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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 70 / 93 / 0 / 7 it is the complementary color CMYK 23 / 0 / 92 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 70 / 93 / 0 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 70 / 93 / 0 / 7: CMYK 67 / 93 / 0 / 9, CMYK 63 / 86 / 0 / 2, CMYK 57 / 79 / 0 / 0, CMYK 50 / 72 / 0 / 0 and CMYK 44 / 65 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 70 / 93 / 0 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 70 / 93 / 0 / 7: CMYK 70 / 93 / 0 / 7, CMYK 75 / 100 / 0 / 15, CMYK 81 / 100 / 0 / 22, CMYK 89 / 100 / 0 / 29 and CMYK 98 / 100 / 0 / 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 93 / 0 / 7

HEX #4711ED

RGB 71 17 237

HSL 254.73, 0.87%, 0.5%

LAB 33.68, 73.45, -95.33

 

Complementary color

CMYK 23 / 0 / 92 / 7

HEX #B8EE12

RGB 184 238 18

HSL 74.73, 0.87%, 0.5%

LAB 87.67, -42.02, 83.68

 

CMYK 67 / 93 / 0 / 9

HEX #4C11E8

RGB 76 17 232

HSL 256.47, 0.86%, 0.49%

LAB 33.49, 72.48, -92.79

 

CMYK 63 / 86 / 0 / 2

HEX #5D23FB

RGB 93 35 251

HSL 256.11, 0.96%, 0.56%

LAB 38.72, 73.59, -94.81

 

CMYK 57 / 79 / 0 / 0

HEX #6E35FF

RGB 110 53 255

HSL 256.93, 1%, 0.6%

LAB 42.89, 69.73, -90.1

 

CMYK 50 / 72 / 0 / 0

HEX #7F47FF

RGB 127 71 255

HSL 258.26, 1%, 0.64%

LAB 47.29, 64.04, -82.81

 

CMYK 44 / 65 / 0 / 0

HEX #9059FF

RGB 144 89 255

HSL 259.88, 1%, 0.67%

LAB 52.17, 58.03, -74.76

 

CMYK 70 / 93 / 0 / 7

HEX #4711ED

RGB 71 17 237

HSL 254.73, 0.87%, 0.5%

LAB 33.68, 73.45, -95.33

 

CMYK 75 / 100 / 0 / 15

HEX #3600DA

RGB 54 0 218

HSL 254.86, 1%, 0.43%

LAB 29.02, 71.1, -92.24

 

CMYK 81 / 100 / 0 / 22

HEX #2500C7

RGB 37 0 199

HSL 251.16, 1%, 0.39%

LAB 25.31, 66.12, -87.4

 

CMYK 89 / 100 / 0 / 29

HEX #1400B4

RGB 20 0 180

HSL 246.67, 1%, 0.35%

LAB 21.74, 61.15, -82.11

 

CMYK 98 / 100 / 0 / 37

HEX #0300A1

RGB 3 0 161

HSL 241.12, 1%, 0.32%

LAB 18.33, 56.18, -76.33

 

CMYK 70 / 93 / 0 / 7

HEX #4711ED

RGB 71 17 237

HSL 254.73, 0.87%, 0.5%

LAB 33.68, 73.45, -95.33

 

CMYK 56 / 93 / 0 / 7

HEX #6910EE

RGB 105 16 238

HSL 264.05, 0.87%, 0.5%

LAB 37.02, 75.87, -90.26

 

CMYK 40 / 93 / 0 / 7

HEX #8E10EE

RGB 142 16 238

HSL 274.05, 0.87%, 0.5%

LAB 41.68, 79.14, -82.4

 

CMYK 25 / 93 / 0 / 7

HEX #B310EE

RGB 179 16 238

HSL 284.05, 0.87%, 0.5%

LAB 47.14, 83.5, -73.25

 

CMYK 9 / 93 / 0 / 7

HEX #D810EE

RGB 216 16 238

HSL 294.05, 0.87%, 0.5%

LAB 53.11, 88.74, -63.3

 

