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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 66 / 66 / 0 / 34 it is the complementary color CMYK 0 / 0 / 56 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 66 / 66 / 0 / 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 66 / 66 / 0 / 34: CMYK 62 / 65 / 0 / 36, CMYK 57 / 59 / 0 / 29, CMYK 52 / 54 / 0 / 21, CMYK 49 / 50 / 0 / 14 and CMYK 46 / 46 / 0 / 6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 66 / 66 / 0 / 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 66 / 66 / 0 / 34: CMYK 66 / 66 / 0 / 34, CMYK 73 / 74 / 0 / 42, CMYK 82 / 84 / 0 / 49, CMYK 95 / 97 / 0 / 56 and CMYK 100 / 100 / 0 / 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 66 / 0 / 34

HEX #3939A8

RGB 57 57 168

HSL 240, 0.49%, 0.44%

LAB 30.93, 35.45, -59.63

 

Complementary color

CMYK 0 / 0 / 56 / 22

HEX #C6C657

RGB 198 198 87

HSL 60, 0.49%, 0.56%

LAB 77.92, -14.56, 54.5

 

CMYK 62 / 65 / 0 / 36

HEX #3E39A3

RGB 62 57 163

HSL 242.83, 0.48%, 0.43%

LAB 30.87, 34.51, -56.71

 

CMYK 57 / 59 / 0 / 29

HEX #4F4BB6

RGB 79 75 182

HSL 242.24, 0.42%, 0.5%

LAB 37.97, 32.58, -56.42

 

CMYK 52 / 54 / 0 / 21

HEX #605DC9

RGB 96 93 201

HSL 241.67, 0.5%, 0.58%

LAB 44.99, 30.91, -56.08

 

CMYK 49 / 50 / 0 / 14

HEX #716FDC

RGB 113 111 220

HSL 241.1, 0.61%, 0.65%

LAB 51.89, 29.48, -55.76

 

CMYK 46 / 46 / 0 / 6

HEX #8281EF

RGB 130 129 239

HSL 240.55, 0.77%, 0.72%

LAB 58.68, 28.25, -55.47

 

CMYK 66 / 66 / 0 / 34

HEX #3939A8

RGB 57 57 168

HSL 240, 0.49%, 0.44%

LAB 30.93, 35.45, -59.63

 

CMYK 73 / 74 / 0 / 42

HEX #282795

RGB 40 39 149

HSL 240.55, 0.59%, 0.37%

LAB 23.91, 37.82, -59.65

 

CMYK 82 / 84 / 0 / 49

HEX #171582

RGB 23 21 130

HSL 241.1, 0.72%, 0.3%

LAB 17.13, 40.07, -59.02

 

CMYK 95 / 97 / 0 / 56

HEX #06036F

RGB 6 3 111

HSL 241.67, 0.95%, 0.22%

LAB 10.93, 41.52, -57.14

 

CMYK 100 / 100 / 0 / 64

HEX #00005C

RGB 0 0 92

HSL 240, 1%, 0.18%

LAB 6.98, 37.4, -51.13

 

CMYK 66 / 66 / 0 / 34

HEX #3939A8

RGB 57 57 168

HSL 240, 0.49%, 0.44%

LAB 30.93, 35.45, -59.63

 

CMYK 55 / 66 / 0 / 35

HEX #4B39A7

RGB 75 57 167

HSL 249.82, 0.49%, 0.44%

LAB 32.29, 38.02, -56.76

 

CMYK 44 / 66 / 0 / 35

HEX #5D39A7

RGB 93 57 167

HSL 259.64, 0.49%, 0.44%

LAB 34.07, 41.47, -53.77

 

CMYK 33 / 66 / 0 / 35

HEX #7039A7

RGB 112 57 167

HSL 270, 0.49%, 0.44%

LAB 36.29, 45.52, -50.07

 

