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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 6 / 2 / 0 / 16 it is the complementary color CMYK 0 / 17 / 24 / 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 6 / 2 / 0 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 6 / 2 / 0 / 16: CMYK 2 / 0 / 0 / 18, CMYK 2 / 0 / 0 / 11, CMYK 3 / 0 / 0 / 3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 6 / 2 / 0 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 6 / 2 / 0 / 16: CMYK 6 / 2 / 0 / 16, CMYK 6 / 2 / 0 / 24, CMYK 5 / 1 / 0 / 31, CMYK 4 / 1 / 0 / 38 and CMYK 4 / 0 / 0 / 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 2 / 0 / 16

HEX #C9D2D6

RGB 201 210 214

HSL 198.46, 0.14%, 0.81%

LAB 83.63, -2.28, -3.04

 

Complementary color

CMYK 0 / 17 / 24 / 79

HEX #362D29

RGB 54 45 41

HSL 18.46, 0.14%, 0.19%

LAB 19.31, 3.31, 4.1

 

CMYK 2 / 0 / 0 / 18

HEX #CED2D1

RGB 206 210 209

HSL 165, 0.04%, 0.82%

LAB 83.87, -1.54, 0.01

 

CMYK 2 / 0 / 0 / 11

HEX #DFE4E4

RGB 223 228 228

HSL 180, 0.08%, 0.88%

LAB 90.22, -1.67, -0.6

 

CMYK 3 / 0 / 0 / 3

HEX #F0F6F7

RGB 240 246 247

HSL 188.57, 0.3%, 0.95%

LAB 96.47, -1.79, -1.18

 

CMYK 6 / 2 / 0 / 16

HEX #C9D2D6

RGB 201 210 214

HSL 198.46, 0.14%, 0.81%

LAB 83.63, -2.28, -3.04

 

CMYK 6 / 2 / 0 / 24

HEX #B8C0C3

RGB 184 192 195

HSL 196.36, 0.08%, 0.74%

LAB 77.18, -2.17, -2.47

SW® 6247

CMYK 5 / 1 / 0 / 31

HEX #A7AEB0

RGB 167 174 176

HSL 193.33, 0.05%, 0.67%

LAB 70.61, -2.06, -1.88

 

CMYK 4 / 1 / 0 / 38

HEX #969C9D

RGB 150 156 157

HSL 188.57, 0.03%, 0.6%

LAB 63.91, -1.95, -1.28

 

CMYK 4 / 0 / 0 / 46

HEX #858A8A

RGB 133 138 138

HSL 180, 0.02%, 0.53%

LAB 57.07, -1.83, -0.65

 

CMYK 6 / 2 / 0 / 16

HEX #C9D2D6

RGB 201 210 214

HSL 198.46, 0.14%, 0.81%

LAB 83.63, -2.28, -3.04

 

CMYK 7 / 3 / 0 / 16

HEX #C7CFD5

RGB 199 207 213

HSL 205.71, 0.14%, 0.81%

LAB 82.69, -1.57, -3.92

 

CMYK 7 / 4 / 0 / 16

HEX #C7CCD5

RGB 199 204 213

HSL 218.57, 0.14%, 0.81%

LAB 81.91, 0.01, -5.06

 

CMYK 7 / 5 / 0 / 16

HEX #C7CAD5

RGB 199 202 213

HSL 227.14, 0.14%, 0.81%

LAB 81.39, 1.06, -5.83

 

CMYK 7 / 6 / 0 / 16

HEX #C7C8D5

RGB 199 200 213

HSL 235.71, 0.14%, 0.81%

LAB 80.88, 2.12, -6.59

 

CMYK 6 / 2 / 0 / 16

HEX #C9D2D6

RGB 201 210 214

HSL 198.46, 0.14%, 0.81%

LAB 83.63, -2.28, -3.04

 

CMYK 10 / 0 / 0 / 96

HEX #090A0A

RGB 9 10 10

HSL 180, 0.05%, 0.04%

LAB 2.68, -0.26, -0.09

 

CMYK 7 / 2 / 0 / 76

HEX #393C3D

RGB 57 60 61

HSL 195, 0.03%, 0.23%

LAB 25.07, -1.03, -1.06

 

CMYK 6 / 2 / 0 / 56

HEX #696E70

RGB 105 110 112

HSL 197.14, 0.03%, 0.43%

LAB 46.08, -1.48, -1.78

 

CMYK 6 / 2 / 0 / 36

HEX #99A0A3

RGB 153 160 163

HSL 198, 0.05%, 0.62%

LAB 65.4, -1.89, -2.43

 

CMYK 6 / 2 / 0 / 16

HEX #C9D2D6

RGB 201 210 214

HSL 198.46, 0.14%, 0.81%

LAB 83.63, -2.28, -3.04

 

CMYK 3 / 7 / 0 / 16

HEX #CEC7D5

RGB 206 199 213

HSL 270, 0.14%, 0.81%

LAB 81.17, 5, -6.1

 

CMYK 0 / 1 / 7 / 16

HEX #D5D3C7

RGB 213 211 199

HSL 51.43, 0.14%, 0.81%

LAB 84.41, -1.41, 6.17

 

CMYK 6 / 2 / 0 / 16

HEX #C9D2D6

RGB 201 210 214

HSL 198.46, 0.14%, 0.81%

LAB 83.63, -2.28, -3.04

 

CMYK 0 / 7 / 2 / 16

HEX #D5C7D1

RGB 213 199 209

HSL 317.14, 0.14%, 0.81%

LAB 81.62, 6.65, -3.23

 

CMYK 2 / 0 / 7 / 16

HEX #D1D5C7

RGB 209 213 199

HSL 77.14, 0.14%, 0.81%

LAB 84.62, -3.85, 6.43

 

CMYK 6 / 2 / 0 / 16

HEX #C9D2D6

RGB 201 210 214

HSL 198.46, 0.14%, 0.81%

LAB 83.63, -2.28, -3.04

 

CMYK 3 / 7 / 0 / 16

HEX #CEC7D5

RGB 206 199 213

HSL 270, 0.14%, 0.81%

LAB 81.17, 5, -6.1

 

CMYK 0 / 5 / 7 / 16

HEX #D5CBC7

RGB 213 203 199

HSL 17.14, 0.14%, 0.81%

LAB 82.37, 2.77, 3.22

 

CMYK 3 / 0 / 7 / 16

HEX #CED5C7

RGB 206 213 199

HSL 90, 0.14%, 0.81%

LAB 84.4, -4.89, 6.08

 

CMYK 6 / 2 / 0 / 16

HEX #C9D2D6

RGB 201 210 214

HSL 198.46, 0.14%, 0.81%

LAB 83.63, -2.28, -3.04

 

CMYK 1 / 7 / 0 / 16

HEX #D2C7D5

RGB 210 199 213

HSL 287.14, 0.14%, 0.81%

LAB 81.49, 6.36, -5.6

 

CMYK 0 / 5 / 7 / 16

HEX #D5CBC7

RGB 213 203 199

HSL 17.14, 0.14%, 0.81%

LAB 82.37, 2.77, 3.22

 

CMYK 5 / 0 / 7 / 16

HEX #CAD5C7

RGB 202 213 199

HSL 107.14, 0.14%, 0.81%

LAB 84.11, -6.27, 5.62

 

Description

Color code: CMYK 6 / 2 / 0 / 16 | qconv.com Color code: CMYK 6 / 2 / 0 / 16 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 210 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 210 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 2 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 2% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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