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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 64 / 28 / 4 / 1 it is the complementary color CMYK 0 / 55 / 92 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 64 / 28 / 4 / 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 64 / 28 / 4 / 1: CMYK 59 / 23 / 0 / 7, CMYK 56 / 22 / 0 / 0, CMYK 49 / 15 / 0 / 0, CMYK 42 / 7 / 0 / 0 and CMYK 36 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 64 / 28 / 4 / 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 64 / 28 / 4 / 1: CMYK 62 / 25 / 0 / 5, CMYK 67 / 26 / 0 / 13, CMYK 72 / 28 / 0 / 20, CMYK 78 / 31 / 0 / 27 and CMYK 86 / 34 / 0 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 28 / 4 / 1

HEX #5BB6F2

RGB 91 182 242

HSL 203.84, 0.85%, 0.65%

LAB 70.93, -9.4, -37.93

 

Complementary color

CMYK 0 / 55 / 92 / 36

HEX #A4490D

RGB 164 73 13

HSL 23.84, 0.85%, 0.35%

LAB 42.29, 34.64, 48.68

 

CMYK 59 / 23 / 0 / 7

HEX #60B6ED

RGB 96 182 237

HSL 203.4, 0.8%, 0.65%

LAB 70.91, -10.06, -35.24

 

CMYK 56 / 22 / 0 / 0

HEX #71C8FF

RGB 113 200 255

HSL 203.24, 1%, 0.72%

LAB 77.3, -11, -34.99

 

CMYK 49 / 15 / 0 / 0

HEX #82DAFF

RGB 130 218 255

HSL 197.76, 1%, 0.75%

LAB 82.97, -16.8, -26.22

 

CMYK 42 / 7 / 0 / 0

HEX #93ECFF

RGB 147 236 255

HSL 190.56, 1%, 0.79%

LAB 88.64, -21.95, -17.55

 

CMYK 36 / 0 / 0 / 0

HEX #A4FEFF

RGB 164 254 255

HSL 180.66, 1%, 0.82%

LAB 94.31, -26.54, -9.01

 

CMYK 62 / 25 / 0 / 5

HEX #5BB6F2

RGB 91 182 242

HSL 203.84, 0.85%, 0.65%

LAB 70.93, -9.4, -37.93

 

CMYK 67 / 26 / 0 / 13

HEX #4AA4DF

RGB 74 164 223

HSL 203.76, 0.7%, 0.58%

LAB 64.43, -8.47, -37.72

 

CMYK 72 / 28 / 0 / 20

HEX #3992CC

RGB 57 146 204

HSL 203.67, 0.59%, 0.51%

LAB 57.83, -7.28, -37.48

 

CMYK 78 / 31 / 0 / 27

HEX #2880B9

RGB 40 128 185

HSL 203.59, 0.64%, 0.44%

LAB 51.14, -5.77, -37.22

 

CMYK 86 / 34 / 0 / 35

HEX #176EA6

RGB 23 110 166

HSL 203.5, 0.76%, 0.37%

LAB 44.36, -3.79, -36.89

 

CMYK 62 / 25 / 0 / 5

HEX #5BB6F2

RGB 91 182 242

HSL 203.84, 0.85%, 0.65%

LAB 70.93, -9.4, -37.93

 

CMYK 63 / 34 / 0 / 5

HEX #599EF1

RGB 89 158 241

HSL 212.76, 0.84%, 0.65%

LAB 64.1, 3.37, -48.1

 

CMYK 63 / 45 / 0 / 5

HEX #5984F1

RGB 89 132 241

HSL 223.03, 0.84%, 0.65%

LAB 57.05, 18.79, -59.31

 

CMYK 63 / 56 / 0 / 5

HEX #596BF1

RGB 89 107 241

HSL 232.89, 0.84%, 0.65%

LAB 50.68, 34.05, -69.6

 

CMYK 60 / 63 / 0 / 5

HEX #6159F1

RGB 97 89 241

HSL 243.16, 0.84%, 0.65%

LAB 47.02, 46.03, -75.52

 

