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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 75 / 0 / 76 / 24 it is the complementary color CMYK 0 / 71 / 0 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 75 / 0 / 76 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 75 / 0 / 76 / 24: CMYK 73 / 0 / 78 / 24, CMYK 67 / 0 / 71 / 17, CMYK 62 / 0 / 65 / 10, CMYK 58 / 0 / 60 / 3 and CMYK 53 / 0 / 54 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 75 / 0 / 76 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 75 / 0 / 76 / 24: CMYK 75 / 0 / 76 / 24, CMYK 82 / 0 / 84 / 31, CMYK 91 / 0 / 94 / 38, CMYK 100 / 0 / 100 / 45 and CMYK 100 / 0 / 100 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 76 / 24

HEX #30C22F

RGB 48 194 47

HSL 119.59, 0.61%, 0.47%

LAB 69.05, -64.22, 58.91

 

Complementary color

CMYK 0 / 71 / 0 / 18

HEX #CF3DD0

RGB 207 61 208

HSL 299.59, 0.61%, 0.53%

LAB 53.12, 72.93, -46.34

 

CMYK 73 / 0 / 78 / 24

HEX #35C22A

RGB 53 194 42

HSL 115.66, 0.64%, 0.46%

LAB 69.12, -63.76, 60.61

 

CMYK 67 / 0 / 71 / 17

HEX #46D43D

RGB 70 212 61

HSL 116.42, 0.64%, 0.54%

LAB 75.28, -65.13, 60.43

 

CMYK 62 / 0 / 65 / 10

HEX #57E650

RGB 87 230 80

HSL 117.2, 0.75%, 0.61%

LAB 81.4, -66.03, 59.73

 

CMYK 58 / 0 / 60 / 3

HEX #68F863

RGB 104 248 99

HSL 117.99, 0.91%, 0.68%

LAB 87.47, -66.6, 58.75

 

CMYK 53 / 0 / 54 / 0

HEX #79FF76

RGB 121 255 118

HSL 118.69, 1%, 0.73%

LAB 90.27, -62.92, 53.8

 

CMYK 75 / 0 / 76 / 24

HEX #30C22F

RGB 48 194 47

HSL 119.59, 0.61%, 0.47%

LAB 69.05, -64.22, 58.91

 

CMYK 82 / 0 / 84 / 31

HEX #1FB01C

RGB 31 176 28

HSL 118.78, 0.73%, 0.4%

LAB 62.87, -62.15, 58.6

 

CMYK 91 / 0 / 94 / 38

HEX #0E9E09

RGB 14 158 9

HSL 117.99, 0.89%, 0.33%

LAB 56.65, -59.17, 56.92

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 75 / 0 / 76 / 24

HEX #30C22F

RGB 48 194 47

HSL 119.59, 0.61%, 0.47%

LAB 69.05, -64.22, 58.91

 

CMYK 76 / 0 / 65 / 25

HEX #2EC044

RGB 46 192 68

HSL 129.04, 0.61%, 0.47%

LAB 68.53, -61.99, 50.31

 

CMYK 76 / 0 / 52 / 25

HEX #2EC05D

RGB 46 192 93

HSL 139.32, 0.61%, 0.47%

LAB 68.8, -58.75, 39.07

 

CMYK 76 / 0 / 39 / 25

HEX #2EC075

RGB 46 192 117

HSL 149.18, 0.61%, 0.47%

LAB 69.16, -54.64, 27.29

 

CMYK 76 / 0 / 27 / 25

HEX #2EC08D

RGB 46 192 141

HSL 159.04, 0.61%, 0.47%

LAB 69.61, -49.59, 15.12

 

CMYK 75 / 0 / 76 / 24

HEX #30C22F

RGB 48 194 47

HSL 119.59, 0.61%, 0.47%

LAB 69.05, -64.22, 58.91

 

CMYK 75 / 0 / 76 / 4

HEX #3DF53B

RGB 61 245 59

HSL 119.35, 0.9%, 0.6%

LAB 85.31, -77.04, 71.07

 

CMYK 76 / 0 / 76 / 84

HEX #0A290A

RGB 10 41 10

HSL 120, 0.61%, 0.1%

LAB 13.66, -19.3, 15.57

 

CMYK 75 / 0 / 76 / 64

HEX #175C16

RGB 23 92 22

HSL 119.14, 0.61%, 0.22%

LAB 33.76, -35.98, 32.55

 

CMYK 76 / 0 / 76 / 44

HEX #238F23

RGB 35 143 35

HSL 120, 0.61%, 0.35%

LAB 51.98, -50.68, 46.04

 

CMYK 75 / 0 / 76 / 24

HEX #30C22F

RGB 48 194 47

HSL 119.59, 0.61%, 0.47%

LAB 69.05, -64.22, 58.91

 

CMYK 76 / 14 / 0 / 25

HEX #2EA6C0

RGB 46 166 192

HSL 190.68, 0.61%, 0.47%

LAB 63.06, -23.53, -22.68

 

CMYK 0 / 76 / 44 / 25

HEX #C02E6B

RGB 192 46 107

HSL 334.93, 0.61%, 0.47%

LAB 44.55, 60.94, 0.38

 

CMYK 75 / 0 / 76 / 24

HEX #30C22F

RGB 48 194 47

HSL 119.59, 0.61%, 0.47%

LAB 69.05, -64.22, 58.91

 

CMYK 76 / 74 / 0 / 25

HEX #2E31C0

RGB 46 49 192

HSL 238.77, 0.61%, 0.47%

LAB 30.84, 47.11, -74.08

 

CMYK 0 / 76 / 74 / 25

HEX #C02E31

RGB 192 46 49

HSL 358.77, 0.61%, 0.47%

LAB 43.33, 57.04, 34.39

 

CMYK 75 / 0 / 76 / 24

HEX #30C22F

RGB 48 194 47

HSL 119.59, 0.61%, 0.47%

LAB 69.05, -64.22, 58.91

 

CMYK 76 / 14 / 0 / 25

HEX #2EA6C0

RGB 46 166 192

HSL 190.68, 0.61%, 0.47%

LAB 63.06, -23.53, -22.68

 

CMYK 1 / 76 / 0 / 25

HEX #BE2EC0

RGB 190 46 192

HSL 299.18, 0.61%, 0.47%

LAB 47.89, 71.46, -45.6

 

CMYK 0 / 62 / 76 / 25

HEX #C0492E

RGB 192 73 46

HSL 11.1, 0.61%, 0.47%

LAB 47.2, 46.31, 40.28

 

CMYK 75 / 0 / 76 / 24

HEX #30C22F

RGB 48 194 47

HSL 119.59, 0.61%, 0.47%

LAB 69.05, -64.22, 58.91

 

CMYK 76 / 36 / 0 / 25

HEX #2E7AC0

RGB 46 122 192

HSL 208.77, 0.61%, 0.47%

LAB 49.86, 1.09, -43.25

 

CMYK 1 / 76 / 0 / 25

HEX #BE2EC0

RGB 190 46 192

HSL 299.18, 0.61%, 0.47%

LAB 47.89, 71.46, -45.6

 

CMYK 0 / 39 / 76 / 25

HEX #C0752E

RGB 192 117 46

HSL 29.18, 0.61%, 0.47%

LAB 56.21, 23.76, 49.54

 

Description

Color code: CMYK 75 / 0 / 76 / 24 | qconv.com Color code: CMYK 75 / 0 / 76 / 24 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 194 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 194 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 76 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 76% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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