CMYK 22 / 66 / 0 / 35

HEX #8239A7

RGB 130 57 167

HSL 279.82, 0.49%, 0.44%

LAB 38.66, 49.63, -46.14

 

CMYK 66 / 66 / 0 / 34

HEX #3939A8

RGB 57 57 168

HSL 240, 0.49%, 0.44%

LAB 30.93, 35.45, -59.63

 

CMYK 66 / 66 / 0 / 14

HEX #4A4ADB

RGB 74 74 219

HSL 240, 0.67%, 0.57%

LAB 40.36, 44.52, -74.02

 

CMYK 67 / 67 / 0 / 94

HEX #05050F

RGB 5 5 15

HSL 240, 0.5%, 0.04%

LAB 1.58, 1.49, -4.07

 

CMYK 67 / 67 / 0 / 74

HEX #161642

RGB 22 22 66

HSL 240, 0.5%, 0.17%

LAB 10.09, 15.72, -27.99

 

CMYK 66 / 66 / 0 / 54

HEX #282875

RGB 40 40 117

HSL 240, 0.49%, 0.31%

LAB 21.03, 25.78, -44.27

 

CMYK 66 / 66 / 0 / 34

HEX #3939A8

RGB 57 57 168

HSL 240, 0.49%, 0.44%

LAB 30.93, 35.45, -59.63

 

CMYK 0 / 66 / 13 / 35

HEX #A73991

RGB 167 57 145

HSL 312, 0.49%, 0.44%

LAB 43.04, 54.86, -25.61

 

CMYK 40 / 0 / 66 / 35

HEX #65A739

RGB 101 167 57

HSL 96, 0.49%, 0.44%

LAB 62.25, -40.28, 48.62

 

CMYK 66 / 66 / 0 / 34

HEX #3939A8

RGB 57 57 168

HSL 240, 0.49%, 0.44%

LAB 30.93, 35.45, -59.63

 

CMYK 0 / 66 / 66 / 35

HEX #A73939

RGB 167 57 57

HSL 0, 0.49%, 0.44%

LAB 40.31, 45.16, 24.88

 

CMYK 66 / 0 / 66 / 35

HEX #39A739

RGB 57 167 57

HSL 120, 0.49%, 0.44%

LAB 60.61, -52.73, 46.36

 

CMYK 66 / 66 / 0 / 34

HEX #3939A8

RGB 57 57 168

HSL 240, 0.49%, 0.44%

LAB 30.93, 35.45, -59.63

 

CMYK 0 / 66 / 13 / 35

HEX #A73991

RGB 167 57 145

HSL 312, 0.49%, 0.44%

LAB 43.04, 54.86, -25.61

 

CMYK 0 / 0 / 66 / 35

HEX #A7A739

RGB 167 167 57

HSL 60, 0.49%, 0.44%

LAB 66.63, -13.89, 54.58

 

CMYK 66 / 0 / 53 / 35

HEX #39A74F

RGB 57 167 79

HSL 132, 0.49%, 0.44%

LAB 60.84, -49.97, 36.29

 

CMYK 66 / 66 / 0 / 34

HEX #3939A8

RGB 57 57 168

HSL 240, 0.49%, 0.44%

LAB 30.93, 35.45, -59.63

 

CMYK 0 / 66 / 33 / 35

HEX #A73970

RGB 167 57 112

HSL 330, 0.49%, 0.44%

LAB 41.71, 50.26, -7.42

 

CMYK 0 / 0 / 66 / 35

HEX #A7A739

RGB 167 167 57

HSL 60, 0.49%, 0.44%

LAB 66.63, -13.89, 54.58

 

CMYK 66 / 0 / 33 / 35

HEX #39A770

RGB 57 167 112

HSL 150, 0.49%, 0.44%

LAB 61.37, -44.11, 19.55

 

Description

Color code: CMYK 66 / 66 / 0 / 34 | qconv.com Color code: CMYK 66 / 66 / 0 / 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 57 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 57 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 66 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 66% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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