CMYK 70 / 93 / 0 / 7

HEX #4711ED

RGB 71 17 237

HSL 254.73, 0.87%, 0.5%

LAB 33.68, 73.45, -95.33

 

CMYK 70 / 94 / 0 / 87

HEX #0A0221

RGB 10 2 33

HSL 255.48, 0.89%, 0.07%

LAB 1.97, 8.78, -16.52

 

CMYK 70 / 93 / 0 / 67

HEX #190654

RGB 25 6 84

HSL 254.62, 0.87%, 0.18%

LAB 8.8, 32.66, -42.61

 

CMYK 70 / 93 / 0 / 47

HEX #280A87

RGB 40 10 135

HSL 254.4, 0.86%, 0.28%

LAB 17.54, 47.13, -61.46

 

CMYK 70 / 93 / 0 / 27

HEX #380DBA

RGB 56 13 186

HSL 254.91, 0.87%, 0.39%

LAB 25.78, 60.85, -78.89

 

CMYK 70 / 93 / 0 / 7

HEX #4711ED

RGB 71 17 237

HSL 254.73, 0.87%, 0.5%

LAB 33.68, 73.45, -95.33

 

CMYK 0 / 93 / 40 / 7

HEX #EE108E

RGB 238 16 142

HSL 325.95, 0.87%, 0.5%

LAB 52.4, 80.89, -8.37

 

CMYK 78 / 0 / 93 / 7

HEX #35EE10

RGB 53 238 16

HSL 110, 0.87%, 0.5%

LAB 82.88, -77.89, 78.04

 

CMYK 70 / 93 / 0 / 7

HEX #4711ED

RGB 71 17 237

HSL 254.73, 0.87%, 0.5%

LAB 33.68, 73.45, -95.33

 

CMYK 0 / 71 / 93 / 7

HEX #EE4410

RGB 238 68 16

HSL 14.05, 0.87%, 0.5%

LAB 54.4, 63.03, 62.12

 

CMYK 93 / 0 / 71 / 7

HEX #10EE44

RGB 16 238 68

HSL 134.05, 0.87%, 0.5%

LAB 82.74, -78.38, 65.38

 

CMYK 70 / 93 / 0 / 7

HEX #4711ED

RGB 71 17 237

HSL 254.73, 0.87%, 0.5%

LAB 33.68, 73.45, -95.33

 

CMYK 0 / 93 / 40 / 7

HEX #EE108E

RGB 238 16 142

HSL 325.95, 0.87%, 0.5%

LAB 52.4, 80.89, -8.37

 

CMYK 22 / 0 / 93 / 7

HEX #BAEE10

RGB 186 238 16

HSL 74.05, 0.87%, 0.5%

LAB 87.79, -41.28, 84.05

 

CMYK 93 / 0 / 53 / 7

HEX #10EE70

RGB 16 238 112

HSL 145.95, 0.87%, 0.5%

LAB 83.14, -73.4, 47.49

 

CMYK 70 / 93 / 0 / 7

HEX #4711ED

RGB 71 17 237

HSL 254.73, 0.87%, 0.5%

LAB 33.68, 73.45, -95.33

 

CMYK 0 / 93 / 68 / 7

HEX #EE104B

RGB 238 16 75

HSL 344.05, 0.87%, 0.5%

LAB 50.75, 76.42, 29.95

 

CMYK 22 / 0 / 93 / 7

HEX #BAEE10

RGB 186 238 16

HSL 74.05, 0.87%, 0.5%

LAB 87.79, -41.28, 84.05

 

CMYK 93 / 0 / 25 / 7

HEX #10EEB3

RGB 16 238 179

HSL 164.05, 0.87%, 0.5%

LAB 84.23, -60.73, 15.44

 

Description

Color code: CMYK 70 / 93 / 0 / 7 | qconv.com Color code: CMYK 70 / 93 / 0 / 7 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 17 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 17 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 93 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 93% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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