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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 72 / 0 / 100 / 0 it is the complementary color CMYK 28 / 100 / 0 / 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 72 / 0 / 100 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 72 / 0 / 100 / 0: CMYK 70 / 0 / 100 / 0, CMYK 64 / 0 / 95 / 0, CMYK 57 / 0 / 87 / 0, CMYK 50 / 0 / 80 / 0 and CMYK 44 / 0 / 72 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 72 / 0 / 100 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 72 / 0 / 100 / 0: CMYK 72 / 0 / 100 / 0, CMYK 77 / 0 / 100 / 7, CMYK 83 / 0 / 100 / 14, CMYK 90 / 0 / 100 / 21 and CMYK 98 / 0 / 100 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 100 / 0

HEX #47FF00

RGB 71 255 0

HSL 103.29, 1%, 0.5%

LAB 88.38, -80.42, 83.97

 

Complementary color

CMYK 28 / 100 / 0 / 0

HEX #B800FF

RGB 184 0 255

HSL 283.29, 1%, 0.5%

LAB 48.77, 88.56, -80.08

 

CMYK 70 / 0 / 100 / 0

HEX #4CFF00

RGB 76 255 0

HSL 102.12, 1%, 0.5%

LAB 88.47, -79.6, 84.08

 

CMYK 64 / 0 / 95 / 0

HEX #5DFF0E

RGB 93 255 14

HSL 100.33, 1%, 0.53%

LAB 88.87, -76.21, 83.47

 

CMYK 57 / 0 / 87 / 0

HEX #6EFF21

RGB 110 255 33

HSL 99.19, 1%, 0.56%

LAB 89.37, -71.93, 81.53

 

CMYK 50 / 0 / 80 / 0

HEX #7FFF34

RGB 127 255 52

HSL 97.83, 1%, 0.6%

LAB 89.99, -66.77, 78.1

 

CMYK 44 / 0 / 72 / 0

HEX #90FF47

RGB 144 255 71

HSL 96.2, 1%, 0.64%

LAB 90.74, -60.8, 73.36

 

CMYK 72 / 0 / 100 / 0

HEX #47FF00

RGB 71 255 0

HSL 103.29, 1%, 0.5%

LAB 88.38, -80.42, 83.97

 

CMYK 77 / 0 / 100 / 7

HEX #36ED00

RGB 54 237 0

HSL 106.33, 1%, 0.46%

LAB 82.57, -77.73, 79.21

 

CMYK 83 / 0 / 100 / 14

HEX #25DB00

RGB 37 219 0

HSL 109.86, 1%, 0.43%

LAB 76.71, -74.66, 74.44

 

CMYK 90 / 0 / 100 / 21

HEX #14C900

RGB 20 201 0

HSL 114.03, 1%, 0.39%

LAB 70.82, -71.1, 69.66

 

CMYK 98 / 0 / 100 / 28

HEX #03B700

RGB 3 183 0

HSL 119.02, 1%, 0.36%

LAB 64.87, -67.03, 64.85

 

CMYK 72 / 0 / 100 / 0

HEX #47FF00

RGB 71 255 0

HSL 103.29, 1%, 0.5%

LAB 88.38, -80.42, 83.97

 

CMYK 89 / 0 / 100 / 0

HEX #1DFF00

RGB 29 255 0

HSL 113.18, 1%, 0.5%

LAB 87.86, -85.03, 83.34

 

CMYK 100 / 0 / 95 / 0

HEX #00FF0C

RGB 0 255 12

HSL 122.82, 1%, 0.5%

LAB 87.75, -86.02, 82.28

 

CMYK 100 / 0 / 78 / 0

HEX #00FF37

RGB 0 255 55

HSL 132.94, 1%, 0.5%

LAB 87.87, -84.45, 74.54

 

CMYK 100 / 0 / 62 / 0

HEX #00FF61

RGB 0 255 97

HSL 142.82, 1%, 0.5%

LAB 88.15, -80.86, 59.98

 

