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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 60 / 4 / 0 / 25 it is the complementary color CMYK 0 / 60 / 64 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 60 / 4 / 0 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 60 / 4 / 0 / 25: CMYK 56 / 1 / 0 / 27, CMYK 52 / 1 / 0 / 20, CMYK 48 / 2 / 0 / 12, CMYK 45 / 2 / 0 / 5 and CMYK 41 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 60 / 4 / 0 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 60 / 4 / 0 / 25: CMYK 60 / 4 / 0 / 25, CMYK 65 / 3 / 0 / 33, CMYK 72 / 3 / 0 / 40, CMYK 81 / 3 / 0 / 47 and CMYK 92 / 3 / 0 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 4 / 0 / 25

HEX #4DB8BF

RGB 77 184 191

HSL 183.68, 0.47%, 0.53%

LAB 69.2, -28.3, -12.75

 

Complementary color

CMYK 0 / 60 / 64 / 30

HEX #B24740

RGB 178 71 64

HSL 3.68, 0.47%, 0.47%

LAB 44.72, 43.11, 26.59

 

CMYK 56 / 1 / 0 / 27

HEX #52B8BA

RGB 82 184 186

HSL 181.15, 0.43%, 0.53%

LAB 69.2, -28.77, -9.98

 

CMYK 52 / 1 / 0 / 20

HEX #63CACD

RGB 99 202 205

HSL 181.7, 0.51%, 0.6%

LAB 75.64, -28.97, -10.67

 

CMYK 48 / 2 / 0 / 12

HEX #74DCE0

RGB 116 220 224

HSL 182.22, 0.64%, 0.67%

LAB 81.99, -29.1, -11.31

 

CMYK 45 / 2 / 0 / 5

HEX #85EEF3

RGB 133 238 243

HSL 182.73, 0.82%, 0.74%

LAB 88.26, -29.17, -11.91

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 60 / 4 / 0 / 25

HEX #4DB8BF

RGB 77 184 191

HSL 183.68, 0.47%, 0.53%

LAB 69.2, -28.3, -12.75

 

CMYK 65 / 3 / 0 / 33

HEX #3CA6AC

RGB 60 166 172

HSL 183.21, 0.48%, 0.45%

LAB 62.69, -27.83, -12.02

 

CMYK 72 / 3 / 0 / 40

HEX #2B9499

RGB 43 148 153

HSL 182.73, 0.56%, 0.38%

LAB 56.08, -27.14, -11.21

 

CMYK 81 / 3 / 0 / 47

HEX #1A8286

RGB 26 130 134

HSL 182.22, 0.68%, 0.31%

LAB 49.38, -26.12, -10.29

 

CMYK 92 / 3 / 0 / 55

HEX #097073

RGB 9 112 115

HSL 181.7, 0.85%, 0.24%

LAB 42.59, -24.63, -9.22

 

CMYK 60 / 4 / 0 / 25

HEX #4DB8BF

RGB 77 184 191

HSL 183.68, 0.47%, 0.53%

LAB 69.2, -28.3, -12.75

 

CMYK 59 / 13 / 0 / 25

HEX #4EA7BF

RGB 78 167 191

HSL 192.74, 0.47%, 0.53%

LAB 64.18, -19.5, -20.34

 

CMYK 59 / 23 / 0 / 25

HEX #4E94BF

RGB 78 148 191

HSL 202.83, 0.47%, 0.53%

LAB 58.57, -9.21, -28.96

 

CMYK 59 / 32 / 0 / 25

HEX #4E81BF

RGB 78 129 191

HSL 212.92, 0.47%, 0.53%

LAB 53.04, 1.76, -37.58

 

CMYK 59 / 42 / 0 / 25

HEX #4E6EBF

RGB 78 110 191

HSL 223.01, 0.47%, 0.53%

LAB 47.67, 13.35, -46.09

 

