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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 66 / 2 / 29 / 0 it is the complementary color CMYK 0 / 97 / 56 / 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 66 / 2 / 29 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 66 / 2 / 29 / 0: CMYK 63 / 0 / 30 / 2, CMYK 57 / 0 / 24 / 0, CMYK 51 / 0 / 16 / 0, CMYK 44 / 0 / 9 / 0 and CMYK 37 / 0 / 1 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 66 / 2 / 29 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 66 / 2 / 29 / 0: CMYK 65 / 0 / 28 / 2, CMYK 70 / 0 / 30 / 9, CMYK 75 / 0 / 33 / 16, CMYK 82 / 0 / 37 / 23 and CMYK 89 / 0 / 41 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 2 / 29 / 0

HEX #57FAB5

RGB 87 250 181

HSL 154.6, 0.94%, 0.66%

LAB 88.8, -57.85, 20.92

 

Complementary color

CMYK 0 / 97 / 56 / 34

HEX #A8054A

RGB 168 5 74

HSL 334.6, 0.94%, 0.34%

LAB 35.84, 60.65, 8.2

 

CMYK 63 / 0 / 30 / 2

HEX #5CFAB0

RGB 92 250 176

HSL 151.9, 0.94%, 0.67%

LAB 88.82, -58.01, 23.53

 

CMYK 57 / 0 / 24 / 0

HEX #6DFFC3

RGB 109 255 195

HSL 155.34, 1%, 0.71%

LAB 91.1, -52.93, 17.05

 

CMYK 51 / 0 / 16 / 0

HEX #7EFFD6

RGB 126 255 214

HSL 160.93, 1%, 0.75%

LAB 92.05, -45.31, 8.69

 

CMYK 44 / 0 / 9 / 0

HEX #8FFFE9

RGB 143 255 233

HSL 168.21, 1%, 0.78%

LAB 93.12, -37.19, 0.51

 

CMYK 37 / 0 / 1 / 0

HEX #A0FFFC

RGB 160 255 252

HSL 178.11, 1%, 0.81%

LAB 94.32, -28.71, -7.46

 

CMYK 65 / 0 / 28 / 2

HEX #57FAB5

RGB 87 250 181

HSL 154.6, 0.94%, 0.66%

LAB 88.8, -57.85, 20.92

 

CMYK 70 / 0 / 30 / 9

HEX #46E8A2

RGB 70 232 162

HSL 154.07, 0.78%, 0.59%

LAB 82.71, -57.46, 22.24

 

CMYK 75 / 0 / 33 / 16

HEX #35D68F

RGB 53 214 143

HSL 153.54, 0.66%, 0.52%

LAB 76.58, -56.83, 23.68

 

CMYK 82 / 0 / 37 / 23

HEX #24C47C

RGB 36 196 124

HSL 153, 0.69%, 0.45%

LAB 70.39, -55.89, 25.24

 

CMYK 89 / 0 / 41 / 30

HEX #13B269

RGB 19 178 105

HSL 152.45, 0.81%, 0.39%

LAB 64.16, -54.51, 26.94

 

CMYK 65 / 0 / 28 / 2

HEX #57FAB5

RGB 87 250 181

HSL 154.6, 0.94%, 0.66%

LAB 88.8, -57.85, 20.92

 

CMYK 65 / 0 / 17 / 2

HEX #56F9CE

RGB 86 249 206

HSL 164.17, 0.93%, 0.66%

LAB 89.01, -52.11, 8.33

 

CMYK 65 / 0 / 6 / 2

HEX #56F9E9

RGB 86 249 233

HSL 174.11, 0.93%, 0.66%

LAB 89.68, -45.47, -4.74

 

CMYK 65 / 4 / 0 / 2

HEX #56EEF9

RGB 86 238 249

HSL 184.05, 0.93%, 0.66%

LAB 86.98, -36.23, -17.12

 

CMYK 65 / 15 / 0 / 2

HEX #56D3F9

RGB 86 211 249

HSL 193.99, 0.93%, 0.66%

LAB 79.27, -23.2, -28.83

 

