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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 68 / 15 / 0 / 32 it is the complementary color CMYK 0 / 46 / 59 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 68 / 15 / 0 / 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 68 / 15 / 0 / 32: CMYK 64 / 13 / 0 / 34, CMYK 59 / 12 / 0 / 27, CMYK 54 / 11 / 0 / 19, CMYK 51 / 11 / 0 / 12 and CMYK 48 / 10 / 0 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 68 / 15 / 0 / 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 68 / 15 / 0 / 32: CMYK 68 / 15 / 0 / 32, CMYK 75 / 16 / 0 / 40, CMYK 84 / 18 / 0 / 47, CMYK 97 / 20 / 0 / 55 and CMYK 100 / 23 / 0 / 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 15 / 0 / 32

HEX #3793AD

RGB 55 147 173

HSL 193.22, 0.52%, 0.45%

LAB 56.78, -18.54, -21.56

 

Complementary color

CMYK 0 / 46 / 59 / 22

HEX #C86C52

RGB 200 108 82

HSL 13.22, 0.52%, 0.55%

LAB 55.7, 34.03, 30.69

 

CMYK 64 / 13 / 0 / 34

HEX #3C93A8

RGB 60 147 168

HSL 191.67, 0.47%, 0.45%

LAB 56.74, -19.31, -18.76

 

CMYK 59 / 12 / 0 / 27

HEX #4DA5BB

RGB 77 165 187

HSL 192, 0.45%, 0.52%

LAB 63.41, -19.85, -19.29

 

CMYK 54 / 11 / 0 / 19

HEX #5EB7CE

RGB 94 183 206

HSL 192.32, 0.53%, 0.59%

LAB 69.97, -20.23, -19.77

 

CMYK 51 / 11 / 0 / 12

HEX #6FC9E1

RGB 111 201 225

HSL 192.63, 0.66%, 0.66%

LAB 76.43, -20.51, -20.23

 

CMYK 48 / 10 / 0 / 4

HEX #80DBF4

RGB 128 219 244

HSL 192.93, 0.84%, 0.73%

LAB 82.8, -20.72, -20.67

 

CMYK 68 / 15 / 0 / 32

HEX #3793AD

RGB 55 147 173

HSL 193.22, 0.52%, 0.45%

LAB 56.78, -18.54, -21.56

 

CMYK 75 / 16 / 0 / 40

HEX #26819A

RGB 38 129 154

HSL 192.93, 0.6%, 0.38%

LAB 50.03, -17.57, -20.99

 

CMYK 84 / 18 / 0 / 47

HEX #156F87

RGB 21 111 135

HSL 192.63, 0.73%, 0.31%

LAB 43.18, -16.19, -20.34

 

CMYK 97 / 20 / 0 / 55

HEX #045D74

RGB 4 93 116

HSL 192.32, 0.93%, 0.24%

LAB 36.21, -14.28, -19.57

 

CMYK 100 / 23 / 0 / 62

HEX #004B61

RGB 0 75 97

HSL 193.61, 1%, 0.19%

LAB 29.15, -11.42, -18.58

 

CMYK 68 / 15 / 0 / 32

HEX #3793AD

RGB 55 147 173

HSL 193.22, 0.52%, 0.45%

LAB 56.78, -18.54, -21.56

 

CMYK 68 / 26 / 0 / 32

HEX #3780AE

RGB 55 128 174

HSL 203.19, 0.52%, 0.45%

LAB 51.04, -7.63, -31

 

CMYK 68 / 38 / 0 / 32

HEX #376CAE

RGB 55 108 174

HSL 213.28, 0.52%, 0.45%

LAB 45.07, 4.4, -40.4

 

CMYK 68 / 49 / 0 / 32

HEX #3758AE

RGB 55 88 174

HSL 223.36, 0.52%, 0.45%

LAB 39.32, 17.19, -49.59

 

CMYK 68 / 60 / 0 / 32

HEX #3745AE

RGB 55 69 174

HSL 232.94, 0.52%, 0.45%

LAB 34.24, 29.62, -57.82

 