CMYK 60 / 4 / 0 / 25

HEX #4DB8BF

RGB 77 184 191

HSL 183.68, 0.47%, 0.53%

LAB 69.2, -28.3, -12.75

 

CMYK 60 / 4 / 0 / 5

HEX #62E9F2

RGB 98 233 242

HSL 183.75, 0.85%, 0.67%

LAB 85.65, -33.96, -15.42

 

CMYK 61 / 3 / 0 / 85

HEX #0F2526

RGB 15 37 38

HSL 182.61, 0.43%, 0.1%

LAB 13.01, -8.36, -3.37

 

CMYK 60 / 3 / 0 / 65

HEX #245659

RGB 36 86 89

HSL 183.4, 0.42%, 0.25%

LAB 33.46, -15.68, -6.84

 

CMYK 60 / 4 / 0 / 45

HEX #38878C

RGB 56 135 140

HSL 183.57, 0.43%, 0.38%

LAB 51.91, -22.33, -9.94

 

CMYK 60 / 4 / 0 / 25

HEX #4DB8BF

RGB 77 184 191

HSL 183.68, 0.47%, 0.53%

LAB 69.2, -28.3, -12.75

 

CMYK 45 / 59 / 0 / 25

HEX #6A4EBF

RGB 106 78 191

HSL 254.87, 0.47%, 0.53%

LAB 41.65, 39.03, -55.63

 

CMYK 0 / 20 / 59 / 25

HEX #BF984E

RGB 191 152 78

HSL 39.29, 0.47%, 0.53%

LAB 65.03, 5.99, 43.84

 

CMYK 60 / 4 / 0 / 25

HEX #4DB8BF

RGB 77 184 191

HSL 183.68, 0.47%, 0.53%

LAB 69.2, -28.3, -12.75

 

CMYK 0 / 59 / 3 / 25

HEX #BF4EB9

RGB 191 78 185

HSL 303.19, 0.47%, 0.53%

LAB 51.87, 58.77, -35.23

 

CMYK 3 / 0 / 59 / 25

HEX #B9BF4E

RGB 185 191 78

HSL 63.19, 0.47%, 0.53%

LAB 74.9, -17.09, 54.86

 

CMYK 60 / 4 / 0 / 25

HEX #4DB8BF

RGB 77 184 191

HSL 183.68, 0.47%, 0.53%

LAB 69.2, -28.3, -12.75

 

CMYK 45 / 59 / 0 / 25

HEX #6A4EBF

RGB 106 78 191

HSL 254.87, 0.47%, 0.53%

LAB 41.65, 39.03, -55.63

 

CMYK 0 / 56 / 59 / 25

HEX #BF544E

RGB 191 84 78

HSL 3.19, 0.47%, 0.53%

LAB 49.46, 42.57, 24.76

 

CMYK 15 / 0 / 59 / 25

HEX #A3BF4E

RGB 163 191 78

HSL 74.87, 0.47%, 0.53%

LAB 73.28, -26.09, 52.61

 

CMYK 60 / 4 / 0 / 25

HEX #4DB8BF

RGB 77 184 191

HSL 183.68, 0.47%, 0.53%

LAB 69.2, -28.3, -12.75

 

CMYK 27 / 59 / 0 / 25

HEX #8C4EBF

RGB 140 78 191

HSL 272.92, 0.47%, 0.53%

LAB 45.34, 46.93, -49.5

 

CMYK 0 / 56 / 59 / 25

HEX #BF544E

RGB 191 84 78

HSL 3.19, 0.47%, 0.53%

LAB 49.46, 42.57, 24.76

 

CMYK 32 / 0 / 59 / 25

HEX #81BF4E

RGB 129 191 78

HSL 92.92, 0.47%, 0.53%

LAB 71.2, -39.03, 49.7

 

Description

Color code: CMYK 60 / 4 / 0 / 25 | qconv.com Color code: CMYK 60 / 4 / 0 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 184 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 184 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 4 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 4% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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