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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 63 / 17 / 90 / 2 it is the complementary color CMYK 29 / 79 / 0 / 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 63 / 17 / 90 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 63 / 17 / 90 / 2: CMYK 53 / 0 / 90 / 19, CMYK 49 / 0 / 83 / 12, CMYK 46 / 0 / 76 / 5, CMYK 42 / 0 / 70 / 0 and CMYK 35 / 0 / 62 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 63 / 17 / 90 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 63 / 17 / 90 / 2: CMYK 56 / 0 / 88 / 19, CMYK 60 / 0 / 97 / 26, CMYK 66 / 0 / 100 / 33, CMYK 73 / 0 / 100 / 40 and CMYK 82 / 0 / 100 / 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 17 / 90 / 2

HEX #5CCF19

RGB 92 207 25

HSL 97.91, 0.78%, 0.45%

LAB 74.17, -60.38, 69.76

 

Complementary color

CMYK 29 / 79 / 0 / 10

HEX #A330E6

RGB 163 48 230

HSL 277.91, 0.78%, 0.55%

LAB 46.46, 72.87, -69.93

 

CMYK 53 / 0 / 90 / 19

HEX #61CF14

RGB 97 207 20

HSL 95.29, 0.82%, 0.45%

LAB 74.33, -59.17, 70.82

 

CMYK 49 / 0 / 83 / 12

HEX #72E127

RGB 114 225 39

HSL 95.81, 0.76%, 0.52%

LAB 80.5, -60.22, 72.59

 

CMYK 46 / 0 / 76 / 5

HEX #83F33A

RGB 131 243 58

HSL 96.32, 0.89%, 0.59%

LAB 86.62, -60.96, 73.31

 

CMYK 42 / 0 / 70 / 0

HEX #94FF4D

RGB 148 255 77

HSL 96.07, 1%, 0.65%

LAB 90.94, -59.18, 71.56

 

CMYK 35 / 0 / 62 / 0

HEX #A5FF60

RGB 165 255 96

HSL 93.96, 1%, 0.69%

LAB 91.85, -52.32, 65.53

 

CMYK 56 / 0 / 88 / 19

HEX #5CCF19

RGB 92 207 25

HSL 97.91, 0.78%, 0.45%

LAB 74.17, -60.38, 69.76

 

CMYK 60 / 0 / 97 / 26

HEX #4BBD06

RGB 75 189 6

HSL 97.38, 0.94%, 0.38%

LAB 67.95, -58.95, 67.08

 

CMYK 66 / 0 / 100 / 33

HEX #3AAB00

RGB 58 171 0

HSL 99.65, 1%, 0.34%

LAB 61.68, -56.97, 62.61

 

CMYK 73 / 0 / 100 / 40

HEX #299900

RGB 41 153 0

HSL 103.92, 1%, 0.3%

LAB 55.33, -54.52, 57.4

 

CMYK 82 / 0 / 100 / 47

HEX #188700

RGB 24 135 0

HSL 109.33, 1%, 0.26%

LAB 48.91, -51.55, 52.15

 

CMYK 56 / 0 / 88 / 19

HEX #5CCF19

RGB 92 207 25

HSL 97.91, 0.78%, 0.45%

LAB 74.17, -60.38, 69.76

 

CMYK 69 / 0 / 88 / 20

HEX #40CC19

RGB 64 204 25

HSL 106.93, 0.78%, 0.45%

LAB 72.46, -65.78, 67.99

 

CMYK 83 / 0 / 88 / 20

HEX #22CC19

RGB 34 204 25

HSL 116.98, 0.78%, 0.45%

LAB 71.96, -70.15, 67.36

 

CMYK 88 / 0 / 77 / 20

HEX #19CC2E

RGB 25 204 46

HSL 127.04, 0.78%, 0.45%

LAB 71.95, -69.87, 61.97

 

CMYK 88 / 0 / 63 / 20

HEX #19CC4B

RGB 25 204 75

HSL 136.76, 0.78%, 0.45%

LAB 72.16, -67.24, 51.29

 

