 17 10 69

HSL 247.12, 0.75%, 0.15%

LAB 6.92, 24.18, -35.32

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 100 / 100 / 0 / 95

HEX #00000C

RGB 0 0 12

HSL 240, 1%, 0.02%

LAB 0.24, 1.68, -4.58

 

CMYK 75 / 86 / 0 / 73

HEX #110A45

RGB 17 10 69

HSL 247.12, 0.75%, 0.15%

LAB 6.92, 24.18, -35.32

 

CMYK 62 / 86 / 0 / 74

HEX #190942

RGB 25 9 66

HSL 256.84, 0.76%, 0.15%

LAB 7.18, 24.98, -32.73

 

CMYK 47 / 86 / 0 / 74

HEX #230942

RGB 35 9 66

HSL 267.37, 0.76%, 0.15%

LAB 8.53, 26.89, -30.46

 

CMYK 33 / 86 / 0 / 74

HEX #2C0942

RGB 44 9 66

HSL 276.84, 0.76%, 0.15%

LAB 9.99, 28.73, -28.03

 

CMYK 18 / 86 / 0 / 74

HEX #360942

RGB 54 9 66

HSL 287.37, 0.76%, 0.15%

LAB 11.78, 30.97, -25.05

 

CMYK 75 / 86 / 0 / 73

HEX #110A45

RGB 17 10 69

HSL 247.12, 0.75%, 0.15%

LAB 6.92, 24.18, -35.32

 

CMYK 75 / 86 / 0 / 53

HEX #1E1178

RGB 30 17 120

HSL 247.57, 0.75%, 0.27%

LAB 15.66, 39.26, -55.07

 

CMYK 75 / 85 / 0 / 33

HEX #2A19AB

RGB 42 25 171

HSL 246.99, 0.74%, 0.38%

LAB 24.09, 52.13, -72.76

 

CMYK 75 / 86 / 0 / 13

HEX #3720DE

RGB 55 32 222

HSL 247.26, 0.75%, 0.5%

LAB 32.08, 64.63, -89.46

 

CMYK 78 / 83 / 0 / 93

HEX #040312

RGB 4 3 18

HSL 244, 0.71%, 0.04%

LAB 1.22, 2.62, -6.32

 

CMYK 75 / 86 / 0 / 73

HEX #110A45

RGB 17 10 69

HSL 247.12, 0.75%, 0.15%

LAB 6.92, 24.18, -35.32

 

CMYK 0 / 86 / 27 / 74

HEX #420930

RGB 66 9 48

HSL 318.95, 0.76%, 0.15%

LAB 13.03, 30.72, -10

 

CMYK 62 / 0 / 86 / 74

HEX #194209

RGB 25 66 9

HSL 103.16, 0.76%, 0.15%

LAB 24.07, -26.07, 28.23

 

CMYK 75 / 86 / 0 / 73

HEX #110A45

RGB 17 10 69

HSL 247.12, 0.75%, 0.15%

LAB 6.92, 24.18, -35.32

 

CMYK 0 / 76 / 86 / 74

HEX #421009

RGB 66 16 9

HSL 7.37, 0.76%, 0.15%

LAB 12.91, 23.7, 16.16

 

CMYK 86 / 0 / 76 / 74

HEX #094210

RGB 9 66 16

HSL 127.37, 0.76%, 0.15%

LAB 23.64, -29.38, 24.51

 

CMYK 75 / 86 / 0 / 73

HEX #110A45

RGB 17 10 69

HSL 247.12, 0.75%, 0.15%

LAB 6.92, 24.18, -35.32

 

CMYK 0 / 86 / 27 / 74

HEX #420930

RGB 66 9 48

HSL 318.95, 0.76%, 0.15%

LAB 13.03, 30.72, -10

 

CMYK 9 / 0 / 86 / 74

HEX #3C4209

RGB 60 66 9

HSL 66.32, 0.76%, 0.15%

LAB 26.38, -10.8, 31.24

 

CMYK 86 / 0 / 59 / 74

HEX #09421B

RGB 9 66 27

HSL 138.95, 0.76%, 0.15%

LAB 23.78, -27.72, 18.64

 

CMYK 75 / 86 / 0 / 73

HEX #110A45

RGB 17 10 69

HSL 247.12, 0.75%, 0.15%

LAB 6.92, 24.18, -35.32

 

CMYK 0 / 86 / 53 / 74

HEX #42091F

RGB 66 9 31

HSL 336.84, 0.76%, 0.15%

LAB 12.3, 28.5, 1.5

 

CMYK 9 / 0 / 86 / 74

HEX #3C4209

RGB 60 66 9

HSL 66.32, 0.76%, 0.15%

LAB 26.38, -10.8, 31.24

 

CMYK 86 / 0 / 33 / 74

HEX #09422C

RGB 9 66 44

HSL 156.84, 0.76%, 0.15%

LAB 24.12, -23.91, 8.44

 

Description

Color code: CMYK 75 / 85 / 0 / 73 | qconv.com Color code: CMYK 75 / 85 / 0 / 73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 10 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 10 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 85 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 85% 0% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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