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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 75 / 0 / 11 / 0 it is the complementary color CMYK 0 / 100 / 85 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 75 / 0 / 11 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 75 / 0 / 11 / 0: CMYK 73 / 0 / 13 / 0, CMYK 66 / 0 / 5 / 0, CMYK 60 / 0 / 0 / 0, CMYK 53 / 0 / 0 / 0 and CMYK 46 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 75 / 0 / 11 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 75 / 0 / 11 / 0: CMYK 75 / 0 / 11 / 0, CMYK 80 / 0 / 12 / 7, CMYK 86 / 0 / 14 / 14, CMYK 94 / 0 / 15 / 21 and CMYK 100 / 0 / 17 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 11 / 0

HEX #40FFE3

RGB 64 255 227

HSL 171.2, 1%, 0.63%

LAB 90.85, -52.31, 0.05

 

Complementary color

CMYK 0 / 100 / 85 / 25

HEX #BF001C

RGB 191 0 28

HSL 351.2, 1%, 0.37%

LAB 39.85, 64.84, 42.58

 

CMYK 73 / 0 / 13 / 0

HEX #45FFDE

RGB 69 255 222

HSL 169.35, 1%, 0.64%

LAB 90.81, -53.02, 2.58

 

CMYK 66 / 0 / 5 / 0

HEX #56FFF1

RGB 86 255 241

HSL 175.03, 1%, 0.67%

LAB 91.62, -46.01, -6.04

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 53 / 0 / 0 / 0

HEX #78FFFF

RGB 120 255 255

HSL 180, 1%, 0.74%

LAB 92.9, -36.79, -11.29

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.34, -10.37

 

CMYK 75 / 0 / 11 / 0

HEX #40FFE3

RGB 64 255 227

HSL 171.2, 1%, 0.63%

LAB 90.85, -52.31, 0.05

 

CMYK 80 / 0 / 12 / 7

HEX #2FEDD0

RGB 47 237 208

HSL 170.84, 0.84%, 0.56%

LAB 84.86, -51.36, 1.19

 

CMYK 86 / 0 / 14 / 14

HEX #1EDBBD

RGB 30 219 189

HSL 170.48, 0.76%, 0.49%

LAB 78.82, -50.14, 2.44

 

CMYK 94 / 0 / 15 / 21

HEX #0DC9AA

RGB 13 201 170

HSL 170.11, 0.88%, 0.42%

LAB 72.73, -48.57, 3.82

 

CMYK 100 / 0 / 17 / 28

HEX #00B797

RGB 0 183 151

HSL 169.51, 1%, 0.36%

LAB 66.6, -46.63, 5.33

 

CMYK 75 / 0 / 11 / 0

HEX #40FFE3

RGB 64 255 227

HSL 171.2, 1%, 0.63%

LAB 90.85, -52.31, 0.05

 

CMYK 74 / 2 / 0 / 0

HEX #42FBFF

RGB 66 251 255

HSL 181.27, 1%, 0.63%

LAB 90.49, -42.89, -15.02

 

CMYK 74 / 14 / 0 / 0

HEX #42DCFF

RGB 66 220 255

HSL 191.11, 1%, 0.63%

LAB 81.6, -28.44, -28.49

 

CMYK 74 / 26 / 0 / 0

HEX #42BCFF

RGB 66 188 255

HSL 201.27, 1%, 0.63%

LAB 72.46, -12.04, -42.63

 

CMYK 74 / 38 / 0 / 0

HEX #429DFF

RGB 66 157 255

HSL 211.11, 1%, 0.63%

LAB 63.75, 5.37, -56.37

 

CMYK 75 / 0 / 11 / 0

HEX #40FFE3

RGB 64 255 227

HSL 171.2, 1%, 0.63%

LAB 90.85, -52.31, 0.05

 

CMYK 75 / 0 / 12 / 80

HEX #0D332D

RGB 13 51 45

HSL 170.53, 0.59%, 0.13%

LAB 18.55, -15.08, -0.13

 

CMYK 75 / 0 / 11 / 60

HEX #1A665B

RGB 26 102 91

HSL 171.32, 0.59%, 0.25%

LAB 38.69, -25.48, -0.38

 

CMYK 75 / 0 / 11 / 40

HEX #269988

RGB 38 153 136

HSL 171.13, 0.6%, 0.37%

LAB 57.05, -35.18, -0.07

 

CMYK 75 / 0 / 11 / 20

HEX #33CCB6

RGB 51 204 182

HSL 171.37, 0.6%, 0.5%

LAB 74.36, -43.83, -0.26

 

CMYK 75 / 0 / 11 / 0

HEX #40FFE3

RGB 64 255 227

HSL 171.2, 1%, 0.63%

LAB 90.85, -52.31, 0.05

 

CMYK 71 / 74 / 0 / 0

HEX #4B42FF

RGB 75 66 255

HSL 242.86, 1%, 0.63%

LAB 42.17, 60.38, -91.37

 

CMYK 0 / 41 / 74 / 0

HEX #FF9742

RGB 255 151 66

HSL 26.98, 1%, 0.63%

LAB 72.09, 32.61, 59.3

 

CMYK 75 / 0 / 11 / 0

HEX #40FFE3

RGB 64 255 227

HSL 171.2, 1%, 0.63%

LAB 90.85, -52.31, 0.05

 

CMYK 11 / 74 / 0 / 0

HEX #E242FF

RGB 226 66 255

HSL 290.79, 1%, 0.63%

LAB 59.24, 82.96, -62.83

 

CMYK 0 / 11 / 74 / 0

HEX #FFE242

RGB 255 226 66

HSL 50.79, 1%, 0.63%

LAB 89.88, -6.1, 76.63

 

CMYK 75 / 0 / 11 / 0

HEX #40FFE3

RGB 64 255 227

HSL 171.2, 1%, 0.63%

LAB 90.85, -52.31, 0.05

 

CMYK 71 / 74 / 0 / 0

HEX #4B42FF

RGB 75 66 255

HSL 242.86, 1%, 0.63%

LAB 42.17, 60.38, -91.37

 

CMYK 0 / 74 / 63 / 0

HEX #FF425E

RGB 255 66 94

HSL 351.11, 1%, 0.63%

LAB 58, 71.32, 28.56

 

CMYK 4 / 0 / 74 / 0

HEX #F5FF42

RGB 245 255 66

HSL 63.17, 1%, 0.63%

LAB 96.54, -24.3, 82.55

 

CMYK 75 / 0 / 11 / 0

HEX #40FFE3

RGB 64 255 227

HSL 171.2, 1%, 0.63%

LAB 90.85, -52.31, 0.05

 

CMYK 48 / 74 / 0 / 0

HEX #8442FF

RGB 132 66 255

HSL 260.95, 1%, 0.63%

LAB 47, 67.02, -83.25

 

CMYK 0 / 74 / 63 / 0

HEX #FF425E

RGB 255 66 94

HSL 351.11, 1%, 0.63%

LAB 58, 71.32, 28.56

 

CMYK 26 / 0 / 74 / 0

HEX #BCFF42

RGB 188 255 66

HSL 81.27, 1%, 0.63%

LAB 92.84, -46.31, 77.75

 

Description

Color code: CMYK 75 / 0 / 11 / 0 | qconv.com Color code: CMYK 75 / 0 / 11 / 0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 255 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 255 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 11 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 11% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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