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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 72 / 13 / 0 / 30 it is the complementary color CMYK 0 / 51 / 63 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 72 / 13 / 0 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 72 / 13 / 0 / 30: CMYK 68 / 11 / 0 / 32, CMYK 63 / 10 / 0 / 24, CMYK 58 / 10 / 0 / 17, CMYK 54 / 10 / 0 / 9 and CMYK 51 / 9 / 0 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 72 / 13 / 0 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 72 / 13 / 0 / 30: CMYK 72 / 13 / 0 / 30, CMYK 79 / 14 / 0 / 37, CMYK 89 / 16 / 0 / 45, CMYK 100 / 17 / 0 / 52 and CMYK 100 / 19 / 0 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 13 / 0 / 30

HEX #329BB3

RGB 50 155 179

HSL 191.16, 0.56%, 0.45%

LAB 59.32, -21.56, -21.09

 

Complementary color

CMYK 0 / 51 / 63 / 20

HEX #CD644C

RGB 205 100 76

HSL 11.16, 0.56%, 0.55%

LAB 54.67, 39.69, 32.94

 

CMYK 68 / 11 / 0 / 32

HEX #379BAE

RGB 55 155 174

HSL 189.58, 0.52%, 0.45%

LAB 59.26, -22.43, -18.34

 

CMYK 63 / 10 / 0 / 24

HEX #48ADC1

RGB 72 173 193

HSL 189.92, 0.49%, 0.52%

LAB 65.84, -23.09, -18.94

 

CMYK 58 / 10 / 0 / 17

HEX #59BFD4

RGB 89 191 212

HSL 190.24, 0.59%, 0.59%

LAB 72.32, -23.57, -19.49

 

CMYK 54 / 10 / 0 / 9

HEX #6AD1E7

RGB 106 209 231

HSL 190.56, 0.72%, 0.66%

LAB 78.71, -23.92, -20.01

 

CMYK 51 / 9 / 0 / 2

HEX #7BE3FA

RGB 123 227 250

HSL 190.87, 0.93%, 0.73%

LAB 85.02, -24.18, -20.49

 

CMYK 72 / 13 / 0 / 30

HEX #329BB3

RGB 50 155 179

HSL 191.16, 0.56%, 0.45%

LAB 59.32, -21.56, -21.09

 

CMYK 79 / 14 / 0 / 37

HEX #2189A0

RGB 33 137 160

HSL 190.87, 0.66%, 0.38%

LAB 52.68, -20.42, -20.43

 

CMYK 89 / 16 / 0 / 45

HEX #10778D

RGB 16 119 141

HSL 190.56, 0.8%, 0.31%

LAB 45.94, -18.85, -19.66

 

CMYK 100 / 17 / 0 / 52

HEX #00657A

RGB 0 101 122

HSL 190.33, 1%, 0.24%

LAB 39.09, -16.83, -18.8

 

CMYK 100 / 19 / 0 / 60

HEX #005367

RGB 0 83 103

HSL 191.65, 1%, 0.2%

LAB 32.18, -13.8, -17.69

 

CMYK 72 / 13 / 0 / 30

HEX #329BB3

RGB 50 155 179

HSL 191.16, 0.56%, 0.45%

LAB 59.32, -21.56, -21.09

 

CMYK 72 / 25 / 0 / 30

HEX #3286B3

RGB 50 134 179

HSL 200.93, 0.56%, 0.45%

LAB 52.93, -10.11, -30.95

 

CMYK 72 / 37 / 0 / 30

HEX #3270B3

RGB 50 112 179

HSL 211.16, 0.56%, 0.45%

LAB 46.34, 2.97, -41.32

 

CMYK 72 / 49 / 0 / 30

HEX #325BB3

RGB 50 91 179

HSL 220.93, 0.56%, 0.45%

LAB 40.27, 16.34, -51.02

 

CMYK 72 / 61 / 0 / 30

HEX #3245B3

RGB 50 69 179

HSL 231.16, 0.56%, 0.45%

LAB 34.37, 30.75, -60.58

 

