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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 62 / 44 / 76 / 29 it is the complementary color CMYK 12 / 27 / 0 / 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 62 / 44 / 76 / 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 62 / 44 / 76 / 29: CMYK 27 / 0 / 62 / 60, CMYK 24 / 0 / 52 / 53, CMYK 21 / 0 / 45 / 46, CMYK 19 / 0 / 39 / 39 and CMYK 18 / 0 / 34 / 32

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 62 / 44 / 76 / 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 62 / 44 / 76 / 29: CMYK 32 / 0 / 57 / 60, CMYK 37 / 0 / 71 / 67, CMYK 46 / 0 / 92 / 75, CMYK 62 / 0 / 100 / 82 and CMYK 97 / 0 / 100 / 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 44 / 76 / 29

HEX #45652B

RGB 69 101 43

HSL 93.1, 0.4%, 0.28%

LAB 39.15, -22.84, 28.81

 

Complementary color

CMYK 12 / 27 / 0 / 17

HEX #BA9AD4

RGB 186 154 212

HSL 273.1, 0.4%, 0.72%

LAB 68.24, 22.76, -25.18

 

CMYK 27 / 0 / 62 / 60

HEX #4A6526

RGB 74 101 38

HSL 85.71, 0.45%, 0.27%

LAB 39.42, -21.33, 31.8

 

CMYK 24 / 0 / 52 / 53

HEX #5B7739

RGB 91 119 57

HSL 87.1, 0.35%, 0.35%

LAB 46.6, -21.44, 30.61

 

CMYK 21 / 0 / 45 / 46

HEX #6C894C

RGB 108 137 76

HSL 88.52, 0.29%, 0.42%

LAB 53.6, -21.45, 29.35

 

CMYK 19 / 0 / 39 / 39

HEX #7D9B5F

RGB 125 155 95

HSL 90, 0.24%, 0.49%

LAB 60.45, -21.41, 28.11

 

CMYK 18 / 0 / 34 / 32

HEX #8EAD72

RGB 142 173 114

HSL 91.53, 0.26%, 0.56%

LAB 67.17, -21.34, 26.93

 

CMYK 32 / 0 / 57 / 60

HEX #45652B

RGB 69 101 43

HSL 93.1, 0.4%, 0.28%

LAB 39.15, -22.84, 28.81

 

CMYK 37 / 0 / 71 / 67

HEX #345318

RGB 52 83 24

HSL 91.53, 0.55%, 0.21%

LAB 31.77, -22.71, 29.89

 

CMYK 46 / 0 / 92 / 75

HEX #234105

RGB 35 65 5

HSL 90, 0.86%, 0.14%

LAB 24.16, -22.23, 30.11

 

CMYK 62 / 0 / 100 / 82

HEX #122F00

RGB 18 47 0

HSL 97.02, 1%, 0.09%

LAB 16.31, -20.76, 23.11

 

CMYK 97 / 0 / 100 / 89

HEX #011D00

RGB 1 29 0

HSL 117.93, 1%, 0.06%

LAB 8, -15.95, 11.68

 

CMYK 32 / 0 / 57 / 60

HEX #45652B

RGB 69 101 43

HSL 93.1, 0.4%, 0.28%

LAB 39.15, -22.84, 28.81

 

CMYK 40 / 0 / 58 / 61

HEX #3B632A

RGB 59 99 42

HSL 102.11, 0.4%, 0.28%

LAB 37.88, -25.86, 27.7

 

CMYK 51 / 0 / 58 / 61

HEX #31632A

RGB 49 99 42

HSL 112.63, 0.4%, 0.28%

LAB 37.38, -29.39, 26.98

 

CMYK 58 / 0 / 55 / 61

HEX #2A632D

RGB 42 99 45

HSL 123.16, 0.4%, 0.28%

LAB 37.12, -31.12, 24.96

 

CMYK 58 / 0 / 44 / 61

HEX #2A6337

RGB 42 99 55

HSL 133.68, 0.4%, 0.28%

LAB 37.28, -29.42, 19.48

 

