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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 70 / 34 / 25 / 12 it is the complementary color CMYK 0 / 43 / 54 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 70 / 34 / 25 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 70 / 34 / 25 / 12: CMYK 56 / 9 / 0 / 36, CMYK 51 / 9 / 0 / 29, CMYK 47 / 8 / 0 / 21, CMYK 44 / 8 / 0 / 14 and CMYK 41 / 8 / 0 / 6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 70 / 34 / 25 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 70 / 34 / 25 / 12: CMYK 60 / 12 / 0 / 34, CMYK 66 / 13 / 0 / 42, CMYK 75 / 14 / 0 / 49, CMYK 86 / 15 / 0 / 56 and CMYK 100 / 17 / 0 / 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 34 / 25 / 12

HEX #4394A8

RGB 67 148 168

HSL 191.88, 0.43%, 0.46%

LAB 57.27, -18.56, -17.93

 

Complementary color

CMYK 0 / 43 / 54 / 26

HEX #BC6B57

RGB 188 107 87

HSL 11.88, 0.43%, 0.54%

LAB 53.92, 30.21, 25.24

 

CMYK 56 / 9 / 0 / 36

HEX #4894A3

RGB 72 148 163

HSL 189.89, 0.39%, 0.46%

LAB 57.27, -19.06, -15.06

 

CMYK 51 / 9 / 0 / 29

HEX #59A6B6

RGB 89 166 182

HSL 190.32, 0.39%, 0.53%

LAB 63.98, -19.33, -15.58

 

CMYK 47 / 8 / 0 / 21

HEX #6AB8C9

RGB 106 184 201

HSL 190.74, 0.47%, 0.6%

LAB 70.57, -19.5, -16.08

 

CMYK 44 / 8 / 0 / 14

HEX #7BCADC

RGB 123 202 220

HSL 191.13, 0.58%, 0.67%

LAB 77.05, -19.63, -16.55

 

CMYK 41 / 8 / 0 / 6

HEX #8CDCEF

RGB 140 220 239

HSL 191.52, 0.76%, 0.74%

LAB 83.44, -19.71, -17

 

CMYK 60 / 12 / 0 / 34

HEX #4394A8

RGB 67 148 168

HSL 191.88, 0.43%, 0.46%

LAB 57.27, -18.56, -17.93

 

CMYK 66 / 13 / 0 / 42

HEX #328295

RGB 50 130 149

HSL 191.52, 0.5%, 0.39%

LAB 50.47, -17.97, -17.38

 

CMYK 75 / 14 / 0 / 49

HEX #217082

RGB 33 112 130

HSL 191.13, 0.6%, 0.32%

LAB 43.54, -17.11, -16.76

 

CMYK 86 / 15 / 0 / 56

HEX #105E6F

RGB 16 94 111

HSL 190.74, 0.75%, 0.25%

LAB 36.49, -15.8, -16.03

 

CMYK 100 / 17 / 0 / 64

HEX #004C5C

RGB 0 76 92

HSL 190.43, 1%, 0.18%

LAB 29.26, -14.01, -15.2

 

CMYK 60 / 12 / 0 / 34

HEX #4394A8

RGB 67 148 168

HSL 191.88, 0.43%, 0.46%

LAB 57.27, -18.56, -17.93

 

CMYK 60 / 21 / 0 / 35

HEX #4284A7

RGB 66 132 167

HSL 200.79, 0.43%, 0.46%

LAB 52.34, -10.28, -24.91

 

CMYK 60 / 31 / 0 / 35

HEX #4273A7

RGB 66 115 167

HSL 210.89, 0.43%, 0.46%

LAB 47.25, -0.32, -32.84

 

CMYK 60 / 41 / 0 / 35

HEX #4262A7

RGB 66 98 167

HSL 220.99, 0.43%, 0.46%

LAB 42.28, 10.23, -40.68

 

CMYK 60 / 51 / 0 / 35

HEX #4251A7

RGB 66 81 167

HSL 231.09, 0.43%, 0.46%

LAB 37.54, 21.19, -48.27

 

