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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 65 / 0 / 80 / 0 it is the complementary color CMYK 19 / 100 / 0 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 65 / 0 / 80 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 65 / 0 / 80 / 0: CMYK 63 / 0 / 82 / 0, CMYK 56 / 0 / 75 / 0, CMYK 50 / 0 / 67 / 0, CMYK 43 / 0 / 60 / 0 and CMYK 36 / 0 / 52 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 65 / 0 / 80 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 65 / 0 / 80 / 0: CMYK 65 / 0 / 80 / 0, CMYK 70 / 0 / 86 / 7, CMYK 75 / 0 / 94 / 14, CMYK 81 / 0 / 100 / 21 and CMYK 89 / 0 / 100 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 80 / 0

HEX #59FF33

RGB 89 255 51

HSL 108.82, 1%, 0.6%

LAB 88.87, -75.83, 76.92

 

Complementary color

CMYK 19 / 100 / 0 / 20

HEX #A600CC

RGB 166 0 204

HSL 288.82, 1%, 0.4%

LAB 41.95, 77.38, -62.34

 

CMYK 63 / 0 / 82 / 0

HEX #5EFF2E

RGB 94 255 46

HSL 106.22, 1%, 0.59%

LAB 88.97, -75.06, 78.3

 

CMYK 56 / 0 / 75 / 0

HEX #6FFF41

RGB 111 255 65

HSL 105.47, 1%, 0.63%

LAB 89.52, -70.21, 73.72

 

CMYK 50 / 0 / 67 / 0

HEX #80FF54

RGB 128 255 84

HSL 104.56, 1%, 0.66%

LAB 90.21, -64.48, 68

 

CMYK 43 / 0 / 60 / 0

HEX #91FF67

RGB 145 255 103

HSL 103.42, 1%, 0.7%

LAB 91.02, -57.96, 61.46

 

CMYK 36 / 0 / 52 / 0

HEX #A2FF7A

RGB 162 255 122

HSL 101.95, 1%, 0.74%

LAB 91.96, -50.77, 54.4

 

CMYK 65 / 0 / 80 / 0

HEX #59FF33

RGB 89 255 51

HSL 108.82, 1%, 0.6%

LAB 88.87, -75.83, 76.92

 

CMYK 70 / 0 / 86 / 7

HEX #48ED20

RGB 72 237 32

HSL 108.29, 0.85%, 0.53%

LAB 82.94, -74.27, 75.79

 

CMYK 75 / 0 / 94 / 14

HEX #37DB0D

RGB 55 219 13

HSL 107.77, 0.89%, 0.45%

LAB 76.98, -72.19, 73.52

 

CMYK 81 / 0 / 100 / 21

HEX #26C900

RGB 38 201 0

HSL 108.66, 1%, 0.39%

LAB 71, -69.47, 69.88

 

CMYK 89 / 0 / 100 / 28

HEX #15B700

RGB 21 183 0

HSL 113.11, 1%, 0.36%

LAB 64.98, -66.02, 64.99

 

CMYK 65 / 0 / 80 / 0

HEX #59FF33

RGB 89 255 51

HSL 108.82, 1%, 0.6%

LAB 88.87, -75.83, 76.92

 

CMYK 78 / 0 / 80 / 0

HEX #39FF32

RGB 57 255 50

HSL 117.95, 1%, 0.6%

LAB 88.27, -81.01, 76.41

 

CMYK 80 / 0 / 69 / 0

HEX #32FF4E

RGB 50 255 78

HSL 128.2, 1%, 0.6%

LAB 88.33, -79.89, 67.68

 

CMYK 80 / 0 / 56 / 0

HEX #32FF70

RGB 50 255 112

HSL 138.15, 1%, 0.6%

LAB 88.62, -76.27, 54.14

 

CMYK 80 / 0 / 43 / 0

HEX #32FF92

RGB 50 255 146

HSL 148.1, 1%, 0.6%

LAB 89.05, -71.18, 38.72

 

