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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 68 / 29 / 0 / 30 it is the complementary color CMYK 0 / 35 / 62 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 68 / 29 / 0 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 68 / 29 / 0 / 30: CMYK 64 / 27 / 0 / 32, CMYK 59 / 25 / 0 / 24, CMYK 55 / 23 / 0 / 17, CMYK 51 / 22 / 0 / 9 and CMYK 48 / 20 / 0 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 68 / 29 / 0 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 68 / 29 / 0 / 30: CMYK 68 / 29 / 0 / 30, CMYK 75 / 32 / 0 / 37, CMYK 84 / 35 / 0 / 45, CMYK 95 / 40 / 0 / 52 and CMYK 100 / 47 / 0 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 29 / 0 / 30

HEX #397FB3

RGB 57 127 179

HSL 205.57, 0.52%, 0.46%

LAB 51.04, -4.99, -33.89

 

Complementary color

CMYK 0 / 35 / 62 / 22

HEX #C6804C

RGB 198 128 76

HSL 25.57, 0.52%, 0.54%

LAB 59.86, 21.99, 38.98

 

CMYK 64 / 27 / 0 / 32

HEX #3E7FAE

RGB 62 127 174

HSL 205.18, 0.47%, 0.46%

LAB 50.99, -5.84, -31.07

 

CMYK 59 / 25 / 0 / 24

HEX #4F91C1

RGB 79 145 193

HSL 205.26, 0.48%, 0.53%

LAB 57.81, -6.69, -31.26

 

CMYK 55 / 23 / 0 / 17

HEX #60A3D4

RGB 96 163 212

HSL 205.34, 0.57%, 0.6%

LAB 64.51, -7.34, -31.44

 

CMYK 51 / 22 / 0 / 9

HEX #71B5E7

RGB 113 181 231

HSL 205.42, 0.71%, 0.67%

LAB 71.1, -7.86, -31.63

 

CMYK 48 / 20 / 0 / 2

HEX #82C7FA

RGB 130 199 250

HSL 205.5, 0.92%, 0.75%

LAB 77.58, -8.28, -31.83

 

CMYK 68 / 29 / 0 / 30

HEX #397FB3

RGB 57 127 179

HSL 205.57, 0.52%, 0.46%

LAB 51.04, -4.99, -33.89

 

CMYK 75 / 32 / 0 / 37

HEX #286DA0

RGB 40 109 160

HSL 205.5, 0.6%, 0.39%

LAB 44.13, -3.63, -33.7

 

CMYK 84 / 35 / 0 / 45

HEX #175B8D

RGB 23 91 141

HSL 205.42, 0.72%, 0.32%

LAB 37.09, -1.77, -33.46

 

CMYK 95 / 40 / 0 / 52

HEX #06497A

RGB 6 73 122

HSL 205.34, 0.91%, 0.25%

LAB 29.93, 0.77, -33.14

 

CMYK 100 / 47 / 0 / 60

HEX #003767

RGB 0 55 103

HSL 207.96, 1%, 0.2%

LAB 22.69, 4.4, -32.64

 

CMYK 68 / 29 / 0 / 30

HEX #397FB3

RGB 57 127 179

HSL 205.57, 0.52%, 0.46%

LAB 51.04, -4.99, -33.89

 

CMYK 69 / 40 / 0 / 30

HEX #386BB2

RGB 56 107 178

HSL 214.92, 0.52%, 0.46%

LAB 45.04, 6.64, -42.78

 

CMYK 69 / 52 / 0 / 30

HEX #3856B2

RGB 56 86 178

HSL 225.25, 0.52%, 0.46%

LAB 39.09, 20.13, -52.32

 

CMYK 69 / 63 / 0 / 30

HEX #3842B2

RGB 56 66 178

HSL 235.08, 0.52%, 0.46%

LAB 33.88, 33.11, -60.78

 

CMYK 63 / 69 / 0 / 30

HEX #4238B2

RGB 66 56 178

HSL 244.92, 0.52%, 0.46%

LAB 32.26, 40.68, -63.41

 

