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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 73 / 18 / 95 / 3 it is the complementary color CMYK 23 / 79 / 0 / 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 73 / 18 / 95 / 3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 73 / 18 / 95 / 3: CMYK 65 / 0 / 97 / 20, CMYK 60 / 0 / 88 / 13, CMYK 56 / 0 / 81 / 6, CMYK 52 / 0 / 75 / 0 and CMYK 45 / 0 / 67 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 73 / 18 / 95 / 3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 73 / 18 / 95 / 3: CMYK 67 / 0 / 94 / 20, CMYK 73 / 0 / 100 / 27, CMYK 80 / 0 / 100 / 35, CMYK 89 / 0 / 100 / 42 and CMYK 100 / 0 / 100 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 18 / 95 / 3

HEX #43CB0C

RGB 67 203 12

HSL 102.72, 0.89%, 0.42%

LAB 72.18, -65.23, 69.78

 

Complementary color

CMYK 23 / 79 / 0 / 5

HEX #BC34F3

RGB 188 52 243

HSL 282.72, 0.89%, 0.58%

LAB 51.4, 78.28, -69.07

 

CMYK 65 / 0 / 97 / 20

HEX #48CB07

RGB 72 203 7

HSL 100.1, 0.93%, 0.41%

LAB 72.3, -64.28, 70.45

 

CMYK 60 / 0 / 88 / 13

HEX #59DD1A

RGB 89 221 26

HSL 100.62, 0.79%, 0.48%

LAB 78.41, -65.89, 73.17

 

CMYK 56 / 0 / 81 / 6

HEX #6AEF2D

RGB 106 239 45

HSL 101.13, 0.86%, 0.56%

LAB 84.48, -67.08, 74.6

 

CMYK 52 / 0 / 75 / 0

HEX #7BFF40

RGB 123 255 64

HSL 101.47, 1%, 0.63%

LAB 89.91, -67.22, 74.53

 

CMYK 45 / 0 / 67 / 0

HEX #8CFF53

RGB 140 255 83

HSL 100.12, 1%, 0.66%

LAB 90.65, -61.16, 68.98

 

CMYK 67 / 0 / 94 / 20

HEX #43CB0C

RGB 67 203 12

HSL 102.72, 0.89%, 0.42%

LAB 72.18, -65.23, 69.78

 

CMYK 73 / 0 / 100 / 27

HEX #32B900

RGB 50 185 0

HSL 103.78, 1%, 0.36%

LAB 66.04, -63, 66

 

CMYK 80 / 0 / 100 / 35

HEX #21A700

RGB 33 167 0

HSL 108.14, 1%, 0.33%

LAB 59.85, -60.12, 60.95

 

CMYK 89 / 0 / 100 / 42

HEX #109500

RGB 16 149 0

HSL 113.56, 1%, 0.29%

LAB 53.61, -56.65, 55.86

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 67 / 0 / 94 / 20

HEX #43CB0C

RGB 67 203 12

HSL 102.72, 0.89%, 0.42%

LAB 72.18, -65.23, 69.78

 

CMYK 82 / 0 / 95 / 21

HEX #25CA0B

RGB 37 202 11

HSL 111.83, 0.9%, 0.42%

LAB 71.32, -69.66, 68.96

 

CMYK 95 / 0 / 91 / 21

HEX #0BCA12

RGB 11 202 18

HSL 122.2, 0.9%, 0.42%

LAB 71.12, -71.47, 67.77

 

CMYK 95 / 0 / 76 / 21

HEX #0BCA31

RGB 11 202 49

HSL 131.94, 0.9%, 0.42%

LAB 71.24, -69.9, 60.28

 

CMYK 95 / 0 / 60 / 21

HEX #0BCA51

RGB 11 202 81

HSL 141.99, 0.9%, 0.42%

LAB 71.49, -66.7, 47.86

 