CMYK 62 / 25 / 0 / 5

HEX #5BB6F2

RGB 91 182 242

HSL 203.84, 0.85%, 0.65%

LAB 70.93, -9.4, -37.93

 

CMYK 63 / 24 / 0 / 85

HEX #0E1D26

RGB 14 29 38

HSL 202.5, 0.46%, 0.1%

LAB 9.89, -3.14, -8.1

 

CMYK 63 / 25 / 0 / 65

HEX #214359

RGB 33 67 89

HSL 203.57, 0.46%, 0.24%

LAB 26.9, -4.88, -16.85

 

CMYK 62 / 25 / 0 / 45

HEX #35698C

RGB 53 105 140

HSL 204.14, 0.45%, 0.38%

LAB 42.39, -6.16, -24.48

 

CMYK 62 / 25 / 0 / 25

HEX #4890BF

RGB 72 144 191

HSL 203.7, 0.48%, 0.52%

LAB 57.16, -8.11, -31.16

 

CMYK 62 / 25 / 0 / 5

HEX #5BB6F2

RGB 91 182 242

HSL 203.84, 0.85%, 0.65%

LAB 70.93, -9.4, -37.93

 

CMYK 26 / 63 / 0 / 5

HEX #B259F1

RGB 178 89 241

HSL 275.13, 0.84%, 0.65%

LAB 55.03, 61.56, -62.16

 

CMYK 0 / 1 / 63 / 5

HEX #F1EF59

RGB 241 239 89

HSL 59.21, 0.84%, 0.65%

LAB 92.2, -17.13, 70.12

 

CMYK 62 / 25 / 0 / 5

HEX #5BB6F2

RGB 91 182 242

HSL 203.84, 0.85%, 0.65%

LAB 70.93, -9.4, -37.93

 

CMYK 0 / 63 / 24 / 5

HEX #F159B7

RGB 241 89 183

HSL 322.89, 0.84%, 0.65%

LAB 61.01, 67.3, -19.32

 

CMYK 24 / 0 / 63 / 5

HEX #B7F159

RGB 183 241 89

HSL 82.89, 0.84%, 0.65%

LAB 88.78, -40.65, 65.3

 

CMYK 62 / 25 / 0 / 5

HEX #5BB6F2

RGB 91 182 242

HSL 203.84, 0.85%, 0.65%

LAB 70.93, -9.4, -37.93

 

CMYK 26 / 63 / 0 / 5

HEX #B259F1

RGB 178 89 241

HSL 275.13, 0.84%, 0.65%

LAB 55.03, 61.56, -62.16

 

CMYK 0 / 39 / 63 / 5

HEX #F19459

RGB 241 148 89

HSL 23.29, 0.84%, 0.65%

LAB 69.9, 29.77, 45.44

 

CMYK 37 / 0 / 63 / 5

HEX #99F159

RGB 153 241 89

HSL 94.74, 0.84%, 0.65%

LAB 87.19, -51.12, 63.12

 

CMYK 62 / 25 / 0 / 5

HEX #5BB6F2

RGB 91 182 242

HSL 203.84, 0.85%, 0.65%

LAB 70.93, -9.4, -37.93

 

CMYK 7 / 63 / 0 / 5

HEX #DF59F1

RGB 223 89 241

HSL 292.89, 0.84%, 0.65%

LAB 60.94, 71.65, -52.37

 

CMYK 0 / 39 / 63 / 5

HEX #F19459

RGB 241 148 89

HSL 23.29, 0.84%, 0.65%

LAB 69.9, 29.77, 45.44

 

CMYK 56 / 0 / 63 / 5

HEX #6BF159

RGB 107 241 89

HSL 112.89, 0.84%, 0.65%

LAB 85.38, -64.42, 60.61

 

Description

Color code: CMYK 64 / 28 / 4 / 1 | qconv.com Color code: CMYK 64 / 28 / 4 / 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 182 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 182 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 28 magenta, 4 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 28% 4% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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