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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 63 / 31 / 89 / 16 it is the complementary color CMYK 24 / 54 / 0 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 63 / 31 / 89 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 63 / 31 / 89 / 16: CMYK 43 / 0 / 87 / 42, CMYK 39 / 0 / 77 / 35, CMYK 36 / 0 / 69 / 28, CMYK 33 / 0 / 62 / 21 and CMYK 31 / 0 / 57 / 14

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 63 / 31 / 89 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 63 / 31 / 89 / 16: CMYK 47 / 0 / 84 / 42, CMYK 52 / 0 / 96 / 49, CMYK 60 / 0 / 100 / 56, CMYK 70 / 0 / 100 / 63 and CMYK 86 / 0 / 100 / 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 31 / 89 / 16

HEX #4F9418

RGB 79 148 24

HSL 93.39, 0.72%, 0.34%

LAB 54.98, -42.01, 52.98

 

Complementary color

CMYK 24 / 54 / 0 / 9

HEX #B06BE7

RGB 176 107 231

HSL 273.39, 0.72%, 0.66%

LAB 57.57, 49.87, -52.52

 

CMYK 43 / 0 / 87 / 42

HEX #549413

RGB 84 148 19

HSL 89.77, 0.77%, 0.33%

LAB 55.19, -40.52, 54.52

 

CMYK 39 / 0 / 77 / 35

HEX #65A626

RGB 101 166 38

HSL 90.47, 0.63%, 0.4%

LAB 61.81, -41.23, 55.43

 

CMYK 36 / 0 / 69 / 28

HEX #76B839

RGB 118 184 57

HSL 91.18, 0.53%, 0.47%

LAB 68.33, -41.66, 55.31

 

CMYK 33 / 0 / 62 / 21

HEX #87CA4C

RGB 135 202 76

HSL 91.9, 0.54%, 0.55%

LAB 74.77, -41.91, 54.66

 

CMYK 31 / 0 / 57 / 14

HEX #98DC5F

RGB 152 220 95

HSL 92.64, 0.64%, 0.62%

LAB 81.12, -42.04, 53.73

 

CMYK 47 / 0 / 84 / 42

HEX #4F9418

RGB 79 148 24

HSL 93.39, 0.72%, 0.34%

LAB 54.98, -42.01, 52.98

 

CMYK 52 / 0 / 96 / 49

HEX #3E8205

RGB 62 130 5

HSL 92.64, 0.93%, 0.26%

LAB 48.26, -40.97, 51.08

 

CMYK 60 / 0 / 100 / 56

HEX #2D7000

RGB 45 112 0

HSL 95.89, 1%, 0.22%

LAB 41.45, -39.28, 46.44

 

CMYK 70 / 0 / 100 / 63

HEX #1C5E00

RGB 28 94 0

HSL 102.13, 1%, 0.18%

LAB 34.5, -37.05, 40.71

 

CMYK 86 / 0 / 100 / 70

HEX #0B4C00

RGB 11 76 0

HSL 111.32, 1%, 0.15%

LAB 27.41, -34.12, 34.84

 

CMYK 47 / 0 / 84 / 42

HEX #4F9418

RGB 79 148 24

HSL 93.39, 0.72%, 0.34%

LAB 54.98, -42.01, 52.98

 

CMYK 60 / 0 / 84 / 42

HEX #3B9518

RGB 59 149 24

HSL 103.2, 0.72%, 0.34%

LAB 54.54, -48.34, 52.3

 

CMYK 74 / 0 / 84 / 42

HEX #269518

RGB 38 149 24

HSL 113.28, 0.72%, 0.34%

LAB 54, -52.91, 51.6

 

CMYK 84 / 0 / 80 / 42

HEX #18951E

RGB 24 149 30

HSL 122.88, 0.72%, 0.34%

LAB 53.8, -54.56, 49.52

 

CMYK 84 / 0 / 66 / 42

HEX #189533

RGB 24 149 51

HSL 132.96, 0.72%, 0.34%

LAB 53.95, -52.63, 41.46

 