CMYK 32 / 0 / 57 / 60

HEX #45652B

RGB 69 101 43

HSL 93.1, 0.4%, 0.28%

LAB 39.15, -22.84, 28.81

 

CMYK 32 / 0 / 57 / 40

HEX #689841

RGB 104 152 65

HSL 93.1, 0.4%, 0.43%

LAB 57.83, -31.67, 40.06

 

CMYK 32 / 0 / 58 / 20

HEX #8BCB56

RGB 139 203 86

HSL 92.82, 0.53%, 0.57%

LAB 75.37, -40.02, 50.99

 

CMYK 31 / 0 / 57 / 0

HEX #AEFE6C

RGB 174 254 108

HSL 92.88, 0.99%, 0.71%

LAB 92.12, -47.84, 60.94

 

CMYK 32 / 0 / 58 / 80

HEX #223215

RGB 34 50 21

HSL 93.1, 0.41%, 0.14%

LAB 18.69, -13, 16.27

 

CMYK 32 / 0 / 57 / 60

HEX #45652B

RGB 69 101 43

HSL 93.1, 0.4%, 0.28%

LAB 39.15, -22.84, 28.81

 

CMYK 58 / 0 / 14 / 61

HEX #2A6355

RGB 42 99 85

HSL 165.26, 0.4%, 0.28%

LAB 37.97, -22.49, 2.32

 

CMYK 0 / 58 / 8 / 61

HEX #632A5B

RGB 99 42 91

HSL 308.42, 0.4%, 0.28%

LAB 26.92, 32.87, -17.61

 

CMYK 32 / 0 / 57 / 60

HEX #45652B

RGB 69 101 43

HSL 93.1, 0.4%, 0.28%

LAB 39.15, -22.84, 28.81

 

CMYK 58 / 31 / 0 / 61

HEX #2A4463

RGB 42 68 99

HSL 212.63, 0.4%, 0.28%

LAB 28.19, 0.25, -21.26

 

CMYK 0 / 58 / 31 / 61

HEX #632A44

RGB 99 42 68

HSL 332.63, 0.4%, 0.28%

LAB 25.94, 28.98, -3.85

 

CMYK 32 / 0 / 57 / 60

HEX #45652B

RGB 69 101 43

HSL 93.1, 0.4%, 0.28%

LAB 39.15, -22.84, 28.81

 

CMYK 58 / 0 / 14 / 61

HEX #2A6355

RGB 42 99 85

HSL 165.26, 0.4%, 0.28%

LAB 37.97, -22.49, 2.32

 

CMYK 25 / 58 / 0 / 61

HEX #4A2A63

RGB 74 42 99

HSL 273.68, 0.4%, 0.28%

LAB 23.71, 26.84, -28.13

 

CMYK 0 / 58 / 42 / 61

HEX #632A39

RGB 99 42 57

HSL 344.21, 0.4%, 0.28%

LAB 25.58, 27.47, 3.02

 

CMYK 32 / 0 / 57 / 60

HEX #45652B

RGB 69 101 43

HSL 93.1, 0.4%, 0.28%

LAB 39.15, -22.84, 28.81

 

CMYK 58 / 2 / 0 / 61

HEX #2A6163

RGB 42 97 99

HSL 182.11, 0.4%, 0.28%

LAB 37.74, -17.35, -6.65

 

CMYK 25 / 58 / 0 / 61

HEX #4A2A63

RGB 74 42 99

HSL 273.68, 0.4%, 0.28%

LAB 23.71, 26.84, -28.13

 

CMYK 0 / 55 / 58 / 61

HEX #632D2A

RGB 99 45 42

HSL 3.16, 0.4%, 0.28%

LAB 25.85, 24.09, 13.45

 

Description

Color code: CMYK 62 / 44 / 76 / 29 | qconv.com Color code: CMYK 62 / 44 / 76 / 29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 101 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 101 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 44 magenta, 76 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 44% 76% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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