CMYK 68 / 15 / 0 / 32

HEX #3793AD

RGB 55 147 173

HSL 193.22, 0.52%, 0.45%

LAB 56.78, -18.54, -21.56

 

CMYK 68 / 15 / 0 / 12

HEX #47BEE0

RGB 71 190 224

HSL 193.33, 0.71%, 0.58%

LAB 71.93, -22.44, -26.68

 

CMYK 70 / 15 / 0 / 92

HEX #061114

RGB 6 17 20

HSL 192.86, 0.54%, 0.05%

LAB 4.43, -2.62, -2.88

 

CMYK 68 / 15 / 0 / 72

HEX #173C47

RGB 23 60 71

HSL 193.75, 0.51%, 0.18%

LAB 23.23, -9.24, -10.7

 

CMYK 68 / 15 / 0 / 52

HEX #27687A

RGB 39 104 122

HSL 193.01, 0.52%, 0.32%

LAB 40.8, -14.41, -16.12

 

CMYK 68 / 15 / 0 / 32

HEX #3793AD

RGB 55 147 173

HSL 193.22, 0.52%, 0.45%

LAB 56.78, -18.54, -21.56

 

CMYK 40 / 68 / 0 / 32

HEX #6837AE

RGB 104 55 174

HSL 264.71, 0.52%, 0.45%

LAB 35.46, 46.66, -55.64

 

CMYK 0 / 13 / 68 / 32

HEX #AE9837

RGB 174 152 55

HSL 48.91, 0.52%, 0.45%

LAB 63.12, -2.99, 51.99

 

CMYK 68 / 15 / 0 / 32

HEX #3793AD

RGB 55 147 173

HSL 193.22, 0.52%, 0.45%

LAB 56.78, -18.54, -21.56

 

CMYK 0 / 68 / 15 / 32

HEX #AE3794

RGB 174 55 148

HSL 313.11, 0.52%, 0.45%

LAB 44.04, 57.95, -25.77

 

CMYK 15 / 0 / 68 / 32

HEX #94AE37

RGB 148 174 55

HSL 73.11, 0.52%, 0.45%

LAB 67.16, -25.6, 55.46

 

CMYK 68 / 15 / 0 / 32

HEX #3793AD

RGB 55 147 173

HSL 193.22, 0.52%, 0.45%

LAB 56.78, -18.54, -21.56

 

CMYK 40 / 68 / 0 / 32

HEX #6837AE

RGB 104 55 174

HSL 264.71, 0.52%, 0.45%

LAB 35.46, 46.66, -55.64

 

CMYK 0 / 54 / 68 / 32

HEX #AE5037

RGB 174 80 55

HSL 12.61, 0.52%, 0.45%

LAB 45.65, 36.6, 32.79

 

CMYK 29 / 0 / 68 / 32

HEX #7CAE37

RGB 124 174 55

HSL 85.21, 0.52%, 0.45%

LAB 65.62, -35.17, 53.39

 

CMYK 68 / 15 / 0 / 32

HEX #3793AD

RGB 55 147 173

HSL 193.22, 0.52%, 0.45%

LAB 56.78, -18.54, -21.56

 

CMYK 20 / 68 / 0 / 32

HEX #8C37AE

RGB 140 55 174

HSL 282.86, 0.52%, 0.45%

LAB 40.19, 54.32, -47.78

 

CMYK 0 / 54 / 68 / 32

HEX #AE5037

RGB 174 80 55

HSL 12.61, 0.52%, 0.45%

LAB 45.65, 36.6, 32.79

 

CMYK 49 / 0 / 68 / 32

HEX #58AE37

RGB 88 174 55

HSL 103.36, 0.52%, 0.45%

LAB 63.85, -47.55, 51

 

Description

Color code: CMYK 68 / 15 / 0 / 32 | qconv.com Color code: CMYK 68 / 15 / 0 / 32 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 147 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 147 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 15 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 15% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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