CMYK 68 / 29 / 0 / 30

HEX #397FB3

RGB 57 127 179

HSL 205.57, 0.52%, 0.46%

LAB 51.04, -4.99, -33.89

 

CMYK 68 / 29 / 0 / 10

HEX #49A3E6

RGB 73 163 230

HSL 205.61, 0.76%, 0.59%

LAB 64.42, -5.73, -41.59

 

CMYK 69 / 31 / 0 / 90

HEX #08121A

RGB 8 18 26

HSL 206.67, 0.53%, 0.07%

LAB 5.05, -1.16, -6.4

 

CMYK 68 / 29 / 0 / 70

HEX #19374D

RGB 25 55 77

HSL 205.38, 0.51%, 0.2%

LAB 21.85, -3.3, -16.82

 

CMYK 68 / 29 / 0 / 50

HEX #295B80

RGB 41 91 128

HSL 205.52, 0.51%, 0.33%

LAB 36.95, -4.19, -25.72

 

CMYK 68 / 29 / 0 / 30

HEX #397FB3

RGB 57 127 179

HSL 205.57, 0.52%, 0.46%

LAB 51.04, -4.99, -33.89

 

CMYK 26 / 69 / 0 / 30

HEX #8338B2

RGB 131 56 178

HSL 276.89, 0.52%, 0.46%

LAB 39.36, 52.77, -51.55

 

CMYK 1 / 0 / 69 / 30

HEX #B0B238

RGB 176 178 56

HSL 60.98, 0.52%, 0.46%

LAB 70.42, -15.72, 59.06

 

CMYK 68 / 29 / 0 / 30

HEX #397FB3

RGB 57 127 179

HSL 205.57, 0.52%, 0.46%

LAB 51.04, -4.99, -33.89

 

CMYK 0 / 69 / 29 / 30

HEX #B2387F

RGB 178 56 127

HSL 325.08, 0.52%, 0.46%

LAB 43.98, 55.74, -13.05

 

CMYK 29 / 0 / 69 / 30

HEX #7FB238

RGB 127 178 56

HSL 85.08, 0.52%, 0.46%

LAB 67, -35.78, 54.48

 

CMYK 68 / 29 / 0 / 30

HEX #397FB3

RGB 57 127 179

HSL 205.57, 0.52%, 0.46%

LAB 51.04, -4.99, -33.89

 

CMYK 26 / 69 / 0 / 30

HEX #8338B2

RGB 131 56 178

HSL 276.89, 0.52%, 0.46%

LAB 39.36, 52.77, -51.55

 

CMYK 0 / 40 / 69 / 30

HEX #B26B38

RGB 178 107 56

HSL 25.08, 0.52%, 0.46%

LAB 52.14, 23.79, 39.83

 

CMYK 42 / 0 / 69 / 30

HEX #67B238

RGB 103 178 56

HSL 96.89, 0.52%, 0.46%

LAB 65.76, -44.35, 52.79

 

CMYK 68 / 29 / 0 / 30

HEX #397FB3

RGB 57 127 179

HSL 205.57, 0.52%, 0.46%

LAB 51.04, -4.99, -33.89

 

CMYK 6 / 69 / 0 / 30

HEX #A838B2

RGB 168 56 178

HSL 295.08, 0.52%, 0.46%

LAB 44.76, 61.02, -42.6

 

CMYK 0 / 40 / 69 / 30

HEX #B26B38

RGB 178 107 56

HSL 25.08, 0.52%, 0.46%

LAB 52.14, 23.79, 39.83

 

CMYK 63 / 0 / 69 / 30

HEX #42B238

RGB 66 178 56

HSL 115.08, 0.52%, 0.46%

LAB 64.39, -54.77, 50.94

 

Description

Color code: CMYK 68 / 29 / 0 / 30 | qconv.com Color code: CMYK 68 / 29 / 0 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 127 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 127 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 29 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 29% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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