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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 61 / 9 / 0 / 39 it is the complementary color CMYK 0 / 42 / 49 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 61 / 9 / 0 / 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 61 / 9 / 0 / 39: CMYK 56 / 6 / 0 / 41, CMYK 51 / 6 / 0 / 33, CMYK 47 / 6 / 0 / 26, CMYK 44 / 6 / 0 / 18 and CMYK 41 / 6 / 0 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 61 / 9 / 0 / 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 61 / 9 / 0 / 39: CMYK 61 / 9 / 0 / 39, CMYK 68 / 9 / 0 / 46, CMYK 77 / 10 / 0 / 54, CMYK 90 / 11 / 0 / 61 and CMYK 100 / 13 / 0 / 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 9 / 0 / 39

HEX #3D8E9C

RGB 61 142 156

HSL 188.84, 0.44%, 0.43%

LAB 54.8, -20.2, -14.82

 

Complementary color

CMYK 0 / 42 / 49 / 24

HEX #C27163

RGB 194 113 99

HSL 8.84, 0.44%, 0.57%

LAB 56.27, 30.46, 21.61

 

CMYK 56 / 6 / 0 / 41

HEX #428E97

RGB 66 142 151

HSL 186.35, 0.39%, 0.43%

LAB 54.8, -20.7, -11.92

 

CMYK 51 / 6 / 0 / 33

HEX #53A0AA

RGB 83 160 170

HSL 186.9, 0.34%, 0.5%

LAB 61.55, -20.93, -12.53

 

CMYK 47 / 6 / 0 / 26

HEX #64B2BD

RGB 100 178 189

HSL 187.42, 0.4%, 0.57%

LAB 68.19, -21.08, -13.09

 

CMYK 44 / 6 / 0 / 18

HEX #75C4D0

RGB 117 196 208

HSL 187.91, 0.49%, 0.64%

LAB 74.71, -21.16, -13.61

 

CMYK 41 / 6 / 0 / 11

HEX #86D6E3

RGB 134 214 227

HSL 188.39, 0.62%, 0.71%

LAB 81.13, -21.21, -14.12

 

CMYK 61 / 9 / 0 / 39

HEX #3D8E9C

RGB 61 142 156

HSL 188.84, 0.44%, 0.43%

LAB 54.8, -20.2, -14.82

 

CMYK 68 / 9 / 0 / 46

HEX #2C7C89

RGB 44 124 137

HSL 188.39, 0.51%, 0.35%

LAB 47.95, -19.62, -14.18

 

CMYK 77 / 10 / 0 / 54

HEX #1B6A76

RGB 27 106 118

HSL 187.91, 0.63%, 0.28%

LAB 40.98, -18.74, -13.45

 

CMYK 90 / 11 / 0 / 61

HEX #0A5863

RGB 10 88 99

HSL 187.42, 0.82%, 0.21%

LAB 33.87, -17.34, -12.58

 

CMYK 100 / 13 / 0 / 69

HEX #004650

RGB 0 70 80

HSL 187.5, 1%, 0.16%

LAB 26.62, -15.2, -11.51

 

CMYK 61 / 9 / 0 / 39

HEX #3D8E9C

RGB 61 142 156

HSL 188.84, 0.44%, 0.43%

LAB 54.8, -20.2, -14.82

 

CMYK 61 / 18 / 0 / 38

HEX #3D809D

RGB 61 128 157

HSL 198.13, 0.44%, 0.43%

LAB 50.53, -12.25, -21.92

 

CMYK 61 / 29 / 0 / 38

HEX #3D709D

RGB 61 112 157

HSL 208.13, 0.44%, 0.43%

LAB 45.65, -2.93, -29.48

 

CMYK 61 / 39 / 0 / 38

HEX #3D609D

RGB 61 96 157

HSL 218.13, 0.44%, 0.43%

LAB 40.88, 6.98, -36.98

 

CMYK 61 / 49 / 0 / 38

HEX #3D509D

RGB 61 80 157

HSL 228.13, 0.44%, 0.43%

LAB 36.3, 17.34, -44.3

 

