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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 68 / 38 / 58 / 28 it is the complementary color CMYK 0 / 28 / 9 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 68 / 38 / 58 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 68 / 38 / 58 / 28: CMYK 44 / 0 / 37 / 55, CMYK 39 / 0 / 31 / 48, CMYK 35 / 0 / 27 / 41, CMYK 32 / 0 / 23 / 34 and CMYK 29 / 0 / 20 / 27

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 68 / 38 / 58 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 68 / 38 / 58 / 28: CMYK 48 / 0 / 32 / 55, CMYK 56 / 0 / 40 / 62, CMYK 68 / 0 / 50 / 69, CMYK 87 / 0 / 67 / 76 and CMYK 100 / 0 / 98 / 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 38 / 58 / 28

HEX #3B724D

RGB 59 114 77

HSL 139.64, 0.32%, 0.34%

LAB 43.51, -27.25, 15.02

 

Complementary color

CMYK 0 / 28 / 9 / 23

HEX #C48DB2

RGB 196 141 178

HSL 319.64, 0.32%, 0.66%

LAB 64.96, 26.73, -11.08

 

CMYK 44 / 0 / 37 / 55

HEX #407248

RGB 64 114 72

HSL 129.6, 0.28%, 0.35%

LAB 43.64, -26.67, 18.15

 

CMYK 39 / 0 / 31 / 48

HEX #51845B

RGB 81 132 91

HSL 131.76, 0.24%, 0.42%

LAB 50.7, -26.39, 16.88

 

CMYK 35 / 0 / 27 / 41

HEX #62966E

RGB 98 150 110

HSL 133.85, 0.21%, 0.49%

LAB 57.59, -26.11, 15.73

 

CMYK 32 / 0 / 23 / 34

HEX #73A881

RGB 115 168 129

HSL 135.85, 0.23%, 0.55%

LAB 64.35, -25.83, 14.67

 

CMYK 29 / 0 / 20 / 27

HEX #84BA94

RGB 132 186 148

HSL 137.78, 0.28%, 0.62%

LAB 70.98, -25.57, 13.69

 

CMYK 48 / 0 / 32 / 55

HEX #3B724D

RGB 59 114 77

HSL 139.64, 0.32%, 0.34%

LAB 43.51, -27.25, 15.02

 

CMYK 56 / 0 / 40 / 62

HEX #2A603A

RGB 42 96 58

HSL 137.78, 0.39%, 0.27%

LAB 36.3, -27.43, 16.41

 

CMYK 68 / 0 / 50 / 69

HEX #194E27

RGB 25 78 39

HSL 135.85, 0.51%, 0.2%

LAB 28.91, -27.35, 18.01

 

CMYK 87 / 0 / 67 / 76

HEX #083C14

RGB 8 60 20

HSL 133.85, 0.76%, 0.13%

LAB 21.33, -26.61, 19.76

 

CMYK 100 / 0 / 98 / 84

HEX #002A01

RGB 0 42 1

HSL 121.43, 1%, 0.08%

LAB 13.58, -24.39, 19.05

 

CMYK 48 / 0 / 32 / 55

HEX #3B724D

RGB 59 114 77

HSL 139.64, 0.32%, 0.34%

LAB 43.51, -27.25, 15.02

 

CMYK 49 / 0 / 25 / 55

HEX #3A7255

RGB 58 114 85

HSL 148.93, 0.33%, 0.34%

LAB 43.64, -25.83, 10.47

 

CMYK 49 / 0 / 17 / 55

HEX #3A725F

RGB 58 114 95

HSL 159.64, 0.33%, 0.34%

LAB 43.89, -23.46, 4.86

 

CMYK 49 / 0 / 9 / 55

HEX #3A7268

RGB 58 114 104

HSL 169.29, 0.33%, 0.34%

LAB 44.14, -21.14, -0.17

 

CMYK 49 / 0 / 1 / 55

HEX #3A7271

RGB 58 114 113

HSL 178.93, 0.33%, 0.34%

LAB 44.41, -18.66, -5.16

 