CMYK 56 / 0 / 88 / 19

HEX #5CCF19

RGB 92 207 25

HSL 97.91, 0.78%, 0.45%

LAB 74.17, -60.38, 69.76

 

CMYK 67 / 0 / 100 / 99

HEX #010300

RGB 1 3 0

HSL 100, 1%, 0.01%

LAB 0.65, -0.94, 0.95

 

CMYK 56 / 0 / 87 / 79

HEX #183607

RGB 24 54 7

HSL 98.3, 0.77%, 0.12%

LAB 19.42, -21.06, 24.06

 

CMYK 55 / 0 / 88 / 59

HEX #2F690D

RGB 47 105 13

HSL 97.83, 0.78%, 0.23%

LAB 39.13, -35.33, 41.24

 

CMYK 56 / 0 / 88 / 39

HEX #459C13

RGB 69 156 19

HSL 98.1, 0.78%, 0.34%

LAB 57.16, -48.43, 56

 

CMYK 56 / 0 / 88 / 19

HEX #5CCF19

RGB 92 207 25

HSL 97.91, 0.78%, 0.45%

LAB 74.17, -60.38, 69.76

 

CMYK 88 / 0 / 16 / 20

HEX #19CCAB

RGB 25 204 171

HSL 168.94, 0.78%, 0.45%

LAB 73.76, -48.97, 4.77

 

CMYK 0 / 88 / 19 / 20

HEX #CC19A5

RGB 204 25 165

HSL 313.07, 0.78%, 0.45%

LAB 47.3, 75.14, -30.48

 

CMYK 56 / 0 / 88 / 19

HEX #5CCF19

RGB 92 207 25

HSL 97.91, 0.78%, 0.45%

LAB 74.17, -60.38, 69.76

 

CMYK 88 / 54 / 0 / 20

HEX #195DCC

RGB 25 93 204

HSL 217.21, 0.78%, 0.45%

LAB 41.84, 22.18, -63.07

 

CMYK 0 / 88 / 54 / 20

HEX #CC195D

RGB 204 25 93

HSL 337.21, 0.78%, 0.45%

LAB 44.69, 67.99, 9.6

 

CMYK 56 / 0 / 88 / 19

HEX #5CCF19

RGB 92 207 25

HSL 97.91, 0.78%, 0.45%

LAB 74.17, -60.38, 69.76

 

CMYK 88 / 0 / 16 / 20

HEX #19CCAB

RGB 25 204 171

HSL 168.94, 0.78%, 0.45%

LAB 73.76, -48.97, 4.77

 

CMYK 34 / 88 / 0 / 20

HEX #8719CC

RGB 135 25 204

HSL 276.87, 0.78%, 0.45%

LAB 38.21, 69.75, -68.64

 

CMYK 0 / 88 / 72 / 20

HEX #CC193A

RGB 204 25 58

HSL 348.94, 0.78%, 0.45%

LAB 44, 66.01, 30.41

 

CMYK 56 / 0 / 88 / 19

HEX #5CCF19

RGB 92 207 25

HSL 97.91, 0.78%, 0.45%

LAB 74.17, -60.38, 69.76

 

CMYK 88 / 10 / 0 / 20

HEX #19B7CC

RGB 25 183 204

HSL 187.04, 0.78%, 0.45%

LAB 68.34, -29.91, -21.3

 

CMYK 34 / 88 / 0 / 20

HEX #8719CC

RGB 135 25 204

HSL 276.87, 0.78%, 0.45%

LAB 38.21, 69.75, -68.64

 

CMYK 0 / 77 / 88 / 20

HEX #CC2E19

RGB 204 46 25

HSL 7.04, 0.78%, 0.45%

LAB 45.44, 59.96, 49.74

 

Description

Color code: CMYK 63 / 17 / 90 / 2 | qconv.com Color code: CMYK 63 / 17 / 90 / 2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 207 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 207 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 17 magenta, 90 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 17% 90% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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