CMYK 61 / 9 / 0 / 39

HEX #3D8E9C

RGB 61 142 156

HSL 188.84, 0.44%, 0.43%

LAB 54.8, -20.2, -14.82

 

CMYK 61 / 9 / 0 / 19

HEX #51BCCF

RGB 81 188 207

HSL 189.05, 0.57%, 0.56%

LAB 71.02, -24.96, -18.76

 

CMYK 67 / 0 / 0 / 99

HEX #010303

RGB 1 3 3

HSL 180, 0.5%, 0.01%

LAB 0.71, -0.52, -0.18

 

CMYK 61 / 9 / 0 / 79

HEX #153136

RGB 21 49 54

HSL 189.09, 0.44%, 0.15%

LAB 18.46, -8.84, -6.43

 

CMYK 61 / 9 / 0 / 59

HEX #296069

RGB 41 96 105

HSL 188.44, 0.44%, 0.29%

LAB 37.58, -15.12, -10.59

 

CMYK 61 / 9 / 0 / 39

HEX #3D8E9C

RGB 61 142 156

HSL 188.84, 0.44%, 0.43%

LAB 54.8, -20.2, -14.82

 

CMYK 41 / 61 / 0 / 38

HEX #5D3D9D

RGB 93 61 157

HSL 260, 0.44%, 0.43%

LAB 34.19, 36.36, -47.56

 

CMYK 0 / 16 / 61 / 38

HEX #9D843D

RGB 157 132 61

HSL 44.38, 0.44%, 0.43%

LAB 56.1, 0.81, 41.11

 

CMYK 61 / 9 / 0 / 39

HEX #3D8E9C

RGB 61 142 156

HSL 188.84, 0.44%, 0.43%

LAB 54.8, -20.2, -14.82

 

CMYK 0 / 61 / 8 / 38

HEX #9D3D91

RGB 157 61 145

HSL 307.5, 0.44%, 0.43%

LAB 42.08, 50.42, -27.23

 

CMYK 8 / 0 / 61 / 38

HEX #919D3D

RGB 145 157 61

HSL 67.5, 0.44%, 0.43%

LAB 62.06, -17.92, 47.46

 

CMYK 61 / 9 / 0 / 39

HEX #3D8E9C

RGB 61 142 156

HSL 188.84, 0.44%, 0.43%

LAB 54.8, -20.2, -14.82

 

CMYK 41 / 61 / 0 / 38

HEX #5D3D9D

RGB 93 61 157

HSL 260, 0.44%, 0.43%

LAB 34.19, 36.36, -47.56

 

CMYK 0 / 53 / 61 / 38

HEX #9D4A3D

RGB 157 74 61

HSL 8.13, 0.44%, 0.43%

LAB 41.85, 33.44, 24.05

 

CMYK 20 / 0 / 61 / 38

HEX #7D9D3D

RGB 125 157 61

HSL 80, 0.44%, 0.43%

LAB 60.61, -26.26, 45.46

 

CMYK 61 / 9 / 0 / 39

HEX #3D8E9C

RGB 61 142 156

HSL 188.84, 0.44%, 0.43%

LAB 54.8, -20.2, -14.82

 

CMYK 22 / 61 / 0 / 38

HEX #7A3D9D

RGB 122 61 157

HSL 278.13, 0.44%, 0.43%

LAB 37.68, 43.43, -41.76

 

CMYK 0 / 53 / 61 / 38

HEX #9D4A3D

RGB 157 74 61

HSL 8.13, 0.44%, 0.43%

LAB 41.85, 33.44, 24.05

 

CMYK 39 / 0 / 61 / 38

HEX #609D3D

RGB 96 157 61

HSL 98.13, 0.44%, 0.43%

LAB 58.92, -37.26, 43.09

 

Description

Color code: CMYK 61 / 9 / 0 / 39 | qconv.com Color code: CMYK 61 / 9 / 0 / 39 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 142 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 142 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 9 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 9% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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