CMYK 60 / 12 / 0 / 34

HEX #4394A8

RGB 67 148 168

HSL 191.88, 0.43%, 0.46%

LAB 57.27, -18.56, -17.93

 

CMYK 60 / 12 / 0 / 14

HEX #57C1DB

RGB 87 193 219

HSL 191.82, 0.65%, 0.6%

LAB 73.08, -22.9, -22.16

 

CMYK 60 / 13 / 0 / 94

HEX #060D0F

RGB 6 13 15

HSL 193.33, 0.43%, 0.04%

LAB 3.26, -1.55, -1.61

 

CMYK 61 / 12 / 0 / 74

HEX #1A3A42

RGB 26 58 66

HSL 192, 0.43%, 0.18%

LAB 22.44, -9.05, -8.55

 

CMYK 60 / 12 / 0 / 54

HEX #2F6775

RGB 47 103 117

HSL 192, 0.43%, 0.32%

LAB 40.56, -13.92, -13.42

 

CMYK 60 / 12 / 0 / 34

HEX #4394A8

RGB 67 148 168

HSL 191.88, 0.43%, 0.46%

LAB 57.27, -18.56, -17.93

 

CMYK 37 / 60 / 0 / 35

HEX #6942A7

RGB 105 66 167

HSL 263.17, 0.43%, 0.46%

LAB 37.28, 39.03, -48.52

 

CMYK 0 / 13 / 60 / 35

HEX #A79142

RGB 167 145 66

HSL 46.93, 0.43%, 0.46%

LAB 60.66, -1.55, 44.09

 

CMYK 60 / 12 / 0 / 34

HEX #4394A8

RGB 67 148 168

HSL 191.88, 0.43%, 0.46%

LAB 57.27, -18.56, -17.93

 

CMYK 0 / 60 / 11 / 35

HEX #A74295

RGB 167 66 149

HSL 310.69, 0.43%, 0.46%

LAB 44.63, 51.61, -25.54

 

CMYK 11 / 0 / 60 / 35

HEX #95A742

RGB 149 167 66

HSL 70.69, 0.43%, 0.46%

LAB 65.29, -20.93, 48.84

 

CMYK 60 / 12 / 0 / 34

HEX #4394A8

RGB 67 148 168

HSL 191.88, 0.43%, 0.46%

LAB 57.27, -18.56, -17.93

 

CMYK 37 / 60 / 0 / 35

HEX #6942A7

RGB 105 66 167

HSL 263.17, 0.43%, 0.46%

LAB 37.28, 39.03, -48.52

 

CMYK 0 / 49 / 60 / 35

HEX #A75542

RGB 167 85 66

HSL 11.29, 0.43%, 0.46%

LAB 45.78, 31.94, 26.37

 

CMYK 23 / 0 / 60 / 35

HEX #81A742

RGB 129 167 66

HSL 82.57, 0.43%, 0.46%

LAB 63.92, -29.07, 46.93

 

CMYK 60 / 12 / 0 / 34

HEX #4394A8

RGB 67 148 168

HSL 191.88, 0.43%, 0.46%

LAB 57.27, -18.56, -17.93

 

CMYK 19 / 60 / 0 / 35

HEX #8742A7

RGB 135 66 167

HSL 280.99, 0.43%, 0.46%

LAB 40.96, 46.41, -42.42

 

CMYK 0 / 49 / 60 / 35

HEX #A75542

RGB 167 85 66

HSL 11.29, 0.43%, 0.46%

LAB 45.78, 31.94, 26.37

 

CMYK 41 / 0 / 60 / 35

HEX #62A742

RGB 98 167 66

HSL 100.99, 0.43%, 0.46%

LAB 62.19, -40.44, 44.52

 

Description

Color code: CMYK 70 / 34 / 25 / 12 | qconv.com Color code: CMYK 70 / 34 / 25 / 12 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 148 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 148 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 34 magenta, 25 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 34% 25% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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