CMYK 72 / 0 / 100 / 0

HEX #47FF00

RGB 71 255 0

HSL 103.29, 1%, 0.5%

LAB 88.38, -80.42, 83.97

 

CMYK 73 / 0 / 100 / 80

HEX #0E3300

RGB 14 51 0

HSL 103.53, 1%, 0.1%

LAB 17.74, -23.9, 24.82

 

CMYK 73 / 0 / 100 / 60

HEX #1C6600

RGB 28 102 0

HSL 103.53, 1%, 0.2%

LAB 37.39, -39.95, 43

 

CMYK 72 / 0 / 100 / 40

HEX #2B9900

RGB 43 153 0

HSL 103.14, 1%, 0.3%

LAB 55.38, -54.15, 57.45

 

CMYK 72 / 0 / 100 / 20

HEX #39CC00

RGB 57 204 0

HSL 103.24, 1%, 0.4%

LAB 72.27, -67.62, 71.02

 

CMYK 72 / 0 / 100 / 0

HEX #47FF00

RGB 71 255 0

HSL 103.29, 1%, 0.5%

LAB 88.38, -80.42, 83.97

 

CMYK 100 / 0 / 9 / 0

HEX #00FFE9

RGB 0 255 233

HSL 174.82, 1%, 0.5%

LAB 90.51, -54.2, -3.63

 

CMYK 0 / 100 / 32 / 0

HEX #FF00AE

RGB 255 0 174

HSL 319.06, 1%, 0.5%

LAB 56.4, 88.51, -20.94

 

CMYK 72 / 0 / 100 / 0

HEX #47FF00

RGB 71 255 0

HSL 103.29, 1%, 0.5%

LAB 88.38, -80.42, 83.97

 

CMYK 100 / 72 / 0 / 0

HEX #0048FF

RGB 0 72 255

HSL 223.06, 1%, 0.5%

LAB 40.98, 53.58, -93.41

 

CMYK 0 / 100 / 72 / 0

HEX #FF0048

RGB 255 0 72

HSL 343.06, 1%, 0.5%

LAB 53.74, 81.48, 36.16

 

CMYK 72 / 0 / 100 / 0

HEX #47FF00

RGB 71 255 0

HSL 103.29, 1%, 0.5%

LAB 88.38, -80.42, 83.97

 

CMYK 100 / 0 / 9 / 0

HEX #00FFE9

RGB 0 255 233

HSL 174.82, 1%, 0.5%

LAB 90.51, -54.2, -3.63

 

CMYK 29 / 100 / 0 / 0

HEX #B600FF

RGB 182 0 255

HSL 282.82, 1%, 0.5%

LAB 48.47, 88.33, -80.6

 

CMYK 0 / 100 / 92 / 0

HEX #FF0015

RGB 255 0 21

HSL 355.06, 1%, 0.5%

LAB 53.29, 80.27, 61.56

 

CMYK 72 / 0 / 100 / 0

HEX #47FF00

RGB 71 255 0

HSL 103.29, 1%, 0.5%

LAB 88.38, -80.42, 83.97

 

CMYK 100 / 22 / 0 / 0

HEX #00C7FF

RGB 0 199 255

HSL 193.18, 1%, 0.5%

LAB 74.87, -21.8, -38.94

 

CMYK 29 / 100 / 0 / 0

HEX #B600FF

RGB 182 0 255

HSL 282.82, 1%, 0.5%

LAB 48.47, 88.33, -80.6

 

CMYK 0 / 78 / 100 / 0

HEX #FF3700

RGB 255 55 0

HSL 12.94, 1%, 0.5%

LAB 56.08, 71.97, 68.31

 

Description

Color code: CMYK 72 / 0 / 100 / 0 | qconv.com Color code: CMYK 72 / 0 / 100 / 0 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 255 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 255 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 100 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 100% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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