CMYK 65 / 0 / 28 / 2

HEX #57FAB5

RGB 87 250 181

HSL 154.6, 0.94%, 0.66%

LAB 88.8, -57.85, 20.92

 

CMYK 65 / 0 / 28 / 82

HEX #102E21

RGB 16 46 33

HSL 154, 0.48%, 0.12%

LAB 16.37, -15.11, 5.05

 

CMYK 65 / 0 / 28 / 62

HEX #226146

RGB 34 97 70

HSL 154.29, 0.48%, 0.26%

LAB 36.62, -27.26, 9.55

 

CMYK 65 / 0 / 28 / 42

HEX #34946B

RGB 52 148 107

HSL 154.38, 0.48%, 0.39%

LAB 55.04, -38.08, 13.6

 

CMYK 65 / 0 / 28 / 22

HEX #45C790

RGB 69 199 144

HSL 154.62, 0.54%, 0.53%

LAB 72.31, -48.31, 17.34

 

CMYK 65 / 0 / 28 / 2

HEX #57FAB5

RGB 87 250 181

HSL 154.6, 0.94%, 0.66%

LAB 88.8, -57.85, 20.92

 

CMYK 65 / 50 / 0 / 2

HEX #567CF9

RGB 86 124 249

HSL 226.01, 0.93%, 0.66%

LAB 55.31, 25.88, -66.55

 

CMYK 0 / 55 / 65 / 2

HEX #F97156

RGB 249 113 86

HSL 9.94, 0.93%, 0.66%

LAB 63.85, 50.21, 40.11

 

CMYK 65 / 0 / 28 / 2

HEX #57FAB5

RGB 87 250 181

HSL 154.6, 0.94%, 0.66%

LAB 88.8, -57.85, 20.92

 

CMYK 28 / 65 / 0 / 2

HEX #B356F9

RGB 179 86 249

HSL 274.23, 0.93%, 0.66%

LAB 55.15, 64.9, -66.41

 

CMYK 0 / 28 / 65 / 2

HEX #F9B356

RGB 249 179 86

HSL 34.23, 0.93%, 0.66%

LAB 77.91, 16.55, 56.26

 

CMYK 65 / 0 / 28 / 2

HEX #57FAB5

RGB 87 250 181

HSL 154.6, 0.94%, 0.66%

LAB 88.8, -57.85, 20.92

 

CMYK 65 / 50 / 0 / 2

HEX #567CF9

RGB 86 124 249

HSL 226.01, 0.93%, 0.66%

LAB 55.31, 25.88, -66.55

 

CMYK 0 / 65 / 37 / 2

HEX #F9569D

RGB 249 86 157

HSL 333.87, 0.93%, 0.66%

LAB 60.98, 67.67, -4.25

 

CMYK 0 / 15 / 65 / 2

HEX #F9D356

RGB 249 211 86

HSL 46.01, 0.93%, 0.66%

LAB 85.71, -0.05, 64.7

 

CMYK 65 / 0 / 28 / 2

HEX #57FAB5

RGB 87 250 181

HSL 154.6, 0.94%, 0.66%

LAB 88.8, -57.85, 20.92

 

CMYK 61 / 65 / 0 / 2

HEX #6156F9

RGB 97 86 249

HSL 244.05, 0.93%, 0.66%

LAB 47.02, 50.23, -79.99

 

CMYK 0 / 65 / 37 / 2

HEX #F9569D

RGB 249 86 157

HSL 333.87, 0.93%, 0.66%

LAB 60.98, 67.67, -4.25

 

CMYK 4 / 0 / 65 / 2

HEX #EEF956

RGB 238 249 86

HSL 64.05, 0.93%, 0.66%

LAB 94.57, -23.31, 73.66

 

Description

Color code: CMYK 66 / 2 / 29 / 0 | qconv.com Color code: CMYK 66 / 2 / 29 / 0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 250 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 250 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 2 magenta, 29 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 2% 29% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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