CMYK 47 / 0 / 84 / 42

HEX #4F9418

RGB 79 148 24

HSL 93.39, 0.72%, 0.34%

LAB 54.98, -42.01, 52.98

 

CMYK 47 / 0 / 84 / 22

HEX #6AC720

RGB 106 199 32

HSL 93.41, 0.72%, 0.45%

LAB 72.24, -53.17, 66.8

 

CMYK 47 / 0 / 84 / 2

HEX #85FA29

RGB 133 250 41

HSL 93.59, 0.95%, 0.57%

LAB 88.69, -63.72, 79.67

 

CMYK 46 / 0 / 85 / 82

HEX #192E07

RGB 25 46 7

HSL 92.31, 0.74%, 0.1%

LAB 16.39, -16.55, 20.43

 

CMYK 46 / 0 / 84 / 62

HEX #346110

RGB 52 97 16

HSL 93.33, 0.72%, 0.22%

LAB 36.59, -30, 38.04

 

CMYK 47 / 0 / 84 / 42

HEX #4F9418

RGB 79 148 24

HSL 93.39, 0.72%, 0.34%

LAB 54.98, -42.01, 52.98

 

CMYK 84 / 0 / 21 / 42

HEX #189575

RGB 24 149 117

HSL 164.64, 0.72%, 0.34%

LAB 55.04, -40.08, 7.85

 

CMYK 0 / 84 / 13 / 42

HEX #951882

RGB 149 24 130

HSL 309.12, 0.72%, 0.34%

LAB 35.31, 59.16, -28.73

 

CMYK 47 / 0 / 84 / 42

HEX #4F9418

RGB 79 148 24

HSL 93.39, 0.72%, 0.34%

LAB 54.98, -42.01, 52.98

 

CMYK 84 / 46 / 0 / 42

HEX #185095

RGB 24 80 149

HSL 213.12, 0.72%, 0.34%

LAB 34.19, 8.73, -42.93

 

CMYK 0 / 84 / 46 / 42

HEX #951850

RGB 149 24 80

HSL 333.12, 0.72%, 0.34%

LAB 33.18, 53.12, -0.05

 

CMYK 47 / 0 / 84 / 42

HEX #4F9418

RGB 79 148 24

HSL 93.39, 0.72%, 0.34%

LAB 54.98, -42.01, 52.98

 

CMYK 84 / 0 / 21 / 42

HEX #189575

RGB 24 149 117

HSL 164.64, 0.72%, 0.34%

LAB 55.04, -40.08, 7.85

 

CMYK 38 / 84 / 0 / 42

HEX #5C1895

RGB 92 24 149

HSL 272.64, 0.72%, 0.34%

LAB 27.01, 51.93, -54.34

 

CMYK 0 / 84 / 63 / 42

HEX #951837

RGB 149 24 55

HSL 345.12, 0.72%, 0.34%

LAB 32.52, 51.15, 15.44

 

CMYK 47 / 0 / 84 / 42

HEX #4F9418

RGB 79 148 24

HSL 93.39, 0.72%, 0.34%

LAB 54.98, -42.01, 52.98

 

CMYK 84 / 5 / 0 / 42

HEX #188E95

RGB 24 142 149

HSL 183.36, 0.72%, 0.34%

LAB 53.72, -27.49, -12.5

 

CMYK 38 / 84 / 0 / 42

HEX #5C1895

RGB 92 24 149

HSL 272.64, 0.72%, 0.34%

LAB 27.01, 51.93, -54.34

 

CMYK 0 / 80 / 84 / 42

HEX #951E18

RGB 149 30 24

HSL 2.88, 0.72%, 0.34%

LAB 32.67, 48, 34.89

 

Description

Color code: CMYK 63 / 31 / 89 / 16 | qconv.com Color code: CMYK 63 / 31 / 89 / 16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 148 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 148 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 31 magenta, 89 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 31% 89% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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