CMYK 48 / 0 / 32 / 55

HEX #3B724D

RGB 59 114 77

HSL 139.64, 0.32%, 0.34%

LAB 43.51, -27.25, 15.02

 

CMYK 48 / 0 / 33 / 35

HEX #55A56F

RGB 85 165 111

HSL 139.5, 0.32%, 0.49%

LAB 61.64, -36.93, 20.62

 

CMYK 48 / 0 / 32 / 15

HEX #70D892

RGB 112 216 146

HSL 139.62, 0.57%, 0.64%

LAB 78.83, -45.56, 25.43

 

CMYK 50 / 0 / 33 / 95

HEX #060C08

RGB 6 12 8

HSL 140, 0.33%, 0.04%

LAB 2.88, -2.17, 0.99

 

CMYK 48 / 0 / 32 / 75

HEX #213F2B

RGB 33 63 43

HSL 140, 0.31%, 0.19%

LAB 23.85, -16.58, 8.85

 

CMYK 48 / 0 / 32 / 55

HEX #3B724D

RGB 59 114 77

HSL 139.64, 0.32%, 0.34%

LAB 43.51, -27.25, 15.02

 

CMYK 49 / 25 / 0 / 55

HEX #3A5572

RGB 58 85 114

HSL 211.07, 0.33%, 0.34%

LAB 35.23, -1.4, -19.71

 

CMYK 0 / 49 / 45 / 55

HEX #723A3F

RGB 114 58 63

HSL 354.64, 0.33%, 0.34%

LAB 31.72, 25.12, 8.11

 

CMYK 48 / 0 / 32 / 55

HEX #3B724D

RGB 59 114 77

HSL 139.64, 0.32%, 0.34%

LAB 43.51, -27.25, 15.02

 

CMYK 33 / 49 / 0 / 55

HEX #4C3A72

RGB 76 58 114

HSL 259.29, 0.33%, 0.34%

LAB 28.84, 21.46, -29.61

 

CMYK 0 / 33 / 49 / 55

HEX #724C3A

RGB 114 76 58

HSL 19.29, 0.33%, 0.34%

LAB 36.08, 13.79, 17.2

 

CMYK 48 / 0 / 32 / 55

HEX #3B724D

RGB 59 114 77

HSL 139.64, 0.32%, 0.34%

LAB 43.51, -27.25, 15.02

 

CMYK 49 / 25 / 0 / 55

HEX #3A5572

RGB 58 85 114

HSL 211.07, 0.33%, 0.34%

LAB 35.23, -1.4, -19.71

 

CMYK 0 / 49 / 16 / 55

HEX #723A60

RGB 114 58 96

HSL 319.29, 0.33%, 0.34%

LAB 32.81, 30.03, -11.6

 

CMYK 0 / 24 / 49 / 55

HEX #72573A

RGB 114 87 58

HSL 31.07, 0.33%, 0.34%

LAB 39.07, 7.11, 21.09

 

CMYK 48 / 0 / 32 / 55

HEX #3B724D

RGB 59 114 77

HSL 139.64, 0.32%, 0.34%

LAB 43.51, -27.25, 15.02

 

CMYK 49 / 39 / 0 / 55

HEX #3A4572

RGB 58 69 114

HSL 228.21, 0.33%, 0.34%

LAB 30.33, 8.99, -27.36

 

CMYK 0 / 49 / 16 / 55

HEX #723A60

RGB 114 58 96

HSL 319.29, 0.33%, 0.34%

LAB 32.81, 30.03, -11.6

 

CMYK 0 / 9 / 49 / 55

HEX #72683A

RGB 114 104 58

HSL 49.29, 0.33%, 0.34%

LAB 43.92, -2.97, 27.22

 

Description

Color code: CMYK 68 / 38 / 58 / 28 | qconv.com Color code: CMYK 68 / 38 / 58 / 28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 114 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 114 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 38 magenta, 58 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 38% 58% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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