CMYK 72 / 13 / 0 / 30

HEX #329BB3

RGB 50 155 179

HSL 191.16, 0.56%, 0.45%

LAB 59.32, -21.56, -21.09

 

CMYK 72 / 13 / 0 / 10

HEX #40C7E6

RGB 64 199 230

HSL 191.2, 0.77%, 0.58%

LAB 74.6, -26.04, -25.84

 

CMYK 73 / 12 / 0 / 90

HEX #07171A

RGB 7 23 26

HSL 189.47, 0.58%, 0.06%

LAB 6.62, -4.74, -4.08

 

CMYK 71 / 13 / 0 / 70

HEX #16434D

RGB 22 67 77

HSL 190.91, 0.56%, 0.19%

LAB 25.92, -11.59, -10.56

 

CMYK 72 / 13 / 0 / 50

HEX #246F80

RGB 36 111 128

HSL 191.09, 0.56%, 0.32%

LAB 43.22, -16.8, -16.05

 

CMYK 72 / 13 / 0 / 30

HEX #329BB3

RGB 50 155 179

HSL 191.16, 0.56%, 0.45%

LAB 59.32, -21.56, -21.09

 

CMYK 45 / 72 / 0 / 30

HEX #6332B3

RGB 99 50 179

HSL 262.79, 0.56%, 0.45%

LAB 34.37, 49.57, -60.42

 

CMYK 0 / 16 / 72 / 30

HEX #B39732

RGB 179 151 50

HSL 46.98, 0.56%, 0.45%

LAB 63.3, -0.5, 54.41

 

CMYK 72 / 13 / 0 / 30

HEX #329BB3

RGB 50 155 179

HSL 191.16, 0.56%, 0.45%

LAB 59.32, -21.56, -21.09

 

CMYK 0 / 72 / 13 / 30

HEX #B3329B

RGB 179 50 155

HSL 311.16, 0.56%, 0.45%

LAB 44.56, 62.05, -29.11

 

CMYK 13 / 0 / 72 / 30

HEX #9BB332

RGB 155 179 50

HSL 71.16, 0.56%, 0.45%

LAB 69.07, -25.44, 59.43

 

CMYK 72 / 13 / 0 / 30

HEX #329BB3

RGB 50 155 179

HSL 191.16, 0.56%, 0.45%

LAB 59.32, -21.56, -21.09

 

CMYK 45 / 72 / 0 / 30

HEX #6332B3

RGB 99 50 179

HSL 262.79, 0.56%, 0.45%

LAB 34.37, 49.57, -60.42

 

CMYK 0 / 59 / 72 / 30

HEX #B34A32

RGB 179 74 50

HSL 11.16, 0.56%, 0.45%

LAB 45.24, 41.24, 35.33

 

CMYK 28 / 0 / 72 / 30

HEX #81B332

RGB 129 179 50

HSL 83.26, 0.56%, 0.45%

LAB 67.38, -35.87, 57.19

 

CMYK 72 / 13 / 0 / 30

HEX #329BB3

RGB 50 155 179

HSL 191.16, 0.56%, 0.45%

LAB 59.32, -21.56, -21.09

 

CMYK 23 / 72 / 0 / 30

HEX #8A32B3

RGB 138 50 179

HSL 280.93, 0.56%, 0.45%

LAB 39.48, 57.06, -51.9

 

CMYK 0 / 59 / 72 / 30

HEX #B34A32

RGB 179 74 50

HSL 11.16, 0.56%, 0.45%

LAB 45.24, 41.24, 35.33

 

CMYK 49 / 0 / 72 / 30

HEX #5BB332

RGB 91 179 50

HSL 100.93, 0.56%, 0.45%

LAB 65.51, -49.02, 54.7

 

Description

Color code: CMYK 72 / 13 / 0 / 30 | qconv.com Color code: CMYK 72 / 13 / 0 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 155 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 155 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 13 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 13% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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