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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 69 / 35 / 0 / 20 it is the complementary color CMYK 0 / 36 / 73 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 69 / 35 / 0 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 69 / 35 / 0 / 20: CMYK 66 / 33 / 0 / 22, CMYK 61 / 31 / 0 / 15, CMYK 57 / 29 / 0 / 7, CMYK 53 / 27 / 0 / 0 and CMYK 47 / 20 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 69 / 35 / 0 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 69 / 35 / 0 / 20: CMYK 69 / 35 / 0 / 20, CMYK 75 / 38 / 0 / 27, CMYK 83 / 42 / 0 / 35, CMYK 92 / 46 / 0 / 42 and CMYK 100 / 52 / 0 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 35 / 0 / 20

HEX #3F85CC

RGB 63 133 204

HSL 210.21, 0.58%, 0.52%

LAB 54.23, 1.16, -43.14

 

Complementary color

CMYK 0 / 36 / 73 / 25

HEX #C07A33

RGB 192 122 51

HSL 30.21, 0.58%, 0.48%

LAB 57.43, 21.24, 48.5

 

CMYK 66 / 33 / 0 / 22

HEX #4485C7

RGB 68 133 199

HSL 210.23, 0.54%, 0.52%

LAB 54.16, 0.23, -40.4

 

CMYK 61 / 31 / 0 / 15

HEX #5597DA

RGB 85 151 218

HSL 210.23, 0.64%, 0.59%

LAB 60.89, -0.86, -40.45

 

CMYK 57 / 29 / 0 / 7

HEX #66A9ED

RGB 102 169 237

HSL 210.22, 0.79%, 0.66%

LAB 67.51, -1.75, -40.51

 

CMYK 53 / 27 / 0 / 0

HEX #77BBFF

RGB 119 187 255

HSL 210, 1%, 0.73%

LAB 73.99, -2.77, -40.12

 

CMYK 47 / 20 / 0 / 0

HEX #88CDFF

RGB 136 205 255

HSL 205.21, 1%, 0.77%

LAB 79.68, -8.69, -31.24

 

CMYK 69 / 35 / 0 / 20

HEX #3F85CC

RGB 63 133 204

HSL 210.21, 0.58%, 0.52%

LAB 54.23, 1.16, -43.14

 

CMYK 75 / 38 / 0 / 27

HEX #2E73B9

RGB 46 115 185

HSL 210.22, 0.6%, 0.45%

LAB 47.42, 2.78, -43.08

 

CMYK 83 / 42 / 0 / 35

HEX #1D61A6

RGB 29 97 166

HSL 210.22, 0.7%, 0.38%

LAB 40.51, 4.88, -42.99

 

CMYK 92 / 46 / 0 / 42

HEX #0C4F93

RGB 12 79 147

HSL 210.22, 0.85%, 0.31%

LAB 33.51, 7.64, -42.82

 

CMYK 100 / 52 / 0 / 50

HEX #003D80

RGB 0 61 128

HSL 211.41, 1%, 0.25%

LAB 26.44, 11.24, -42.52

 

CMYK 69 / 35 / 0 / 20

HEX #3F85CC

RGB 63 133 204

HSL 210.21, 0.58%, 0.52%

LAB 54.23, 1.16, -43.14

 

CMYK 70 / 47 / 0 / 20

HEX #3D6CCB

RGB 61 108 203

HSL 220.14, 0.58%, 0.52%

LAB 47.01, 15.88, -54.08

 

CMYK 70 / 58 / 0 / 20

HEX #3D55CB

RGB 61 85 203

HSL 229.86, 0.58%, 0.52%

LAB 40.9, 30.55, -63.97

 

CMYK 70 / 70 / 0 / 20

HEX #3D3DCB

RGB 61 61 203

HSL 240, 0.58%, 0.52%

LAB 35.28, 45.33, -73.15

 

CMYK 58 / 70 / 0 / 20

HEX #553DCB

RGB 85 61 203

HSL 250.14, 0.58%, 0.52%

LAB 37.08, 48.4, -70.14

 

CMYK 69 / 35 / 0 / 20

HEX #3F85CC

RGB 63 133 204

HSL 210.21, 0.58%, 0.52%

LAB 54.23, 1.16, -43.14

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 69 / 35 / 0 / 80

HEX #102133

RGB 16 33 51

HSL 210.86, 0.52%, 0.13%

LAB 12.2, -0.32, -13.97

 

CMYK 69 / 34 / 0 / 60

HEX #204366

RGB 32 67 102

HSL 210, 0.52%, 0.26%

LAB 27.52, -0.23, -24.26

 

CMYK 69 / 35 / 0 / 40

HEX #2F6499

RGB 47 100 153

HSL 210, 0.53%, 0.39%

LAB 41.25, 0.4, -34.07

 

CMYK 69 / 35 / 0 / 20

HEX #3F85CC

RGB 63 133 204

HSL 210.21, 0.58%, 0.52%

LAB 54.23, 1.16, -43.14

 

CMYK 21 / 70 / 0 / 20

HEX #A03DCB

RGB 160 61 203

HSL 281.83, 0.58%, 0.52%

LAB 45.8, 62.07, -55.57

 

CMYK 7 / 0 / 70 / 20

HEX #BDCB3D

RGB 189 203 61

HSL 65.92, 0.58%, 0.52%

LAB 78.38, -22.44, 65.43

 

CMYK 69 / 35 / 0 / 20

HEX #3F85CC

RGB 63 133 204

HSL 210.21, 0.58%, 0.52%

LAB 54.23, 1.16, -43.14

 

CMYK 0 / 70 / 35 / 20

HEX #CB3D84

RGB 203 61 132

HSL 330, 0.58%, 0.52%

LAB 49.13, 61.44, -7.91

 

CMYK 35 / 0 / 70 / 20

HEX #84CB3D

RGB 132 203 61

HSL 90, 0.58%, 0.52%

LAB 74.8, -44.57, 60.66

 

CMYK 69 / 35 / 0 / 20

HEX #3F85CC

RGB 63 133 204

HSL 210.21, 0.58%, 0.52%

LAB 54.23, 1.16, -43.14

 

CMYK 21 / 70 / 0 / 20

HEX #A03DCB

RGB 160 61 203

HSL 281.83, 0.58%, 0.52%

LAB 45.8, 62.07, -55.57

 

CMYK 0 / 35 / 70 / 20

HEX #CB843D

RGB 203 132 61

HSL 30, 0.58%, 0.52%

LAB 61.25, 20.98, 48.26

 

CMYK 49 / 0 / 70 / 20

HEX #68CB3D

RGB 104 203 61

HSL 101.83, 0.58%, 0.52%

LAB 73.54, -53.62, 58.97

 

CMYK 69 / 35 / 0 / 20

HEX #3F85CC

RGB 63 133 204

HSL 210.21, 0.58%, 0.52%

LAB 54.23, 1.16, -43.14

 

CMYK 0 / 70 / 0 / 20

HEX #CB3DCB

RGB 203 61 203

HSL 300, 0.58%, 0.52%

LAB 52.23, 71.26, -44.93

 

CMYK 0 / 35 / 70 / 20

HEX #CB843D

RGB 203 132 61

HSL 30, 0.58%, 0.52%

LAB 61.25, 20.98, 48.26

 

CMYK 70 / 0 / 70 / 20

HEX #3DCB3D

RGB 61 203 61

HSL 120, 0.58%, 0.52%

LAB 72.26, -63.85, 57.23

 

Description

Color code: CMYK 69 / 35 / 0 / 20 | qconv.com Color code: CMYK 69 / 35 / 0 / 20 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 133 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 133 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 35 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 35% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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