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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 68 / 55 / 80 / 74 it is the complementary color CMYK 3 / 7 / 0 / 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 68 / 55 / 80 / 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 68 / 55 / 80 / 74: CMYK 13 / 0 / 73 / 88, CMYK 10 / 0 / 44 / 81, CMYK 9 / 0 / 30 / 74, CMYK 8 / 0 / 23 / 67 and CMYK 8 / 0 / 18 / 60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 68 / 55 / 80 / 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 68 / 55 / 80 / 74: CMYK 30 / 0 / 57 / 88, CMYK 67 / 0 / 100 / 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 55 / 80 / 74

HEX #151E0D

RGB 21 30 13

HSL 91.76, 0.4%, 0.08%

LAB 9.93, -8.14, 9.23

 

Complementary color

CMYK 3 / 7 / 0 / 5

HEX #EAE1F2

RGB 234 225 242

HSL 271.76, 0.4%, 0.92%

LAB 90.67, 6.1, -7.17

 

CMYK 13 / 0 / 73 / 88

HEX #1A1E08

RGB 26 30 8

HSL 70.91, 0.58%, 0.07%

LAB 10.3, -6.27, 11.96

 

CMYK 10 / 0 / 44 / 81

HEX #2B301B

RGB 43 48 27

HSL 74.29, 0.28%, 0.15%

LAB 18.83, -6.53, 12.74

 

CMYK 9 / 0 / 30 / 74

HEX #3C422E

RGB 60 66 46

HSL 78, 0.18%, 0.22%

LAB 26.89, -6.64, 11.38

 

CMYK 8 / 0 / 23 / 67

HEX #4D5441

RGB 77 84 65

HSL 82.11, 0.13%, 0.29%

LAB 34.6, -6.69, 10.2

 

CMYK 8 / 0 / 18 / 60

HEX #5E6654

RGB 94 102 84

HSL 86.67, 0.1%, 0.36%

LAB 42.03, -6.73, 9.15

 

CMYK 30 / 0 / 57 / 88

HEX #151E0D

RGB 21 30 13

HSL 91.76, 0.4%, 0.08%

LAB 9.93, -8.14, 9.23

 

CMYK 67 / 0 / 100 / 95

HEX #040C00

RGB 4 12 0

HSL 100, 1%, 0.02%

LAB 2.61, -3.81, 3.84

 

CMYK 30 / 0 / 57 / 88

HEX #151E0D

RGB 21 30 13

HSL 91.76, 0.4%, 0.08%

LAB 9.93, -8.14, 9.23

 

CMYK 39 / 0 / 57 / 89

HEX #111C0C

RGB 17 28 12

HSL 101.25, 0.4%, 0.08%

LAB 8.79, -8.7, 8.03

 

CMYK 50 / 0 / 57 / 89

HEX #0E1C0C

RGB 14 28 12

HSL 112.5, 0.4%, 0.08%

LAB 8.57, -9.8, 7.68

 

CMYK 57 / 0 / 57 / 89

HEX #0C1C0C

RGB 12 28 12

HSL 120, 0.4%, 0.08%

LAB 8.44, -10.44, 7.47

 

CMYK 57 / 0 / 46 / 89

HEX #0C1C0F

RGB 12 28 15

HSL 131.25, 0.4%, 0.08%

LAB 8.51, -9.92, 6.09

 

CMYK 30 / 0 / 57 / 88

HEX #151E0D

RGB 21 30 13

HSL 91.76, 0.4%, 0.08%

LAB 9.93, -8.14, 9.23

 

CMYK 30 / 0 / 57 / 68

HEX #395123

RGB 57 81 35

HSL 91.3, 0.4%, 0.23%

LAB 31.52, -18.33, 23.92

 

CMYK 30 / 0 / 57 / 48

HEX #5C8439

RGB 92 132 57

HSL 92, 0.4%, 0.37%

LAB 50.77, -27.56, 35.6

 

CMYK 30 / 0 / 57 / 28

HEX #80B74F

RGB 128 183 79

HSL 91.73, 0.42%, 0.51%

LAB 68.77, -35.69, 46.44

 

CMYK 30 / 0 / 57 / 8

HEX #A4EA65

RGB 164 234 101

HSL 91.58, 0.76%, 0.66%

LAB 85.85, -43.37, 56.67

 

CMYK 30 / 0 / 57 / 88

HEX #151E0D

RGB 21 30 13

HSL 91.76, 0.4%, 0.08%

LAB 9.93, -8.14, 9.23

 

CMYK 57 / 0 / 18 / 89

HEX #0C1C17

RGB 12 28 23

HSL 161.25, 0.4%, 0.08%

LAB 8.74, -8.13, 1.34

 

CMYK 0 / 57 / 7 / 89

HEX #1C0C1A

RGB 28 12 26

HSL 307.5, 0.4%, 0.08%

LAB 5.28, 9.89, -5.86

 

CMYK 30 / 0 / 57 / 88

HEX #151E0D

RGB 21 30 13

HSL 91.76, 0.4%, 0.08%

LAB 9.93, -8.14, 9.23

 

CMYK 57 / 29 / 0 / 89

HEX #0C141C

RGB 12 20 28

HSL 210, 0.4%, 0.08%

LAB 5.98, -0.74, -6.54

 

CMYK 0 / 57 / 29 / 89

HEX #1C0C14

RGB 28 12 20

HSL 330, 0.4%, 0.08%

LAB 5.06, 8.36, -1.73

 

CMYK 30 / 0 / 57 / 88

HEX #151E0D

RGB 21 30 13

HSL 91.76, 0.4%, 0.08%

LAB 9.93, -8.14, 9.23

 

CMYK 57 / 0 / 18 / 89

HEX #0C1C17

RGB 12 28 23

HSL 161.25, 0.4%, 0.08%

LAB 8.74, -8.13, 1.34

 

CMYK 29 / 57 / 0 / 89

HEX #140C1C

RGB 20 12 28

HSL 270, 0.4%, 0.08%

LAB 4.48, 6.5, -8.72

 

CMYK 0 / 57 / 43 / 89

HEX #1C0C10

RGB 28 12 16

HSL 345, 0.4%, 0.08%

LAB 4.94, 7.53, 0.53

 

CMYK 30 / 0 / 57 / 88

HEX #151E0D

RGB 21 30 13

HSL 91.76, 0.4%, 0.08%

LAB 9.93, -8.14, 9.23

 

CMYK 57 / 0 / 0 / 89

HEX #0C1C1C

RGB 12 28 28

HSL 180, 0.4%, 0.08%

LAB 8.93, -6.68, -2.13

 

CMYK 29 / 57 / 0 / 89

HEX #140C1C

RGB 20 12 28

HSL 270, 0.4%, 0.08%

LAB 4.48, 6.5, -8.72

 

CMYK 0 / 57 / 57 / 89

HEX #1C0C0C

RGB 28 12 12

HSL 0, 0.4%, 0.08%

LAB 4.84, 6.84, 2.41

 

Description

Color code: CMYK 68 / 55 / 80 / 74 | qconv.com Color code: CMYK 68 / 55 / 80 / 74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 30 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 30 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 55 magenta, 80 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 55% 80% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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