CMYK 65 / 0 / 80 / 0

HEX #59FF33

RGB 89 255 51

HSL 108.82, 1%, 0.6%

LAB 88.87, -75.83, 76.92

 

CMYK 65 / 0 / 80 / 80

HEX #12330A

RGB 18 51 10

HSL 108.29, 0.67%, 0.12%

LAB 18, -21.47, 21.1

 

CMYK 65 / 0 / 80 / 60

HEX #246614

RGB 36 102 20

HSL 108.29, 0.67%, 0.24%

LAB 37.71, -36.9, 37.46

 

CMYK 65 / 0 / 80 / 40

HEX #35991F

RGB 53 153 31

HSL 109.18, 0.66%, 0.36%

LAB 55.72, -50.84, 51.25

 

CMYK 65 / 0 / 80 / 20

HEX #47CC29

RGB 71 204 41

HSL 108.96, 0.67%, 0.48%

LAB 72.68, -63.65, 64.43

 

CMYK 65 / 0 / 80 / 0

HEX #59FF33

RGB 89 255 51

HSL 108.82, 1%, 0.6%

LAB 88.87, -75.83, 76.92

 

CMYK 80 / 0 / 0 / 0

HEX #32FFFF

RGB 50 255 255

HSL 180, 1%, 0.6%

LAB 91.42, -46.06, -13.65

 

CMYK 0 / 80 / 32 / 0

HEX #FF32AD

RGB 255 50 173

HSL 324, 1%, 0.6%

LAB 58.56, 82.03, -17.07

 

CMYK 65 / 0 / 80 / 0

HEX #59FF33

RGB 89 255 51

HSL 108.82, 1%, 0.6%

LAB 88.87, -75.83, 76.92

 

CMYK 80 / 64 / 0 / 0

HEX #325BFF

RGB 50 91 255

HSL 228, 1%, 0.6%

LAB 46.15, 44.17, -84.86

 

CMYK 0 / 80 / 64 / 0

HEX #FF325B

RGB 255 50 91

HSL 348, 1%, 0.6%

LAB 56.38, 75.58, 28.24

 

CMYK 65 / 0 / 80 / 0

HEX #59FF33

RGB 89 255 51

HSL 108.82, 1%, 0.6%

LAB 88.87, -75.83, 76.92

 

CMYK 80 / 0 / 0 / 0

HEX #32FFFF

RGB 50 255 255

HSL 180, 1%, 0.6%

LAB 91.42, -46.06, -13.65

 

CMYK 16 / 80 / 0 / 0

HEX #D632FF

RGB 214 50 255

HSL 288, 1%, 0.6%

LAB 55.88, 85.32, -68.32

 

CMYK 0 / 80 / 80 / 0

HEX #FF3232

RGB 255 50 50

HSL 0, 1%, 0.6%

LAB 55.86, 73.97, 50.68

 

CMYK 65 / 0 / 80 / 0

HEX #59FF33

RGB 89 255 51

HSL 108.82, 1%, 0.6%

LAB 88.87, -75.83, 76.92

 

CMYK 80 / 24 / 0 / 0

HEX #32C1FF

RGB 50 193 255

HSL 198.15, 1%, 0.6%

LAB 73.57, -16.33, -40.92

 

CMYK 16 / 80 / 0 / 0

HEX #D632FF

RGB 214 50 255

HSL 288, 1%, 0.6%

LAB 55.88, 85.32, -68.32

 

CMYK 0 / 56 / 80 / 0

HEX #FF7032

RGB 255 112 50

HSL 18.15, 1%, 0.6%

LAB 64.22, 51.3, 58.61

 

Description

Color code: CMYK 65 / 0 / 80 / 0 | qconv.com Color code: CMYK 65 / 0 / 80 / 0 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 255 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 255 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 80 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 80% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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