CMYK 67 / 0 / 94 / 20

HEX #43CB0C

RGB 67 203 12

HSL 102.72, 0.89%, 0.42%

LAB 72.18, -65.23, 69.78

 

CMYK 67 / 0 / 94 / 0

HEX #54FE0F

RGB 84 254 15

HSL 102.68, 0.99%, 0.53%

LAB 88.35, -77.67, 82.88

 

CMYK 66 / 0 / 94 / 80

HEX #113203

RGB 17 50 3

HSL 102.13, 0.89%, 0.1%

LAB 17.49, -22.14, 23.33

 

CMYK 67 / 0 / 94 / 60

HEX #216506

RGB 33 101 6

HSL 102.95, 0.89%, 0.21%

LAB 37.2, -38.1, 41.21

 

CMYK 67 / 0 / 94 / 40

HEX #329809

RGB 50 152 9

HSL 102.8, 0.89%, 0.32%

LAB 55.23, -52.13, 55.97

 

CMYK 67 / 0 / 94 / 20

HEX #43CB0C

RGB 67 203 12

HSL 102.72, 0.89%, 0.42%

LAB 72.18, -65.23, 69.78

 

CMYK 95 / 0 / 9 / 21

HEX #0BCAB7

RGB 11 202 183

HSL 174.03, 0.9%, 0.42%

LAB 73.37, -45.52, -2.3

 

CMYK 0 / 95 / 28 / 21

HEX #CA0B91

RGB 202 11 145

HSL 317.91, 0.9%, 0.42%

LAB 45.41, 74.15, -21.44

 

CMYK 67 / 0 / 94 / 20

HEX #43CB0C

RGB 67 203 12

HSL 102.72, 0.89%, 0.42%

LAB 72.18, -65.23, 69.78

 

CMYK 95 / 66 / 0 / 21

HEX #0B44CA

RGB 11 68 202

HSL 222.09, 0.9%, 0.42%

LAB 34.94, 37.15, -73.2

 

CMYK 0 / 95 / 66 / 21

HEX #CA0B44

RGB 202 11 68

HSL 342.09, 0.9%, 0.42%

LAB 43.08, 67.9, 23.01

 

CMYK 67 / 0 / 94 / 20

HEX #43CB0C

RGB 67 203 12

HSL 102.72, 0.89%, 0.42%

LAB 72.18, -65.23, 69.78

 

CMYK 95 / 0 / 9 / 21

HEX #0BCAB7

RGB 11 202 183

HSL 174.03, 0.9%, 0.42%

LAB 73.37, -45.52, -2.3

 

CMYK 28 / 95 / 0 / 21

HEX #910BCA

RGB 145 11 202

HSL 282.09, 0.9%, 0.42%

LAB 38.77, 73.05, -66.51

 

CMYK 0 / 95 / 85 / 21

HEX #CA0B1E

RGB 202 11 30

HSL 354.03, 0.9%, 0.42%

LAB 42.6, 66.55, 44.84

 

CMYK 67 / 0 / 94 / 20

HEX #43CB0C

RGB 67 203 12

HSL 102.72, 0.89%, 0.42%

LAB 72.18, -65.23, 69.78

 

CMYK 95 / 19 / 0 / 21

HEX #0BA4CA

RGB 11 164 202

HSL 191.94, 0.9%, 0.42%

LAB 62.41, -21.63, -29.29

 

CMYK 28 / 95 / 0 / 21

HEX #910BCA

RGB 145 11 202

HSL 282.09, 0.9%, 0.42%

LAB 38.77, 73.05, -66.51

 

CMYK 0 / 76 / 95 / 21

HEX #CA310B

RGB 202 49 11

HSL 11.94, 0.9%, 0.42%

LAB 45.33, 58.2, 54.56

 

Description

Color code: CMYK 73 / 18 / 95 / 3 | qconv.com Color code: CMYK 73 / 18 / 95 / 3 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 203 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 203 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 18 magenta, 95 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 18% 95% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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